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Waving or drowning
No full textReview of: Keyan G. Tomaselli. The South African film industry. Johannesburg: University of the Witwatersrand, 197
On reading "The S.A. film industry"
No full textReview of: Keyan G. Tomaselli. The South African film industry. Johannesburg: University of the Witwatersrand, 197
Intellectual property rights and the political economy of culture
Full text linkThe domain of intellectual property rights, along with the regulations that govern them, has a steadily, almost visibly incremental bearing these days upon the ordinary lives of people across the globe, in the rich world and the poor and in the North and the South. Its influence has escalated to the point where for some it may mean the difference between life and death; on it are now founded industries in the first rank of corporate power and thrust. As a modus for wealth creation it is being transferred onto other previously unthought-of sectors outside the familiar orbit of the market: indigenous cultural forms, music, fabric and other designs, symbols, artefacts, knowledge of natural resources, dance steps, motifs, advertising catch phrases, logos and brand names
Tomaselli, Keyan G. — Encountering Modernity
Full text linkKeyan G. Tomaselli est professeur et directeur du département Culture Communication and Media Studies à l’University of KwaZulu-Natal, à Durban (Afrique du Sud). Son livre le plus connu, The Cinema of Apartheid (1988), traitait des liens entre le régime d’apartheid et l’industrie cinématographique sud-africaine, en s’appuyant principalement sur une analyse de l’économie politique à l’origine du développement de cette industrie. Après ces premiers travaux, Tomaselli avait orienté ses centres d..
The Semiotics of Anthropological Authenticity: How Cultures Change to Fit Their Media Image
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