730 research outputs found
Rondo a capriccio : für das Pianoforte : Op. 129 / von L. van Beethoven
No full textTitre uniforme : Beethoven, Ludwig van (1770-1827). Compositeur. [Rondo a capriccio. Op. 129]Collection : Ausgewählte Werke aus dem Concertprogramm von Eugen d'Albert's Klavierabenden ; 3Collection : Ausgewählte Werke aus dem Concertprogramm von Eugen d'Albert's Klavierabenden ; 3Piano, Musique de -- +* 1700......- 1799......+:18e siècle:Rondos (piano) -- +* 1700......- 1799......+:18e siècle
Rondo dans le style ancien : pour piano : op. 31 / par A. Adam-Laussel ; [ill. par] L. Denis
No full textTitre uniforme : Adam-Laussel, A. (18..-19.. ; compositeur). Compositeur. [Rondo dans le style ancien. Piano. Op. 31]Piano, Musique de -- +* 1800......- 1899......+:19e siècle:Rondos (piano) -- +* 1800......- 1899......+:19e siècle
Composition:Cue Rondo
No full textCue Rondo is an open composition to be realised by improvising musicians. See more about my composition practise in the entry "Composition - General Introduction". Caution: streaming the sound/video files will in some cases only provide a few minutes' sample, or the visuals will not appear at all. Please DOWNLOAD them to see/hear them in full length! This work is licensed under a Creative Commons "by-nc" License. You may for non-commercial purposes use and distribute it, performance instructions as well as specially designated recordings, as long as the author is mentioned. Please see http://creativecommons.org/licenses/by-nc/3.0/ for details. </i
Composition:Cue Rondo
No full textCue Rondo is an open composition to be realised by improvising musicians. See more about my composition practise in the entry "Composition - General Introduction". Caution: streaming the sound/video files will in some cases only provide a few minutes' sample, or the visuals will not appear at all. Please DOWNLOAD them to see/hear them in full length! This work is licensed under a Creative Commons "by-nc" License. You may for non-commercial purposes use and distribute it, performance instructions as well as specially designated recordings, as long as the author is mentioned. Please see http://creativecommons.org/licenses/by-nc/3.0/ for details. </i
URBAN INNER CITY AREA RONDO IN MOSTAR
No full textNeobarokni trg Rondo u Mostaru spomenik je kulture neprocjenjive vrijednosti, sačuvan u svome izvornu obliku do devedesetih godina prošloga stoljeća. Planiran je i izgrađen u jednome graditeljskom potezu na kraju 19. i početkom 20. stoljeća. Rondo je jedinstveno urbanističko rješenje koje predstavlja i pripadajuće arhitektonske objekte iznimnih historicističkih rješenja svoga doba. Autor opisuje genezu njegove destrukcije u posljednjih trideset godina kao rezultat novonastaloga bezobzirnoga neoliberalnog kapitalizma, klijentističke vlasti i zemljišnih špekulacija. Takvu destrukciju omogućila je nova struktura stanovništva nastala poslije rata, a novouspostavljena vlast nije prepoznala zatečene vrijednosti. „Urbanisti“, arhitekti i inženjeri u urbanističkim službama bili su samo sredstvo u rukama vlasti i mešetara. Zaključak je da se našemu kulturnom nasljeđu u posljednja tri desetljeća pristupalo krajnje neodgovorno, štoviše, iracionalno te su u mnogim slučajevima, kao što je riječ o Rondou, štete nepopravljive.Baroque Revival square Rondo in Mostar is a cultural monument of great value. It was preserved in its original form till the 90s of the last century. It was planned and built at once towards the end of the 19th ct. and at the beginning of the 20th ct. Rondo is a unique urbanistic solution which includes associated architectural constructions that represent marvelous historicist solutions of that age. The author describes the genesis of its destruction in the last thirty years as a result of the new reckless neoliberal capitalism, clientistic authority and land speculations. Such destruction was allowed by the new inhabitants structure after the war. The newly established authorities did not recognize the found values. The so called „urban planners“, architects and engineers in the urban planning administrations were just a sheer puppet in the hands of the authorities and machers. To conclude, our cultural heritage was approached extremely irresponsibly in the last three decades, furthermore, it was approached irrationally and in many cases, as it is the case with Rondo, the damage is irreparable
(A) Study of structural feature of sonata-rondo form
No full textThis thesis deals with the structural characteristics of sonata-rondo form which had been developed during the classical period.
The sonata-rondo is a hybrid form which is a combination of two separate forms, Sonata and rondo forms. The sonata-rondo form was used by Wolfgang A. Mozart (1756-1791), Joseph Haydn (1732-1809) and Ludwig Van Beethoven (1770-1827) during the classical period. This study is mainly concerned with the structure of the sonata-rondo form which had frequently been used by Mozart among those composers. By studying the characteristics of the structure of sonata-rondo form, it seems that the most important characteristics of the form lie in its developmental character in the second episode.
In order to study its structural characteristics, a brief review of the formal structures of the rondo form and the Sonata form was included. The format of the thesis is laid out as follows:
The first chapter, as an introduction, presents the names of the theorist who for the first time treated the sonata-rondo form, and briefly explains the content of the thesis.
The second chapter makes a historical study of rondo form. It shows, namely, how the rondo form developed in the Medieval period (XII-XIII century), Baroque period (XVII-mid-eighteenth century), and Classic period (mid-eighteenth century - the early part of nineteenth century). It indicates also the characteristics of rondo form in each period and the mutual relations existing in these periods.
In the third chapter, the characteristic organization of sonata form is described according to its large sectional divisions-exposition, development, recapitulation and coda.
Finally, the general structure and characteristics of the sonata-rondo form and especially the characters and the materials used in the C section which is the second episode of sonata-rondo form are described in the fourth chapter.
Besides, a comparative analysis of Mozart&apos;s piano Sonata (3rd movement of K 576, D major) which has well represented the developmental character of the sonata-rondo form and Beethoven&apos;s A major piano Sonata (Op.2, last movement of N.2) as a seven-part rondo form which has entirely contrasting materials in the 2nd episode, is given at the end of the fourth chapter in order to clarify the characteristic features on the sonata-rondo form and the seven-part Rondo form.
As conclusion of this study, it can be said that the distinct character of the sonata-rondo form lies in the use of the materials of the rondo theme and of the first episode in the C section, not just in the formal pattern as some theorists think.;이 논문은 고전 시기(1750-1825)에 중요한 형식이었던 소나타-론도(sonata-rondo)형식의 구조적인 특징에 관한 연구이다. 필자가 소나타-론도 형식에 관해 관심을 갖게 된 것은 이 용어 자체가 우리에게 잘 알려진 소나타(sonata)와 론도(rondo)라는 두 용어가 복합되어서 소나타-론도라는 하나의 새로운 형식을 형성하고 있는데 기인한 것이다.
소나타-론도 형식은 고전시기에 모차르트(Wolfgang Amadeus Mozart ; 1756-1791), 하이든(Joseph Haydn ; 1732-1809) 그리고 베토벤(Ludwig Van Beethoven ; 1770-1827)에 의해서 많이 사용되었으며 이 논문에서는 이들 작곡가 중에 모차르트가 즐겨 사용한 소나타-론도 형식의 구조를 알아보았다. 또한 소나타-론도 형식의 구조적인 특징을 알아봄으로써 이 형식의 가장 중요한 특성이 발전부적인 성격임을 알게 되었다. 이와 같은 소나타-론도 형식과 연관성을 가지고 있는 론도 형식과 소나타 형식을 알아보기위해 다음과 같이 연구하였다.
서론에서는 소타나-론도 형식에 대한 최초의 이론적인 제시를 한 이론가와 연도를 제시하였으며 더불어서 본 논문에서 연구하고자 하는 내용을 간단히 제시하였다. 제2장에서는 론도 형식의 역사적인 고찰과 특징을 알아보았으며 론도 형식의 발달을 중세 시대 (Medieval peiod l 12세기-13세기), 바로크 시대(Baroque period ; 17세기-18세기 중엽), 그리고 고전 시대(Classic period ; 18세기 중엽-19세기 초엽)별로 각 특징과 서로의 연관성을 알아보았다. 제3장에서는 소나타 형식의 구성을 제시부, 발전부, 재현부, 종지부등으로 나누어 그 특징을 간단히 정리하였으며 이어서 제4장에서는 소나타-론도 형식의 구조와 조성 및 특징을 알아봄으로써 특히 소나타 형식과의 연관성을 알아보았고 작품 분석에서는 소나타-론도 형식의 발전부적인 성격이 잘 나타나 있는 모짜르트의 피아노 소나타 D장조 K.576의 3악장과, 내조적인 성격을 가지고있는 7부분 론도 형식인 베토벤의 피아노 소나타 A장조 op.2, no.2의 종악장을 비교 분석함으로써 소나타-론도 형식의 특징과 7부분 론도 형식의 특징을 비교하여 제시해 주었다.
결론에서는 소나타-론도 형식의 구조와 조성등을 다시 한번 제시 하였으며 또한 소나타와의 연관성 및 론도 형식과의 구분점을 제시해 줌으로써 소나타-론도 형식의 위치를 확실히 언급해 주었다.논문개요 = ⅳ
Ⅰ. 서론 = 1
Ⅱ. 론도 형식의 역사적인 고찰과 특징 = 3
Ⅲ. 소나타 형식의 구조적인 특징 = 12
Ⅳ. 소나타 - 론도 형식의 구조적 특징 = 18
A. 일반적 구조의 특징 = 18
B. 소나타 - 론도 형식과 7부분 론도 형식의 비교 분석 = 25
Ⅴ. 결론 = 40
참고문헌 = 42
ABSTRACT = 4
Caracterização hidráulica do microaspersor Rondo, da Plastro Hydraulic characterization of the Plastro Rondo microsprinkler
No full textCom o objetivo de se determinar as características hidráulicas do microaspersor Rondo 50 L h-1, de bocal azul, fabricado pela Plastro, conduziram-se testes no Laboratório de Hidráulica da Escola Superior de Agricultura de Mossoró, determinando-se a equação característica vazão - pressão, o coeficiente de variação de fabricação (CVf), o perfil de distribuição, o diagrama pluviométrico e a uniformidade de distribuição de água pelo microaspersor. A equação característica obtida foi q = 3,4312H0,516, caracterizando fluxo turbulento; o CVf médio foi considerado excelente e o microaspersor apresentou um raio de alcance igual a 3,3 m. O espaçamento com melhor uniformidade de distribuição e superposição, foi o de 1,2 x 1,2 m, embora para espaçamentos de até 3,6 x 3,6 m, a uniformidade de distribuição tenha sido superior a 80%.In order to assess the hydraulic characteristics of the microsprinkler Rondo 50 L h-1, with blue nozzle, manufactured by Plastro, tests were carried out in the Hydraulic Laboratory of the Escola Superior de Agricultura de Mossoró (ESAM). Estimates were made for discharge pressure head equation, manufacturer’s coefficient of variation, profile of distribution, uniformity of water application and water application uniformity with overlap. The manufacture’s coefficient of variation is classified as excellent and the characteristic equation is q = 3.4312 H0.516, characterizing a turbulent flow. The microsplinker has a throw radius of a 3.3 m. The best emitter spacing with overlap found was 1.2 x 1.2 m, although for spacing up to 3.6 x 3.6 m the application uniformity was above 80%
APC haploinsufficiency, but not CTNNB1 or CDH1 gene mutations, accounts for a fraction of familial adenomatous polyposis patients without APC truncating mutations
No full textFamilial adenomatous polyposis (FAP) is an autosomal dominant condition characterized by the development of hundreds to thousands of colorectal adenomatous polyps. In addition to the classic form, there is also attenuated polyposis (attenuated adenomatous polyposis coli; AAPC), which is characterized by a milder phenotype. FAP/AAPC is caused by germline mutations in the adenomatous polyposis coli (APC) gene. Very recently, germline mutations in the base-excision repair gene MYH have been associated with recessive inheritance of multiple colorectal adenomas in a subset of patients. APC pathogenic alterations are mostly (>95%) represented by frameshift or nonsense mutations leading to the synthesis of a truncated protein. We identified 20 APC truncating mutation carriers out of 30 FAP/AAPC patients from different Italian kindreds. In the remaining 10 patients, we searched for alterations other than truncating mutations by enzymatic mutation detection, real-time quantitative RT-PCR, and genotyping of polymorphic markers encompassing the APC locus. Moreover, to assess whether mutations of genes interacting with APC can substitute or act in association with APC alterations, we sequenced both CTNNB1 (beta-catenin) and CDH1 (E-cadherin) genes. No CTNNB1 or CDH1 mutations were found. On the contrary, four patients showed a reduced APC gene expression compared with healthy subjects. In three of the four cases, genotyping results were compatible with a constitutive allelic deletion. In one case this conclusion was confirmed by haplotype segregation analysis. Our results support the notion that FAP/AAPC can result from APC constitutive haploinsufficiency, with gene deletion being a possible cause of reduced gene expression
Distribusi spesies tumbuhan familia asteraceae di wana wisata Coban Rondo Kabupaten Malang
No full textABSTRAK
Wana Wisata Coban Rondo merupakan hutan wisata yang memiliki potensi flora herba, semak dan perdu yang cukup tinggi, sehingga sangat memungkinkan ditemukannya berbagai macam spesies familia Asteraceae. Penelitian ini bertujuan untuk mengetahui macam-macam dan pola sebaran spesies tumbuhan familia Asteraceae yang ada di Wana Wisata Coban Rondo. Pelaksanaan penelitian pada bulan Agustus- September 2001 dengan metode deskriptif-eksploratif.
Identifikasi dilakukan dengan cara membandingkan seluruh ciri yang dipunyai oleh tumbuhan yang ditemukan dengan kunci identifikasi yang dimuat dalam Flora of Java Vol. // dan beberapa pustaka yang sesuai.
Hasil penelitian menunjukkan bahwa di Wana Wisata Coban Rondo terdapat dua sub familia yang terkelompok dalam 7 tribus yang terdiri atas 14 genus dengan 16 spesies tumbuhan anggota Asteracaeae.
Empat spesies yang memiliki Indeks Nilai Penting cukup tinggi adalah E. triplinerve Vahl. dengan nilai penting 114,85%, E. riparium Reg. 56,76%, A. haustonianum Mill. 44١16/٥o dan ٠٦ /valerianifolia (Wolf.) DC. 25,81 ٥ /٥sedangkan 4 spesies yang memiliki Indeks Nilai Penting terendah adalah ،S٦ nodiflora (L.) Gaertn. dengan nilai penting 1,65%, G. ciliata (Raf.) S.F. Blake. 1,3%, A. laciniatum dan E. Sonchifolia (L.) DC. ex. Weight, dengan nilai penting masing- masing 0,92%
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