1,721,003 research outputs found
Investigative Documentary as Critique? Understanding the Role of Narrative in the CBC Fifth Estate Documentaries on the Ashley Smith Case
No full textThis thesis uses approaches adapted from narrative analysis to provide a detailed examination of the two CBC Fifth Estate documentaries on the case of Ashley Smith (Behind the Wall, 2010; Out of Control, 2010). In particular, it considers how different voices and pieces of evidence are brought together to construct coherent documentary narratives and contextualizes these narratives within broader feminist criminological discourse. This project develops the concepts of ‘internal’ and ‘external’ coherence and considers how attempts to maintain coherence influence the way the Smith case is presented in the documentaries. Drawing on Foucault’s (1976) discussion of subjugated knowledge, this project explores how the process of creating a coherent narrative necessitates the subjugation of controversial knowledge. By juxtaposing the arguments in the documentaries against those of feminist criminology, the findings reveal how attempts to formulate a critique of Canadian prisons that appeals to a national audience subjugates feminist critique
"We Don't Want the Loonies Taking Over": Examining Masculine Performatives by Private Security in a Hospital Setting
No full textAfter sixteen intensive months, I quit my employed position as a security guard at a local hospital. By drawing on my autoethnographic experiences in the form of “ethnographic fiction writing”, as well as eight interviews with my former male colleagues, I explore how the guards’ constructions of masculinity intersect with their security assessment and subsequent application of force, chemical incarceration, and other coercive security tactics on involuntarily-committed mental health patients. The narratives are framed by the available literature on gender and masculinity within the security, police, prison and military institutions, as well as the theoretical notions of gendered institutions (Acker), hegemonic masculinity (Connell & Messerschmidt), doing gender (West & Zimmerman), and Dave Holmes’s application of Foucauldian biopolitical power to forensic healthcare settings. These concepts are used in tandem with a creative methodological tool to reveal the “messy”, “bloody” and “gendered” ways in which hospital life unfolds between the guard, the nurse, and the patient prisoner. By escaping more traditional forms of academic writing, I am able to weave raw, sensitive and reflexive thoughts and emotions into the research design and analysis. The analysis is divided into two narratives: “Us” and “Them”. “Us” emphasizes the gendered ways in which the hospital guard learns, reproduces, resists, lives up, or fails to live up to the masculine codes of the profession. Here, the guard must confront cultural demands to demonstrate physical prowess, authority and heroism during a patient battle. “Them” explores how hegemonic masculinity shapes the hierarchical and coercive relations between the guard, the nurse, and the patient, and reinforces psychiatrized discourses that promote punishment, pain, bureaucracy and control. Overall, these findings call for the abolition of physical restraint, chemical incarceration and other coercive security measures within our healthcare institutions, and encourage future research to give voice to the lived experiences of women guards and security management teams
“CFL has its patient zero”: A Critical Examination of HIV Nondisclosure in the Trevis Smith Case
No full textCanada is currently the world leader in the number of per capita prosecutions of HIV nondisclosure (Hastings, 2017). Many of these cases garner the attention of media and receive sensational and dramatic coverage. This thesis provides a feminist critical discourse analysis of the juridical and mediated content on Trevis Smith who was a former Canadian Football League linebacker convicted of aggravated sexual assault for not disclosing to his sexual partners that he was living with HIV. Mobilizing an intersectional (Crenshaw, 1989, 1991) and masculinities (Connell, 2005/1995; Messerschmidt, 2012; 2016) theoretical framework, I specifically explored the ways in which the media and juridical content constituted Smith by considering how the different discourses were shaped by race, gender, class, criminality, sexual orientation, and seropositivity.
The analysis revealed three main discourses: Dr. Jekyll and Mr. Hyde, The “Sodom and Ghomorrah of Shared Sexual Partners” and Playing a Dangerous Game. These discourses demonstrate that Smith was initially shown sympathy by way of his construction as a philanthropist, and sports hero. However, as the case progressed his masculinity was discursively linked to racialized tropes of hypersexuality, dangerousness, and criminality due to his failure to disclose that he was HIV positive. I conclude that these discursive connections are part of a broader historical narrative that subjugates and controls Black men while also working to symbolically and literally segregate the Canadian HIV-negative social body from the hypersexual Black ‘AIDS fiend’
"Deadly Women": Examining (Audio)Visual (Re)Presentations of Violent Women and Girls in Infotainment Media
No full textWomen have historically been the subject of stereotypes – especially criminalized women as they are constructed in the mass media. These stereotypes become particularly problematic when they are invoked in infotainment media – a genre that combines information and entertainment and presents itself as primarily factual. As such, ideological messages delivered through infotainment are also (re)presented as truthful and may be more likely to be taken up by an unquestioning audience. This research aimed to answer the following research question: How does infotainment portray women who commit serious violent crime? In order to answer this question, a qualitative content analysis was employed and “Deadly Women”, a televised infotainment series that narrates and re-enacts true crime stories of women who kill, was selected as a case study. The sample consisted of previously identified typologies: mothers who kill their children, women who kill their partners, adolescent girls who kill, and vigilantes who kill their abusers. Stemming from a critical feminist framework, the analysis revealed that Deadly Women relies on two primary trajectories to explain the violence committed by women and girls. While both trajectories emphasized gendered stereotypes that involved emotionality and mental health issues, they were nonetheless distinct. The first trajectory evoked narratives of the ‘emotionless’ and ‘psychopathic’ perpetrator; while the second trajectory characterized the offender as overly ‘emotional’ and ‘depressed’. These trajectories, along with their related variables, problematically (re)presented violent women and girls in simplistic and dualistic manners that served to obscure rather than to clarify the circumstances surrounding their crimes
Disciplining Women/Disciplining Bodies: Exploring how Women Negotiate Health and Bodily Aesthetic in the Carceral Context
No full textTraditionally, much criminological research has focused on male complexities of confinement, sidelining the experiences of federally and especially provincially incarcerated women in Canada. This thesis seeks to capture some of the experiences and challenges faced by incarcerated women as they attempt to negotiate agency and maintain choice and control over their health and bodies while inside correctional institutions. In order to do so, this study draws from Foucaultian-inspired concepts of discipline, governance, regulation, power, and resistance as a means to theoretically analyze the daily, often strategic, actions of women prisoners.
This research is qualitative, and emerges from the data secured through in depth interviews with twelve previously incarcerated women, who were asked to speak of their experiences inside Canadian prisons with respect to issues of choice and control over hygiene, diet, exercise, and access to over-the-counter medication. The data were coded and organized into three substantial themes: opportunity for choice or learned dependence, the ‘layering’ of punishment, and creating space for agency.
The analysis revealed that incarcerated women attempt to manage and maintain control over their health but meet ongoing punitive carceral responses when making decisions about their bodies that conflict with institutional mandates, discourses, or goals. Without the opportunity to perform culturally accepted norms of health and femininity, women in prison fail to achieve a positive or ‘good’ womanly status, which comes to impact their self-worth, self-esteem, and identity. These findings create direct implications for Corrections, as they inevitably produce docile and institutionally dependent women rather than responsible and productive citizens, the stated rehabilitational goal of correctional services
"Deadly Women": Examining (Audio)Visual (Re)Presentations of Violent Women and Girls in Infotainment Media
No full textWomen have historically been the subject of stereotypes – especially criminalized women as they are constructed in the mass media. These stereotypes become particularly problematic when they are invoked in infotainment media – a genre that combines information and entertainment and presents itself as primarily factual. As such, ideological messages delivered through infotainment are also (re)presented as truthful and may be more likely to be taken up by an unquestioning audience. This research aimed to answer the following research question: How does infotainment portray women who commit serious violent crime? In order to answer this question, a qualitative content analysis was employed and “Deadly Women”, a televised infotainment series that narrates and re-enacts true crime stories of women who kill, was selected as a case study. The sample consisted of previously identified typologies: mothers who kill their children, women who kill their partners, adolescent girls who kill, and vigilantes who kill their abusers. Stemming from a critical feminist framework, the analysis revealed that Deadly Women relies on two primary trajectories to explain the violence committed by women and girls. While both trajectories emphasized gendered stereotypes that involved emotionality and mental health issues, they were nonetheless distinct. The first trajectory evoked narratives of the ‘emotionless’ and ‘psychopathic’ perpetrator; while the second trajectory characterized the offender as overly ‘emotional’ and ‘depressed’. These trajectories, along with their related variables, problematically (re)presented violent women and girls in simplistic and dualistic manners that served to obscure rather than to clarify the circumstances surrounding their crimes
Making Up Transgender Prisoners in Ontario: An Intersectionality-Based Policy Analysis
No full textIn Ontario, Canada the number of transgender prisoners is unknown. However, advocates suggest that transgender individuals are a growing population within carceral spaces. This thesis provides an Intersectionality-Based Policy Analysis (IBPA) of the Ministry of Community Safety and Correctional Services’ (MCSCS) transgender management policies. I explore the gendered and racialized ways in which the MCSCS constructs, manages, and makes up transgender prisoners in Ontario carceral spaces. By examining Ontario correctional policy, I conclude that transgender prisoners in Ontario are made up by various conflicting policy characterizations that position them as simultaneously at-risk and risky. These characterizations support the MCSCS’ broader effort to (re)frame incarceration as a caring, inclusive practice, making it easier and supposedly safer to incarcerate transgender individuals. By emphasising risk and vulnerability, these MCSCS policies fail to challenge broader cultural constructions of transgender prisoners as always-already deceptive, thereby entrenching the carceral system as a vital instrument of crime control without considering viable alternatives, including decarceration
Investigative Documentary as Critique? Understanding the Role of Narrative in the CBC Fifth Estate Documentaries on the Ashley Smith Case
No full textThis thesis uses approaches adapted from narrative analysis to provide a detailed examination of the two CBC Fifth Estate documentaries on the case of Ashley Smith (Behind the Wall, 2010; Out of Control, 2010). In particular, it considers how different voices and pieces of evidence are brought together to construct coherent documentary narratives and contextualizes these narratives within broader feminist criminological discourse. This project develops the concepts of ‘internal’ and ‘external’ coherence and considers how attempts to maintain coherence influence the way the Smith case is presented in the documentaries. Drawing on Foucault’s (1976) discussion of subjugated knowledge, this project explores how the process of creating a coherent narrative necessitates the subjugation of controversial knowledge. By juxtaposing the arguments in the documentaries against those of feminist criminology, the findings reveal how attempts to formulate a critique of Canadian prisons that appeals to a national audience subjugates feminist critique
"We Don't Want the Loonies Taking Over": Examining Masculine Performatives by Private Security in a Hospital Setting
No full textAfter sixteen intensive months, I quit my employed position as a security guard at a local hospital. By drawing on my autoethnographic experiences in the form of “ethnographic fiction writing”, as well as eight interviews with my former male colleagues, I explore how the guards’ constructions of masculinity intersect with their security assessment and subsequent application of force, chemical incarceration, and other coercive security tactics on involuntarily-committed mental health patients. The narratives are framed by the available literature on gender and masculinity within the security, police, prison and military institutions, as well as the theoretical notions of gendered institutions (Acker), hegemonic masculinity (Connell & Messerschmidt), doing gender (West & Zimmerman), and Dave Holmes’s application of Foucauldian biopolitical power to forensic healthcare settings. These concepts are used in tandem with a creative methodological tool to reveal the “messy”, “bloody” and “gendered” ways in which hospital life unfolds between the guard, the nurse, and the patient prisoner. By escaping more traditional forms of academic writing, I am able to weave raw, sensitive and reflexive thoughts and emotions into the research design and analysis. The analysis is divided into two narratives: “Us” and “Them”. “Us” emphasizes the gendered ways in which the hospital guard learns, reproduces, resists, lives up, or fails to live up to the masculine codes of the profession. Here, the guard must confront cultural demands to demonstrate physical prowess, authority and heroism during a patient battle. “Them” explores how hegemonic masculinity shapes the hierarchical and coercive relations between the guard, the nurse, and the patient, and reinforces psychiatrized discourses that promote punishment, pain, bureaucracy and control. Overall, these findings call for the abolition of physical restraint, chemical incarceration and other coercive security measures within our healthcare institutions, and encourage future research to give voice to the lived experiences of women guards and security management teams
- …
