191 research outputs found

    Letter from A.E. Peticolas to L. S. Joynes, 1863 September 7

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    Letter from Arthur Edward Peticolas to L. S. Joynes discussing the former\u27s health.https://scholarscompass.vcu.edu/san/1140/thumbnail.jp

    General Morgan’s Grand March

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    80.7568.398 – “General Morgan’s Grand March”: C. L. Peticolas: Geo. Dunn & Company: 1864: Piano Solo

    Harp of the South, awake! and strike the strain once more [first line of chorus]

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    strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box 093, Item 080Words by J.M. Kilgour. Music by C.L. Peticolas

    Harp of the South, awake! and strike the strain once more [first line of chorus]

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    strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box 093, Item 080Words by J.M. Kilgour. Music by C.L. Peticolas

    [The] Southern Cross

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    80.7568.1135 – “[The] Southern Cross”: C. L. Peticolas: St. George Tucker: Geo. Dunn & Co: 1863: Voice

    Awake! A Southern War Song

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    80.7568.107 – Awake! A Southern War Song: Words by J. M. Kilgour and Music by C. L. Peticolas: 1863: Vocal Solo

    Absence of Evidence for Metabolite-Modulated Association between α-Glycerol-3-phosphate Dehydrogenase and l-Lactate Dehydrogenase<sup>†</sup>

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    Evidence for the NADH-modulated formation of a complex between α-glycerol-3-phosphate dehydrogenase and l-lactate dehydrogenase was reported [Yong, H., Thomas, G. A., and Peticolas, W. L. (1993) Biochemistry 32, 11124−11131]. This NADH-modulated association suggested a mechanism of potentially great importance to enzyme modulation and the controversial phenomena of direct NADH channeling. In the present paper, we reproduce with additional controls the experiments described by Yong et al. ((1993) Biochemistry 32, 11124−11131). Our results conclusively demonstrate the absence of detectable association between α-glycol-3-phosphate dehydrogenase and l-lactate dehydrogenase

    Hiawatha polka /

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    In bound volumes: Copyright Deposits 1820-186

    Come oh come with me, op. 12 /

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    In bound volumes: Copyright Deposits 1820-186
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