1,724,386 research outputs found
Das Volksschauspiel vom Doctor Faust / erneuert durch Richard Kralik
No full textDAS VOLKSSCHAUSPIEL VOM DOCTOR FAUST / ERNEUERT DURCH RICHARD KRALIK
Das Volksschauspiel vom Doctor Faust / erneuert durch Richard Kralik (1)
Cover (1)
Titelseite (4)
Vorwort (5)
Personen / Vorspiel (7)
Erster Aufzug (10)
Zweiter Aufzug (20)
Dritter Aufzug (34)
Vierter Aufzug (46)
Fünfter Aufzug (57
Deutsche Puppenspiele / Hrsg. von Richard Kralik und Joseph Winter ...
No full textDEUTSCHE PUPPENSPIELE / HRSG. VON RICHARD KRALIK UND JOSEPH WINTER ...
Deutsche Puppenspiele / Hrsg. von Richard Kralik und Joseph Winter ... (1)
Cover (1)
Titelseite (4)
Inhalt (6)
I. Pfalzgraf Siegfried oder Pfalzgräfin Genovefa (7)
II. Graf Pasquafil (Fürst Alexander von Pavia) (29)
III. Don Juan der Wilde (48)
IV. Graf Heinrich oder Die beiden verkleideten Doctoren (68)
V. Der Schutzgeist des Johann Doctor Faust (87)
VI. Die Raubschützen oder Der bayrische Hiesel (106)
VII. Johann Pückler oder Der Schinderhannes (130)
VIII. Kaspar als Bräutigam oder Böse Weiber fromm zu machen (149
Transitional processes and chronic illness
No full textDebbie Kralik and Antonia van Loonhttp://trove.nla.gov.au/work/3704009
Piano music of Mathilde Kralik von Meyrswalden (1857-1944)
No full textThesis (D.M.A.)--Boston University
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at [email protected]. Thank you.This dissertation examines the life and music of Mathilde Kralik von Meyrswalden (1857-1944), with a focus on her piano solo works. This project is intended to bring new light to the forgotten late-romantic Austrian composer. As a pupil of Anton Bruckner, and as a colleague of Gustav Mahler, Kralik's style belongs to the late Romantic period in Vienna. Her musical aesthetics are similar to the styles of Schubert, Liszt, Schumann, Wolf, Mahler, and StraufS; however she had her
own unique voice from the beginning of her musical career. Though she was an active composer, performer, and musical figure of her time and was recognized and respected by the Viennese society, her life and work remain greatly understudied.
Chapter 1 presents a detailed biographical background of Mathilde Kralik von Meyrswalden. Chapter 2 provides a complete list of work by Mathilde Kralik. Chapter 3 depicts the political background of her time, and then discusses the situation of women as artists in Vienna between 1850 and 19 50. Chapter 4 focuses on two people in her closest circle: her elder brother, Richard Kralik, who was a renowned writer and cultural commentator; and her friend, Alice Scarlates, who was a lecturer for Roman language at the University of Vienna and lived with Kralik in the same house in Wiener Cottage-Viertel for over 30 years. Chapter 5 analyzes her 5 Klavierstiicke- Festmarsh, Triiumerei, Liedchen, Intermezzo, and Gavotte. Chapter 6 continues the analysis with her other major piano solo work: Priiludium, Passacaglia, und Fugato. Lastly, Chapter 7 discusses the public and critical reception of her music, both during her time and in the modern era.
The purpose of this project is first, to discover new sounds from a past style; second, to give credit to a serious, prolific, and independent female composer, who bravely chose a career with special challenges in her time and her surroundings; third, to encourage further research and performances of Kralik's works
Stephen Kralik, (1883-1965), purchased by Mrs. Margaret E. Goets on May 2, 1969.
No full textDocuments regarding the three headstone for Stephen Kralik, (1883-1965), buried with Rose M. Kralik, (1885-1968), and Alexander Kralik, (1919), purchased by Mrs. Margaret E. Goets. The marker was placed at Calvary Cemetery in Toledo, Ohio. The stone is made of three Collins durax pink with vermarco letters. Rubbings is included
The Lieder of Mathilde von Kralik, newly discovered
No full textMathilde von Kralik (1857-1944) was a late 19th/ early 20th century composer from The Austrian Empire. Her extraordinary musical gifts enabled her to be accepted into the Vienna Conservatory; one of the first women to be so honored. She was in a class of 10 which included the Gustav Mahler and had Anton Bruckner as a teacher. She composed a large oeuvre of vocal, piano, instrumental and organ works including an opera, symphonies and oratorios. In her songs she had the ability to write a captivating melodic line and intricate accompaniment comparable to Mahler or Richard Strauss. Because of political events due to WWII, the dissolution of the Austrian Empire, the loss of the family possessions, titles, properties and her being a woman her music has all but disappeared.
I will be transcribing her music from hand written manuscripts to an electronic music notation software. The nine pieces that I will be focusing on are Abends (Evenings) Sonntag (Sunday) Mondennacht (Moon Night) and the two songs in Vier Lieder which are Liebe (Love) and Schiffe (Ships). The first two songs are from the Austrian National Library in Vienna, received with permission from her great nephew Rochus von Kralik. The Fünf Lieder were only recently received by Herr von Kralik along with the song Mondennacht from present day Czech Republic (where the family had lived). The songs are dedicated to Baroness Amalie Strummer von Tavarnok ( formerly Bohemia) who possessed the castle in Miroslav and was friends with Mathilde von Kralik. Mr. Vladimir Sobotka had inherited the music from his grandfather and sent it to Herr von Kralik. With this extraordinary circuit of happenstance I will transcribe this music for the 21st century in addition to a performance of the songs at SUNY Potsdam, The Crane School of Music
The Lieder of Mathilde von Kralik, newly discovered
No full textMathilde von Kralik (1857-1944) was a late 19th/ early 20th century composer from The Austrian Empire. Her extraordinary musical gifts enabled her to be accepted into the Vienna Conservatory; one of the first women to be so honored. She was in a class of 10 which included the Gustav Mahler and had Anton Bruckner as a teacher. She composed a large oeuvre of vocal, piano, instrumental and organ works including an opera, symphonies and oratorios. In her songs she had the ability to write a captivating melodic line and intricate accompaniment comparable to Mahler or Richard Strauss. Because of political events due to WWII, the dissolution of the Austrian Empire, the loss of the family possessions, titles, properties and her being a woman her music has all but disappeared.
I will be transcribing her music from hand written manuscripts to an electronic music notation software. The nine pieces that I will be focusing on are Abends (Evenings) Sonntag (Sunday) Mondennacht (Moon Night) and the two songs in Vier Lieder which are Liebe (Love) and Schiffe (Ships). The first two songs are from the Austrian National Library in Vienna, received with permission from her great nephew Rochus von Kralik. The Fünf Lieder were only recently received by Herr von Kralik along with the song Mondennacht from present day Czech Republic (where the family had lived). The songs are dedicated to Baroness Amalie Strummer von Tavarnok ( formerly Bohemia) who possessed the castle in Miroslav and was friends with Mathilde von Kralik. Mr. Vladimir Sobotka had inherited the music from his grandfather and sent it to Herr von Kralik. With this extraordinary circuit of happenstance I will transcribe this music for the 21st century in addition to a performance of the songs at SUNY Potsdam, The Crane School of Music.SUNY BrockportSUNY Undergraduate Research Conferenc
Die Revolution ; Sieben Historien von Richard von Kralik. I. Das Königsgericht. II. Die Schreckensherrschaft. III. Der Sohn der Revolution. IV. Drei Kaiser. V. Eine Kaiserhochzeit. VI. Der Befreiungskampf. VII. Der heilige Bund.
No full textDIE REVOLUTION ; SIEBEN HISTORIEN VON RICHARD VON KRALIK. I. DAS KÖNIGSGERICHT. II. DIE SCHRECKENSHERRSCHAFT. III. DER SOHN DER REVOLUTION. IV. DREI KAISER. V. EINE KAISERHOCHZEIT. VI. DER BEFREIUNGSKAMPF. VII. DER HEILIGE BUND.
Die Revolution ; Sieben Historien von Richard von Kralik. I. Das Königsgericht. II. Die Schreckensherrschaft. III. Der Sohn der Revolution. IV. Drei Kaiser. V. Eine Kaiserhochzeit. VI. Der Befreiungskampf. VII. Der heilige Bund. (1)
Cover (1)
Titelseite (4)
I. Das Königsgericht (5)
1. Prolog - 4. Platz in Paris. Ende April 1791 (6)
5. Lager der Deutschen an der Grenze. Aug. 1792 - 6. Im Tuilerienschloß (18)
7. Paris, Hof eines Gefangenhauses - 8. Deutsches Lager in Valmy (28)
9. Im alten Tempelherrenschloß zu Paris - 12. Vor Ajaccio auf Corsica (36)
II. Die Schreckensherrschaft (46)
1. Vorspiel - 4. Der Turm der Templerburg zu Paris (47)
5. Wald in der Bretagne - 8. Vor Toulon. 18. Dezember 1793. (61)
9. Vor e. kleinen Landhaus bei Paris - 12. Paris. Platz v. d. Stadthaus (79)
III. Der Sohn der Revolution (94)
1. Vorspiel - 4. Salon in Paris. Anfangs März 1796. (95)
5. Das Österr. Lager bei Würzburg - 8. Wien. Haus der franz. Botschaft (106)
9. Franz. Lager vor Akkon - 12. Das Hospiz auf d. gr. St. Bernhard (119)
IV. Drei Kaiser (134)
1. Vorspiel zw. Himmel u. Erde - 5. An Bord des engl. Admiralschiffes ... (135)
6. An der Taborbrücke bei Wien - 9. Gasse in Braunau (152)
10. Weimar. Vor Goethes Haus 1806 - 12. Erfurt. Prunksaal 1808 (163)
V. Eine Kaiserhochzeit (173)
1. Vorspiel - 5. Wien. Haydns Wohnung in Gumpendorf (174)
6. An der Donau bei Aspern - 8. Saal in der Hofburg zu Innsbruck (187)
9. Schönbrunn. Saal im Schloß - 12. Saal in Compiegne (196)
VI. Der Befreiungskampf (210)
1. Vorspiel - 5. Preußisches Lager bei Poscherun (211)
6. Saal in Leipzig. 16. Okt. 1813 - 12. Fontainebleau. 10. April 1814 (226)
VII. Der heilige Bund (248)
1. Vorspiel im Himmel - 5. Vor dem Meierhof La belle Alliance in Belgien (249)
6. Paris. Elysee-Palast. 1. Juli 1815 - 12. Epilog (271
Commentary on Allen J & Fabri A (2005) An evaluation of a community aged care nurse practitioner service. Journal of Clinical Nursing 14, 1202-1209
No full textDebbie Kralik, Katherine Trowbridge and Anne Maddoc
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