1,724,221 research outputs found
D. "Druga zastupati ne sramljaisja", ili: Naš drug i kollega Marija Kristina Bragone. Ee rol' v ital'janskoj i meždunarodnoj skavistike
No full textDopo una breve parte memorialistica sull’inizio dell’amicizia tra l’autrice e Maria Cristina Bragone il saggio traccia le linee del suo percorso scientifico dalla tesi di laurea a quella di dottorato alla monografia su un abbecedario inedito e alla produzione più recente mettendone in luce l’originale metodologia, i significativi risultati e l’eminente ruolo negli studi slavisti internazionaliAfter a brief memoir on the beginning of the friendship between the author and Maria Cristina Bragone, the essay traces the lines of her scientific path from her degree to her doctoral thesis, to her monograph on an unpublished Slavic abecedary and to her most recent production, highlighting her original methodology, the significant results and eminent role in international Slavic studie
V. N. Toporov, Iz istorii russkoj literatury, Tom II, Russkaja literatura vtoroj poloviny XVIII veka: Issledovanija, materialy, Publikacii. M. N. Murav’ev: vvedenie v tvorčeskoe nasledie, kniga I, Moskva, Jazyki russkoj kul’tury, 2001, 905 pp.
No full textDescribing and commenting the imposing book by V. N. Toporov, with reference to the many archival founds where M. Murav’ev’s papers are kept, the Author points out to several errors and contradictions and adds new facts and details
Sincerità e bugie infantili in Fonvizin e Tolstoj
No full textSincerity and Children Lies in Fonvizin and Tolstoy
The essay puts forward the idea of a similarity in the treatment of sincerity
and lies between the author of Childhood and Eighteenth Century
Russian writer Denis Fonvizin. The striking analogy between two episodes
depicting children white lies in Childhood and Denis Fonvizin’s
memoirs A sincere avowal of my deeds and thoughts is presented. The similarity of the episodes can be explained by the
common influence of Rousseau, which Fonvizin knew and appreciated
especially after reading his Confessions, and which he quoted in his own memoirs, but the possibility of Tolstoy’s more or less conscious imitation of the older writer is also taken into account
Evgenij Onegin. Romanzo in versi (1823-1831)
No full textIl saggio rappresenta una lettura ravvicinata del capolavoro di Aleksandr Puškin, nel contesto culturale dell’epoca, che tiene conto dei più recenti risultati della critica ma ne propone anche un’interpretazione nuova collocandolo nell’evoluzione esistenziale e creativa dello scrittore.The essay represents a close reading of Alexander Pushkin's masterpiece, in the cultural context of the time. It takes into account the most recent results of criticism but also proposes a new interpretation by placing it in the existential and creative evolution of the writer
Aleksandr Sergeevič Puškin (1799-1837)
Full text linkBreve profilo biografico dello scrittore russo utile alla comprensione del saggio sulla sua opera Evgenij Onegin. Romanzo in versi.Short biographical note on the Russian writer, useful for understanding the essay on his work Yevgeny Onegin. Novel in verse
Michail Murav’ev, Alla dea della Neva (1797)
Full text linkСтатья посвящена стихотворению Михаила Муравьева «Богине Невы» (1797). Она включает его первый итальянский перевод, подробное обсуждение пути от рукописи до печатного издания, текстологический, метрический и иконографический анализ текста. Особое внимание уделяется культурному контексту замысла и окончательной редакции, а также рецепции — от известной цитаты из «Евгения Онегина» Пушкина до связи между четырехстопным хореем с чередующимися женскими и мужскими рифмами и интимным или ностальгическим видением имераторской власти в известных стихотворениях XIX-XX вв.Il saggio è uno studio monografico della lirica di Michail Murav’ev Alla dea della Neva (1797), di cui presenta la prima traduzione italiana, un’approfondita discussione della genesi dal manoscritto all’edizione a stampa, l’analisi testuale, metrica, iconografica. Particolare attenzione è rivolta al contesto culturale della genesi e della pubblicazione e alla ricezione, da una notissima citazione nell’Evgenij Onegin di Puškin al legame tra il suo metro, la tetrapodia trocaica a rime alternate femminili maschili, e una visione intimistica o nostalgica del potere imperiale in famose poesie scritte fra Ottocento e Novecento.The essay is a monographic study of Mikhail Murav’ev’s short poem To the Goddess of the Neva (1797), of which it presents the first Italian translation. An in-depth discussion of the genesis from the manuscript to the printed edition, and the textual, metrical, iconographic analysis follow. Particular attention is paid to the cultural context of the poem genesis and publication, and to its reception, from a very famous quotation in Pushkin’s Eugene Onegin to the association of its meter, the trochaic tetrapody with alternating feminine and masculine rhymes, with an intimate or nostalgic vision of imperial power in famous poems written between the nineteenth and twentieth centuries
Pedagogičeskaja proza M. N. Murav’eva i tradicija francuzskogo prosveščenija
No full textCercando di identificare le possibili fonti del breve testo “L’infanzia di Evandr, racconto antico” di M.N. Murav’ev, da lei pubblicato nel 1995 e in seguito studiato da V.N. Toporov, l’Autrice mette in luce la connessione tra la prosa pedagogica del sentimentalismo russo e i generi narrativi minori dei maestri dell’illuminismo francese (Fénelon, Buffon).The investigation of the possible sources of the short story “Evandr’s childhood. An ancient story” by M.N.Murav’ev, which she published in 1995 and was than studied by V. N. Toporov leads the Author to stress the link between Russian sentimentalism and not only the ideology, but also the minor narrative forms, of the French Illuminism (Fénelon, Buffon)
Public Access to Documents in the EU, by L. Rossi and P. Vinagre e Silva
No full textHillebrandt M. Public Access to Documents in the EU, by L. Rossi and P. Vinagre e Silva. Journal of Common Market Studies. 2018;56(1):205
L. Rossi, La garde du fleuve dans l’Egypte hellénistique et romaine
No full textLa garde du fleuve dans l’ Egypte hellénistique et romaine. Pratiques et savoirs du contrôle des territoires. L. Rossi - LabEX HASTEC, ANHIMA (UMR 8210) Enregistrement audi
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