1,721,120 research outputs found
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesVerstegen, Ian, “Bernard Berenson and the Science of Anti-Modernism”
Raverty, Dennis, “Kaprow’s Strategy”
Kuspit, Donald, “Humoring The Holocaust: An Italian Film Folly”
Miller, Keith, “Journalistic Criticism: Popular Entertainment or Populist Critique?”
Jones, Peter, “Uncanny Koons”
Van Proyen, Mark, “Schizoid Administrativism”
Kuspit, Donald, “Gerda Meyer-Bernstein, Witness To Inhumanity”
Kuspit, Donald, “Rudolf Baranik: An Overview
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesHoward, Seymour, “I.R.I.S.: The Artist’s Intent and Proliferation of Meanings.”
Mehring, Christine, “Reexamining Greenberg’s Impact: An Inquiry into His Lack of Reception in Germany.”
Van Scheppen, Randall K., “Leo Steinberg’s Criticism: Symptom of Formalist Crisis, Prophetic of Postmodernist Promise.”
Menard, Andrew, “Cindy Sherman: The Cyborg Disrobes”
Greenberg, Emily B., “Cindy Sherman and the Female Grotesque.”
Kuspit, Donald, “The Great Divide.”
Kuspit, Donald, “Art: Sublimated Expression Or Transitional Experience? The Examples Of Van Gogh and Mondrian.”
Kuspit, Donald, “The Expressive Gaze.”
Sherman, David, “Madness and Modernism, The Cult of the Avant-Garde Artist, and Empathic Art in the Mediascape.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesCunningham, Joseph, “Another Way Out of the Cage: An Anti-theory for Epistemology and Art in the Charles Eliot Norton Lectures of John Cage.”
Cunningham, Joseph, “’image and word, object and idea, inside and outside’: Excavating Robert Smithson’s Art from under His Writings.”
Baigell, Matthew, “Newman’s The Stations of the Cross: Lema Sabachthani, A Jewish Take.”
Ho Yu, Chong, “Aesthetics of Photography: Combining the Viewer’s and the Artist’s Standpoints.”
Mahon, Eugene, “Freud –Vitruvius Dialogue.”
Kuspit, Donald, “Approaching the Critic’s Psychology through the Artist’s Negative Representation of Him.”
Kuspit, Donald, “Beat Sensibility: Verbal or Visual?
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesHartoonian, Gevork, “Postmodernism: The Discrete Charm of the ‘Other.’”
Crow, Thomas, “The Critique of Enlightenment in Eighteenth-Century Art.”
Christen, Barbara S., “Responses to the Scenographic in Postmodern Architecture.”
Bois, Yves-Alain, “Critical Evaluation.”
Gablik, Suzi, “Postmodernism and the Question of Meaning.”
Kuspit, Donald, “Adrian Piper: Self-Healing Through Meta-Art.”
Kuspit, Donald, “The Subjective Aspect of Critical Evaluation.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesYngvason, Hafthor, “Schiele, Michelangelo, and the Allegory of the Cave.”
Cone, Michele, “Suspicious Unheimlich’ and Ambivalence in the Appropriation Strategy of Anselm Kiefer.”
Wiens, Ann, “Abject of My Desire.”
Biro, Matthew, “Art Criticism and Deconstruction: Rosalind Krauss and Jacques Derrida.”
Tumasonis, Elizabeth, “Böcklin’s Reputation: Its Rise and Fall.”
Kuspit, Donald, B., “A Psychoanalytic Understanding of Aesthetic Disinterestedness.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesEdwards, Maria, “The ‘Culture Industry’ and Commodification of Art.”
MacKinnon, Valerie, “Sexuality and Originality in Picasso’s Creative Process: Two Prints Deconstructed.”
Byrnes, Elyse, “Swallowing Hell: Expressions of War in Japan and West Germany 1940s-1980s.”
de la Maza Chevesich, Josefina, “Introducing the World to Himself: Robert Rauschenberg and ROCI Chile.”
Parkinson, Nick, “Speaking Directly: An Examination of Symbol and Communication in Allan Kaprow’s Happenings.”
Sneed, Gillian, “From Happenings to Conversations: Allan Kaprow’s Legacy in Contemporary ‘Relational’ Art Practices.”
Stack, Cliona, “The Leveling Up of Performance Art in the 20th Century.”
Gilbert, Julie M., “A New Way of Approaching the Absolute through Art: The Sacred Mirrors of Alex Gray.”
Bowditch, Lucy, “The Reluctant Muse: Images of ‘Lucy’ in Mark Greenwold’s Paintings.”
Kosstrin, Hannah, “Passion and Angst: Postwar Identity in Two Dances by Anna Sokolow.”
Shane, Robert R., “Looking and Moving: Kinesthetic Empathy, Dance and the Visual Arts.”
Kuspit, Donald, “Lorraine Shemesh’s Dancers: The Figure as Grand Abstract Gesture.”
Kuspit, Donald, “Falling Apart and Holding Together: Kandinsky’s Development.”
Kuspit, Donald, “Review of Simon Schama, The Power of Art.”
Ries, Martin, “Review of Matthew Spender, ed., Arshile Gorky, Goats on the Roof: A Life in Letters and Documents.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesForgács, Eva, “Toys Are Us: Toys and the Childlike in Recent Art.”
Peglau, Michael, “Jackson Pollock, Three Theoretical Sources, and Rosalind Krauss’s ‘Six.’”
Newton, Stephen, “Why Women Can’t Paint.”
Van Proyen, Mark, “Critique of Cynical Criticism.”
Kuspit, Donald, “The Psychoanalytic Construction of Beauty.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesBaigell, Matthew, “Robert Morris’ Latest Works: Slouching Toward Armageddon.”
Welish, Marjorie, “Harold Rosenberg: Transforming the Earth.”
Colquhoun, Alan, “Postmodern Critical Positions.”
Guilbaut, Serge, “Art History After Revisionism: Poverty and Hopes.”
Kuspit, Donald, “Deadministering Art.”
Spector, Jack, “Review: Peter Burger, Theory of the Avant-Garde.”
Vidler, Anthony, “The Architecture of Allusion: Notes on the Postmodern Sublime.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesYarowsky, Morris, “The Beauty Falacy: Dave Hickey’s Aesthetic Revisionism.”
Fisher, Jean, “Storying Art (The Everyday Life of Tricky Practices).”
Bennett, Ciaran, “Between the Tolka and the Dodder: A Personal View of Visual Art in Dublin.”
Moody, Meredith, “Arlene Raven: Criticism as Healing for the Author, the Artist, and the Audience.”
Walker, John A., “A Vexed Trans-Atlantic Relationship: Greenberg and the British.”
Risatti, Howard, “Crafts and Fine Art: An Argument in Favor of Boundaries.”
Kuspit, Donald, “Two Versions of Marisol, Overlapping and Underlapping.”
Carl, Katherine A., “Re-Alignings?: Artmaking in the Southeastern European Environs of Manifesta 3.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesPeglau, Michael, “Against Benjamin, H. D. Buchloh’s Attack on Painting.”
Matthews, Patricia, “A Dialogue of Silence: May Stevens’ Ordinary/Extraordinary 1977-86.”
Kuspit, Donald B., “Dorothea Tanning’s Occult Drawings.”
Greenberg, Allan, “Architecture of Democracy.”
Davis, Douglas, “On Architecture.”
Welish, Marjorie, “Frame of Mind: Interpreting Jasper Johns.”
Morgan, Robert C., “Review: Corinne Robbins, The Pluralist Era: American Art, 1968-1981.
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