1,721,010 research outputs found
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesYngvason, Hafthor, “Schiele, Michelangelo, and the Allegory of the Cave.”
Cone, Michele, “Suspicious Unheimlich’ and Ambivalence in the Appropriation Strategy of Anselm Kiefer.”
Wiens, Ann, “Abject of My Desire.”
Biro, Matthew, “Art Criticism and Deconstruction: Rosalind Krauss and Jacques Derrida.”
Tumasonis, Elizabeth, “Böcklin’s Reputation: Its Rise and Fall.”
Kuspit, Donald, B., “A Psychoanalytic Understanding of Aesthetic Disinterestedness.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesWelish, Marjorie, “The Studio Visit.”
Barnard, Phillip, Translator, “The Phallus Stripped Bare hy its Non-Bachelors, Even: A Conversation Between Alain Kirili and Phillippe Sollers.”
Plagens, Peler, “The McSacred and the Profane.”
Olson, Krislina S., “Living With It: Michael Graves’s Portland Building.”
Kuspit, Donald B., “David Salle: The New Gatsby.”
Bisanz, Rudolf M., “The Nude and Erotic Art: The Pick of the Crop Reviewed.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesPeglau, Michael, “Against Benjamin, H. D. Buchloh’s Attack on Painting.”
Matthews, Patricia, “A Dialogue of Silence: May Stevens’ Ordinary/Extraordinary 1977-86.”
Kuspit, Donald B., “Dorothea Tanning’s Occult Drawings.”
Greenberg, Allan, “Architecture of Democracy.”
Davis, Douglas, “On Architecture.”
Welish, Marjorie, “Frame of Mind: Interpreting Jasper Johns.”
Morgan, Robert C., “Review: Corinne Robbins, The Pluralist Era: American Art, 1968-1981.
Dynamic Heat Transfer: Effective Heat Capacity of Planar Thermal Mass Subject to Periodic Heating and Cooling
No full textThe design-application of thermal mass is a powerful tool for controlling temperature in buildings. Although a large volume of literature on the use of thermal masses in building applications exists, little quantitative characterization of the performance of a thermal mass under dynamic heating and cooling can be found. In this thesis, the performance of planar thermal masses (PTMs) subject to sinusoidal heating and cooling is investigated. Based on the analysis of a semi-infinite PTM under a sinusoidal thermal wave, some new definitions -- penetration depth, effective thickness, effective area specific heat and effective heat exchange coefficient are introduced. Since actual PTMs are not semi-infinite, the dynamic heat transfer process of finite-thickness PTMs -- one surface is under a sinusoidal thermal wave and the other one is specified with three kinds of boundary conditions-- are discussed. When inside air temperature is equal to the mean value of the outside surface temperature, analytical solutions of the temperature distribution and heat flux in finite-thickness PTMs are deduced. The effective heat exchange coefficient and, a new definition, the effective heat storage coefficient of PTMs with different thermo-physical properties are developed. For PTMs with the boundary condition of the second kind, an optimal effective thermal mass coefficient at an optimal thermal mass thickness is found. Because of the large effective area specific heat difference, wood is much worse than concrete for heat storage. When the inside air temperature is not equal to the mean value of the outside surface temperature, analytical solutions do not exist and numerical method is used to solve the dynamic heat transfer problem. Three forms of approximated temperature distribution are developed based on numerical calculations. The best one of the approximated forms is used to investigate the heat exchange between finite-thickness PTMs and the environment. From the approximated form, time lag and decrement factor are also obtained. Last, the comparison of wood and concrete, as exterior wall material, shows that wood is a better than concrete due to its lower conductivity.Advisor(s): Lin-Shu Wang. Committee Member(s): Jon Longtin; John M. Kincaid.Stony Brook University Libraries. SBU Graduate School in Department of Mechanical Engineering. Lawrence Martin (Dean of Graduate School)
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesDiamond, Josephine, “Baudelaire’s Exposure of the Photographic Image.”
Glaser, David, “Spectacle in Recent Art.”
Tuchman, Phyllis, “The Road Now Taken.”
Werman, David S., “Psychoanalytic Perspectives on Art.”
O’Connor, Francis V., “Depressive Elementalism and Modernism: A Postmodernist Meditation.”
Boettger, Suzaan, “Regression in the Service of...”
Platt, Susan Noyes, “Formalism and American Art Criticism in the 1920’s.”
Kuspit, Donald B., “The Narcissistic Justification of Art Criticism.”
Peglau, Michael, “Review: Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesBisanz, Rudolf M., “Art History: Art Criticism and the Ideological Birth of Modern Art.”
Kirshner, Judith Russi, “A Narrative of Women’s Experience.”
Kuspit, Donald B., “The Problem of Art in the Age of Glamour.”
Leenhardt, Jacques, “Artist Career, Mainstream, and Art.”
Miller, Charles V., “Mainstream Provincialism.”
Mosquera, Gerardo, “New Cuban Art: Identity and Popular Culture.”
Risatti, Howard, “The Eighties Reviewed.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesSpector, Jack, “On Some Problems of Contemporary Art Criticism.”
Langer, Sandra L., “Character and Sexual Politics in some Romaine Brooks Les¬bian Self-Portraits.”
Wallach, Alan, “The Avant-Garde of the Eighties.”
Kangas, Matthew, “Artists on the Design Team: Three Seattle Projects.”
Kuspit, Donald B., “Art in an Age of Mass Mediation.”
Baranik, Rudolf, “The State of Formalism.”
Nickels, Bradley, “When the Realists Killed Realism.”
Neville, Robert, “Reviewing the Relativist Perspective.
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