117 research outputs found
De receptie van Madelon Székely-Lulofs in de Hongaarse pers in het interbellum
No full textDe receptie van Madelon Székely-Lulofsin de Hongaarse pers in het interbellum Madelon Székely-Lulofs occupies a distinguished place in the history of the Dutch-Hungarian literary relations. Through her marriage with Hungarian planter and writer László Székely she was able to develop closer contact with the Hungarian literary world of the 1930s than any other Dutch author in this period. The Székely-Lulofs couple considerably contributed to the strengthening of the literary relations between these two countries: thanks to their translations in the 1930s and 1940s, the Dutch readership became acquainted with some of the most outstanding Hungarian writers of the time. Furthermore, they stimulated the popularity of the Dutch literature in Hungary by translating the works of Dutch writers to Hungarian. In this paper, I focus on how her works were received in Hungary in the 1930s and compare her Dutch and Hungarian reception. My research is based on a corpus of articles published in the Hungarian literary press of the time.
De receptie van Madelon Székely-Lulofsin de Hongaarse pers in het interbellum Madelon Székely-Lulofs occupies a distinguished place in the history of the Dutch-Hungarian literary relations. Through her marriage with Hungarian planter and writer László Székely she was able to develop closer contact with the Hungarian literary world of the 1930s than any other Dutch author in this period. The Székely-Lulofs couple considerably contributed to the strengthening of the literary relations between these two countries: thanks to their translations in the 1930s and 1940s, the Dutch readership became acquainted with some of the most outstanding Hungarian writers of the time. Furthermore, they stimulated the popularity of the Dutch literature in Hungary by translating the works of Dutch writers to Hungarian. In this paper, I focus on how her works were received in Hungary in the 1930s and compare her Dutch and Hungarian reception. My research is based on a corpus of articles published in the Hungarian literary press of the time.De receptie van Madelon Székely-Lulofsin de Hongaarse pers in het interbellum Madelon Székely-Lulofs occupies a distinguished place in the history of the Dutch-Hungarian literary relations. Through her marriage with Hungarian planter and writer László Székely she was able to develop closer contact with the Hungarian literary world of the 1930s than any other Dutch author in this period. The Székely-Lulofs couple considerably contributed to the strengthening of the literary relations between these two countries: thanks to their translations in the 1930s and 1940s, the Dutch readership became acquainted with some of the most outstanding Hungarian writers of the time. Furthermore, they stimulated the popularity of the Dutch literature in Hungary by translating the works of Dutch writers to Hungarian. In this paper, I focus on how her works were received in Hungary in the 1930s and compare her Dutch and Hungarian reception. My research is based on a corpus of articles published in the Hungarian literary press of the time
Introducing DRG-based financing in Hungary: a study into the relationship between supply of hospital beds and use of these beds under changing institutional circumstances
No full textReproduction Files for the Paper "Comparing Access to US Marine and Terrestrial Protected Areas"
No full textRelated Publication:
"Comparing Access to US Marine and Terrestrial Protected Areas"
Authors:
Anna Lou Abatayo (*,a), Madelon van Adrichem (a), and John Lynham (b,c)
*Corresponding Author. Email: [email protected]
(a) Environmental Economics and Natural Resources Group, Wageningen University and Research
(b) Department of Economics, University of Hawaii at Manoa
(c) UHERO, University of Hawaii at Manoa
Details on the uploaded reproduction files and how to use them can be found in "~ReadMe.txt"
Arquitetura e ilustração - diálogo de duas partes na obra de Madelon Vriesendorp. A cidade, o Porto e a arte : residência artística em Sines
No full textMadelon Vriesendorp, esposa de Rem Koolhaas, foi a autora da maior parte das marcantes ilustrações que
fazem parte integrante e indissociável da obra seminal deste arquiteto, Delirious New York (1978),
especialmente a ilustração que lhe serviu de capa na sua 1ª edição. Até meados dos anos 1990, Madelon
continuaria a colaborar com o OMA, da qual foi cofundadora, ilustrando vários projetos do ateliê para a sua
apresentação a concursos e clientes.
Com efeito, a obra desta artista holandesa é um exemplo completo das virtuosidades e potencialidades da
ilustração no âmbito da arquitetura, nomeadamente a capacidade que tem de informar os mais diversos tipos
de trabalhos arquitetónicos, sejam de puro texto teórico, sejam de projeto prático.
Todavia, apesar de muitos ensaios sobre o papel do desenho na arquitetura, pouco pensamento existe sobre a
relação entre a Arquitetura e a Ilustração.
Assim, partindo da constatação desta lacuna, a presente dissertação propõe-se dar um contributo pioneiro para
uma reflexão sobre as relações entre estas duas artes. Esse exercício será realizado através de uma análise à
simbologia e aos códigos de representação gráfica da obra de Madelon Vriesendorp, informada em especial
pela nossa conversa e visita ao seu apartamento-estúdio em Londres, e com destaque para as suas ilustrações
no âmbito dos trabalhos de arquitetura teóricos e práticos do OMA como exemplo paradigmático da
proficuidade dessa relação.Madelon Vriesendorp, wife of Rem Koolhaas, is the author of most of the striking illustrations which are an
integrant, indissociable part of the architect’s seminal text, Delirious New York (1978), especially the
illustration which was the cover of its 1st edition. Until the mid-1990s, Madelon would collaborate with OMA,
of which she was co-founder, by illustrating several of the studio’s projects for their presentation to
competitions and clients.
Indeed, the work of the Dutch artist is a thorough example of the virtuosities and potentialities of illustration
in the field of architecture, namely its capacity to inform the most diverse types of architectural works, either
pure theoretical texts or practical design projects.
However, despite many essays on the role of drawing in architecture, there is little thought about the
relationship between Architecture and Illustration.
Thus, from the realisation of this gap, this dissertation aims to give a pioneer contribute to a reflection on the
relationship between these two forms of art. This exercise will be carried out through an analysis of the
symbology and codes of graphical representation in the work of Madelon Vriesendorp, particularly informed
by our conversation and our visit to her apartment-studio in London, and with special attention to her
illustrations for the purpose of OMA’s theoretical and practical architecture works, as a paradigmatic example
of the fruitfulness of that relationship
Introducing DRG-based financing in Hungary:a study into the relationship between supply of hospital beds and use of these beds under changing institutional circumstances
No full textMost hospital reforms carried out in Europe over the past few decades concern the supply of hospital beds and hospital financing systems. In Hungary, financing was not tied to hospital input or output until a Diagnosis-Related-Group system was introduced. This change provided an opportunity to study the effect of the new system, taking the supply of hospital beds into account. We studied the effect of the financing system and bed supply on four output parameters, average length of stay; admission rate; occupancy; and case-mix. The incentives of the financing system influenced the length of stay (shorter) and the admission rate (more admissions). Although the case-mix did increase, occupancy was not affected. The supply of more beds resulted in higher admission rates and a slightly lower efficiency (a lower occupancy rate). No interaction effects of (variations in) the bed supply and the financing system were found
The effect of hospital bed reduction on the use of beds: A comparative study of 10 European countries
No full textIn Europe, the reduction of acute care hospital beds has been one of the measures implemented to restrict hospital expenditure. The aim of this study is to gain insight into the effect bed reductions have on the use of the remaining beds within different healthcare systems. We concentrated on two healthcare system elements: hospital financing system (per diem and global budget systems) and physician remuneration system (fee-for-service and salary systems). We also controlled for technological development and demand for healthcare. We used data from the OECD health data files of 10 North-Western European countries on hospital bed supply and use. The hospital bed indicators used were occupancy rate, average length of stay and admission rate. The data were analysed with multilevel analysis. We found some indication that the different financial incentives of hospital financing systems do indeed influence hospital bed use in the case of reductions in acute care hospital bed supply in different ways. However, we found significant effects only for the hospital bed use indicators "occupancy rate" and "admission rate". For physician financing systems, no significant effects were found.Hospital financing systems Physician financing systems Hospital bed reductions International comparison Healthcare systems
Arquitetura e ilustração - diálogo de duas partes na obra de Madelon Vriesendorp. A cidade, o Porto e a arte : residência artística em Sines
No full textMadelon Vriesendorp, esposa de Rem Koolhaas, foi a autora da maior parte das marcantes ilustrações que
fazem parte integrante e indissociável da obra seminal deste arquiteto, Delirious New York (1978),
especialmente a ilustração que lhe serviu de capa na sua 1ª edição. Até meados dos anos 1990, Madelon
continuaria a colaborar com o OMA, da qual foi cofundadora, ilustrando vários projetos do ateliê para a sua
apresentação a concursos e clientes.
Com efeito, a obra desta artista holandesa é um exemplo completo das virtuosidades e potencialidades da
ilustração no âmbito da arquitetura, nomeadamente a capacidade que tem de informar os mais diversos tipos
de trabalhos arquitetónicos, sejam de puro texto teórico, sejam de projeto prático.
Todavia, apesar de muitos ensaios sobre o papel do desenho na arquitetura, pouco pensamento existe sobre a
relação entre a Arquitetura e a Ilustração.
Assim, partindo da constatação desta lacuna, a presente dissertação propõe-se dar um contributo pioneiro para
uma reflexão sobre as relações entre estas duas artes. Esse exercício será realizado através de uma análise à
simbologia e aos códigos de representação gráfica da obra de Madelon Vriesendorp, informada em especial
pela nossa conversa e visita ao seu apartamento-estúdio em Londres, e com destaque para as suas ilustrações
no âmbito dos trabalhos de arquitetura teóricos e práticos do OMA como exemplo paradigmático da
proficuidade dessa relação.Madelon Vriesendorp, wife of Rem Koolhaas, is the author of most of the striking illustrations which are an
integrant, indissociable part of the architect’s seminal text, Delirious New York (1978), especially the
illustration which was the cover of its 1st edition. Until the mid-1990s, Madelon would collaborate with OMA,
of which she was co-founder, by illustrating several of the studio’s projects for their presentation to
competitions and clients.
Indeed, the work of the Dutch artist is a thorough example of the virtuosities and potentialities of illustration
in the field of architecture, namely its capacity to inform the most diverse types of architectural works, either
pure theoretical texts or practical design projects.
However, despite many essays on the role of drawing in architecture, there is little thought about the
relationship between Architecture and Illustration.
Thus, from the realisation of this gap, this dissertation aims to give a pioneer contribute to a reflection on the
relationship between these two forms of art. This exercise will be carried out through an analysis of the
symbology and codes of graphical representation in the work of Madelon Vriesendorp, particularly informed
by our conversation and our visit to her apartment-studio in London, and with special attention to her
illustrations for the purpose of OMA’s theoretical and practical architecture works, as a paradigmatic example
of the fruitfulness of that relationship
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