118,077 research outputs found
Les vacances du jeune pianiste. 5, Cigarette-polka : [pour piano] : op. 240 / simplifiée par J. L. Battmann ; [d'après] Georges Lamothe
No full textTitre uniforme : Battmann, Jacques-Louis (1818-1886). Compositeur. [Arrangements. Lamothe, Georges. Cigarette-polka. Piano. Op. 240, no 5]Polkas (piano) -- +* 1800......- 1899......+:19e siècle:Piano, Musique de -- +* 1800......- 1899......+:19e siècle
Between Dancing and Writing: The Practice of Religious Studies
No full textThis book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance.
In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of “religion,” on the one hand, and “theology,” on the other.
In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religion
Art et histoire à Majorque : Llompart (G.), La pintura medieval mallorquina, su entorno cultural y su iconografia, éd. L. Ripoll, Palma de Mallorca,1977-1978
No full textCarbonell-Lamothe Yvette. Art et histoire à Majorque : Llompart (G.), La pintura medieval mallorquina, su entorno cultural y su iconografia, éd. L. Ripoll, Palma de Mallorca,1977-1978. In: Annales du Midi : revue archéologique, historique et philologique de la France méridionale, Tome 92, N°146, 1980. p. 97
Review Of Why We Dance: A Philosophy Of Bodily Becoming By K. L. LaMothe
No full textThis book, LaMothe\u27s fifth, weaves together current concerns in dance, philosophy, psychology, and religion. The author examines why people dance, what dance is, and why everyone should do it. She suggests dance can play a central role in reversing humanity’s currently hazardous path toward ecological destruction and therefore self-destruction. Referencing a variety of disciplines and authors from a wide range of fields, LaMothe organizes her vision of dance around three principles: through dance one creates and becomes patterns of sensation and response ; dancing creates a sensory awareness of participation in it; in dancing one attends consciously to one’s movements and, therefore, to the evolving challenges of each moment. The author argues that this sensory attention to the moment is precisely what is lacking in overmediated 21st-century lives. In addition, LaMothe claims that participation in the minute-by-minute sensory presence dancing provides is a biological, ethical, spiritual, and ecological necessity. Through dancing, she posits, one can understand and transform the self, the communities in which one lives and participates, and the larger world. The chapters alternate between theory and personal narrative, providing readers with both challenge and balance. The audience for this volume extends to specialists interested in ecology, feminist studies, and religion. Summing Up: Recommended. Graduate students, researchers, professionals
L'Exilée d'Holy-Rood. [Par É.-L. de Lamothe-Langon.]
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L’incrédulité de saint Thomas
No full textLouis Lamothe (1822-1869), élève d’Ingres et de Flandrin1855Exposition universelle de 1855Cahors - Église du Sacré-CœurH 256 - L 201 Pâle et hiératique, une main levée en signe d’appel, Jésus regarde Thomas agenouillé et lui dit : “Approche ta main et mets-là dans mon côté, et ne sois pas incrédule, mais croyant” (Jean xx, 24-26). En s’exécutant, l’apôtre lève les derniers doutes du miracle de la Résurrection. Son geste solennel répond à la curiosité d’un autre disciple, situé sur la même obl..
Notice sur l'église Saint-Pierre, à Bordeaux . (Signé : L. de L. [Louis de Lamothe.])
No full textAppartient à l’ensemble documentaire : Aquit1Avec mode text
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