12,610 research outputs found
The Ho-Zhao problem
No full textGiven a poset P, the set Γ(P) of all Scott closed sets ordered by inclusion forms a complete lattice. A subcategory C of Posd (the category of posets and Scott-continuous maps) is said to be Γ-faithful if for any posets P and Q in C, Γ(P) ∼= Γ(Q) implies P ∼= Q. It is known that the category of all continuous dcpos and the category of bounded complete dcpos are Γ-faithful, while Posd is not. Ho & Zhao (2009) asked whether the category DCPO of dcpos is Γ-faithful. In this paper, we answer this question in the negative by exhibiting a counterexample. To achieve this, we introduce a new subcategory of dcpos which is Γ-faithful. This subcategory subsumes all currently known Γ-faithful subcategories. With this new concept in mind, we construct the desired counterexample which relies heavily on Johnstone’s famous dcpo which is not sober in its Scott topology
Topological Scott Convergence Theorem
No full textRecently, J. D. Lawson encouraged the domain theory community to consider the
scientific program of developing domain theory in the wider context of
spaces instead of restricting to posets. In this paper, we respond to this
calling with an attempt to formulate a topological version of the Scott
Convergence Theorem, i.e., an order-theoretic characterisation of those posets
for which the Scott-convergence is topological. To do this, we
make use of the replacement principle to create topological
analogues of well-known domain-theoretic concepts, e.g.,
-continuous spaces correspond to continuous posets, as
-convergence corresponds to -convergence. In this
paper, we consider two novel topological concepts, namely, the
-stable spaces and the spaces, and as a result we
obtain some necessary (respectively, sufficient) conditions under which the
convergence structure is topological
Does source similarity type matter in online review effectiveness? The moderating role of information processing style
No full textDoes source similarity type matter in online review effectiveness? The moderating role of information processing styl
Nezha. Figure de l'enfant rebelle
No full textHo Kin Chung. Nezha. Figure de l'enfant rebelle. In: Études chinoises, vol. 7, n°2, Automne 1988. pp. 7-26
DEVICE ELECTRICAL CHARACTERIZATION USING STATISTICAL ANALYSIS METHODS TO SETUP AN OPTIMAL TRIGGERING AND ANALYSIS SYSTEM
No full textMaster'sMASTER OF SCIENCE IN ADVANCED MATERIALS FOR MICRO- & NANO- SYSTEMSDissertation Supervisors: 1. Prof. Pey Kin Leong , NTU, 2. Mr. Ho Eng Keong, Manager, Yield Engineering, SSMC Pte. Ltd., Singapor
CUHK electronic theses & dissertations collection
No full textHo, Kin Tat.Thesis M.Phil. Chinese University of Hong Kong 2015.Includes bibliographical references (leaves 64-70).Abstracts also in Chinese.Title from PDF title page (viewed on 21, September, 2016)
The 1961 Kampong Bukit Ho Swee fire and the making of modern Singapore
No full textBy 1970, Singapore’s urban landscape was dominated by high-rise blocks of planned public housing built by the People’s Action Party government, signifying the establishment of a high modernist nation-state. A decade earlier, the margins of the City had been dominated by kampongs, home to semi-autonomous communities of low-income Chinese families which freely built, and rebuilt, unauthorised wooden houses. This change was not merely one of housing but belied a more fundamental realignment of state-society relations in the 1960s. Relocated in Housing and Development Board flats, urban kampong families were progressively integrated into the social fabric of the emergent nation-state. This study examines the pivotal role of an event, the great Kampong Bukit Ho Swee fire of 1961, in bringing about this transformation. The redevelopment of the fire site in the aftermath of the calamity brought to completion the British colonial regime’s ‘emergency’ programmes of resettling urban kampong dwellers in planned accommodation, in particular, of building emergency public housing on the sites of major fires in the 1950s. The PAP’s far greater political resolve, and the timing of and state of emergency occasioned by the scale of the 1961 disaster, enabled the government to rehouse the Bukit Ho Swee fire victims in emergency housing in record time. This in turn provided the HDB with a strategic platform for clearing other kampongs and for transforming their residents into model citizens of the nation-state. The 1961 fire’s symbolic usefulness extended into the 1980s and beyond, in sanctioning the PAP’s new housing redevelopment schemes. The official account of the inferno has also become politically useful for the government of today for disciplining a new generation of Singaporeans against taking the nation’s progress for granted. Against these exalted claims of the fire’s role in the Singapore Story, this study also examines the degree of actual change and continuity in the social and economic lives of the people of Bukit Ho Swee after the inferno. In some crucial ways, the residents continued to occupy a marginal place in society while pondering, too, over the unresolved question of the cause of the fire. These continuities of everyday life reflect the ambivalence with which the citizenry regarded the high modernist state in contemporary Singapore
FROM PHILOSOPHY TO HO CHI MINH'S IDEOLOGY
No full textAbstract: The article points out that Ho Chi Minh is a typical philosopher whose core is political philosophy, thereby clarifying Ho Chi Minh’s ideology and practicing Ho Chi Minh’s ideology in Vietnam.
Keywords: Philosophy, ideology, Ho Chi Minh.
Title: FROM PHILOSOPHY TO HO CHI MINH’S IDEOLOGY
Author: Dr. Nguyen Thi Hong Hai
International Journal of Social Science and Humanities Research
ISSN 2348-3156 (Print), ISSN 2348-3164 (online)
Vol. 11, Issue 2, April 2023 - June 2023
Page No: 121-126
Research Publish Journals
Website: www.researchpublish.com
Published Date: 25-April-2023
DOI: https://doi.org/10.5281/zenodo.7861846
Paper Download Link (Source)
https://www.researchpublish.com/papers/from-philosophy-to-ho-chi-minhs-ideologyInternational Journal of Social Science and Humanities Research, ISSN 2348-3156 (Print), ISSN 2348-3164 (online), Research Publish Journals, Website: www.researchpublish.co
The literary style of Ho Nai Kin’s writings (pdf berbeza)
No full textThe literary style is a combination of the nature of both creative subject and object, which presented in a perfect written work with distinctive and unique aesthetic pattern. The aesthetic value and significance of literary writing style of an author are the overall style and artistic features of his/her literary works. However, the multiformity between the innate character of an author and his/her scope of action, with the addition of author on different objects have different flexibility and selectivity, lead to the various styles of literary works. Ho Nai Kin (1946-2014) has been writing for more than 50 years, and his poetry and prose have peculiar originality. He is skilled at image capture and understand the natural world, and, through the blending of techniques in terms of rhetoric and representation, creating a poetic essay. His prose and poetry is full of creative imagination and unique expression, which mold his unique literary style, and laid his position in the history of Malaysian Chinese literature. With this in mind, the researcher attempts to investigate the literary style of Ho Nai Kin’s writings, and the scope of research will be the prose and poetry (except science and critical writings) of Ho Nai Kin within the year of 1965 to 2014. By clarifying the creative thinking of Ho Nai Kin via the intrinsic and extrinsic form of his writing, which are the contents and methods of artistic expression of the texts, it provides a better insight on the writer’s writing qualities. On the other hand, identify the value of his prose and poetry
Le serpent blanc, figure de la liberté féminine
No full textHo Kin-chung : The white serpent as a symbol of female freedom.
After a brief evocation of the way in which the serpent has been perceived in the Chinese imagination as a creature that is in turn benevolent and malevolent, this article proposes to analyse the female image derived from the legend of the white serpent, more specifically as from the Ming version of 1624. The study of various themes (such as seduction, the interchange of roles between man and woman within the couple) reveals the non-conventional traits of female freedom and provocativeness, quite to the opposite of later interpretations that tend to convey the image of a subdued and virtuous woman. It will finally be noted that this evolution is paralleled by the increasing importance given to the blue serpent, companion and alter ego of the white serpent, an element that tends to take on the spirit of violence and revolt originally specific to the central character.Après une brève évocation de la façon dont le serpent a été perçu dans l'imaginaire chinois comme une créature tour à tour bénéfique ou maléfique, l'auteur aborde l'étude de l'image de la femme telle qu'elle se dégage de la légende du serpent blanc, plus particulièrement à partir de la version Ming de 1624. À travers l'analyse de différents thèmes (la séduction, l'inversion des rôles traditionnels entre l'homme et la femme dans le couple), l'accent est mis sur les traits non conventionnels de cette figure libre et provocante, à l'opposé des interprétations postérieures qui visent à imposer l'image d'une femme soumise et vertueuse. On notera enfin que parallèlement s 'est accentuée l'importance accordée au personnage du serpent bleu, compagnon et double du serpent blanc, qui tend à assumer à elle seule la violence et la révolte propres à l'origine au personnage principal.Ho Kin Chung. Le serpent blanc, figure de la liberté féminine. In: Études chinoises, vol. 11, n°1, Printemps 1992. pp. 57-86
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