2,015,036 research outputs found
Utterance. The music of Nusrat Fateh Ali Khan
I INFLUENCES Peter Gabriel, Musician, describing how Pete Townsend introduced him to qawwali singing. Nusrat Fateh Ali Khan and his party performing "The truth is Ali / Ali is my master / To look at Ali is to worship / Thus said the Prophet…" [Haq Ali Ali]. Nahid Siddiqui, Classical Dancer, thinks that Ali Khan’s music has become popular in East and West because of sound classical training. Ali Khan and party performing at open-air concert. "Going to Mecca, the matter does not end there…". Harminder Kalsi, Graphic Designer, says that Ali Khan’s music brought him something he’d missed out on in his own culture. Concert: "Going to the Ganges, the matter does not end there…". Ali Khan talks about his family’s musical background, and the different styles used by his father, Fateh Ali Khan (dhrupad), and his uncle, Mubarak Ali Khan (khayal) which, unusually, they combined together. Concert. The song finishes.II RHYTHMS Arabic script. Mosques. Commentary says that qawwali has its origins in the poetic traditions of Arabia and parts of the Middle East, is part of Sufi ceremonials in a number of those countries, and has now become part of Indian and Pakistani popular culture. Caption: "‘Indian music, the fire that burns heart and soul.’ Amir Khusrau, Sufi poet and musicologist, 1234-1324." Ali Khan believes that the work of Amir Khusrau is at the root of modern Indian music. Siddiqui talks about the importance of Amir Khusrau’s contribution to Indian music. Tabla player. Edward George, Film Maker, describing "losing himself" "in the vowels" when hearing Ali Khan singing in a language he doesn’t understand. Ali Khan singing and playing harmonium. Peter Gabriel on Ali Khan as a performer. Ali Khan playing and singing. His VO explains that his father didn’t want him to become involved in qawwali. He talks about watching his father teaching others, and then learning tabla and rhythm from him. Kalsi talking about the dedication required to be such good performers. The concert: "Thus is your face, Oh Robed Prophet / I wept during the night of separation…" George commenting on the pleasurable effect the music has on the audience. Ali Khan and party in studio performance, "Come my beloved / My eyes await you…". Credits
Shan Khan, 2014
Collection: Islam in Memphis Oral Histories, Interviewees: Shan Khan, Interviewer: Irem Khan, Date: 2014-07-1
Iqbal Khan, 2014
Collection: Islam in Memphis Oral Histories, Interviewees: Iqbal Khan, Date: 2014-07-1
Tariq Khan
Khan interviewed Myers for an Argus article and recalls Myers questions to him about his interests and the encouragement he received for choosing to pursue a double major. Khan recalls the influence Myers had on students interacting with different cultures on campus and abroad. Myers believed the purpose of the liberal arts was to give students an advantage in any field they chose. Khan relates a story of Myers\u27 interest in Khan\u27s upbringing in the U.S. and the differences he\u27d observed between Pakistani and American cultures and how he encouraged Khan to share his experiences with Myers\u27 sons, whom Khan sometimes babysat for
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Personal narrative by Qadir Khan
Video of Qadir Khan narrating a personal account
Sr. Naseem Khan, 2014
Collection: Islam in Memphis Oral Histories, Interviewees: Naseem Khan, Interviewer: Uzair Ahmed, Date: 2014-07-1
Anmol Khan, 2014
Collection :Islam in Memphis Oral Histories, Interviewees: Anmol Khan, Date: 2014-07-1
Emirs of Uzbek Khan and Janibek Khan
This article explores the question about the origin of the Golden Horde emirs’ dynasties during the reign of Uzbek and Janibek khan. Based on numerous Venetian, Arabic, Turkish, Persian primary sources the author provides his own version of origin and genealogical relationships of various emirs. Based on a list of emirs of Janibek khan from «Daftar-i Chingiz-name», the author traces the origins of Mogul-buga to Kipchak tribe and the origins of Kutlu buga to Naiman tribe. Author argues that during the reign of Uzbek khan, the Kungirat and Kiyat were the most influential clans. The Kipchak and Nayman were the most influential clans during the reign of Janibek khan. The author considers three-level hierarchy of emirs. The first level includes the emirs – clan rulers in every district (ulus). There were 4 tribes in each ulus. The second level includes the emirs who were the rulers of ulus. After the administrative reform of Uzbek khan, they replaced the Jochids in the political system of the Golden Horde. If formerly the governance of ulus was inherited by one of the Jochids, then during the reign of Uzbek khan emirs were appointed directly from the center. The third level includes four Karachi Beys who were advisers of the khan. The author also examines the origin of Nanguday from Kungirat clan. The author puts forward his own version of a genealogy of Nanguday. Additionally, this article contains the author’s assumptions about biography of Isatay Kiyat and Isa Uysun. According to these assumptions, Isatay Kiyat can be identified with well-known Gourgen Isa. And Isa Uysun, in turn, can be identified with the brother of Tuluk Timur, who was a governor of the Crimea in the era of Uzbek khan
Khan Academy: What is Coronary artery disease
For readers who would like a crash course in coronary artery disease, this site from the Khan Academy is a great option. Taught in 12- to 15-minute sections, with the precision and simplicity of Salman Khan, the videos cover topics in order of complexity. The lessons start with What is coronary artery disease?, explaining the way the heart works and the nature of plaques and plaque build up. From there, Kahn takes readers on a journey through risk factors, atherosclerosis, heart attacks, healing after a heart attack, and the complications that one might expect after a heart attack. Readers are welcome to continue their medical education, moving on to a study of the rest of the circulatory system
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