3,860 research outputs found
Professor Peter Singer speaking at the National Press Club Canberra, 11 February 2009 [picture] /
No full textTitle devised by cataloguer based on information from acquisitions documentation.; Part of the collection: Humanitarian author Professor Peter Singer at the National Press Club, Canberra, 11 February 2009.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2009
Open doors presents Beverly Singer
No full textThe Open Doors series presents Beverly Singer, author of ""Wiping the Warpaint off the Lens,"" to discuss native americans as producers of and their representation in film in video
Singer Speaks With Spira
No full textWhile in Melbourne, Henry Spira attended a workshop arranged by ANZFAS for animal rights/welfare workers to discuss the strategies adopted by the Coalitions. He advised on how Australian animal welfare groups could use US experiences to devise new approaches for local action.
For Animal Liberation Magazine he talked with fellow activist, PROFESSOR PETER SINGER, author of Animal Liberation, about animal rights issues and his involvement in the movement
Obituary of Kenneth Woodrow Mackenzie, 74, a longtime country and western singer
No full textObituary of Kenneth Woodrow Mackenzie, 74, a longtime country and western singer who had a show on WGAN radio for almost 20 years starting in 1954
Obituary of Kenneth Woodrow Mackenzie, 74, a longtime country and western singer
No full textObituary of Kenneth Woodrow Mackenzie, 74, a longtime country and western singer who had a show on WGAN radio for almost 20 years starting in 1954
Kenneth Smith
No full textBlack-and-white photograph of bass singer Kenneth Smith, who sang with the Salt Lake Oratorio Society in 1963
The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist
No full textOver the last century, performers gradually acquired statutory protection of their economic and moral
rights. These rights are not copyright in the legal sense but neighboring rights and until recently, they
were mainly remuneration rights that are collectively administered. With the WPPT (WIPO
Performers and Phonograms Treaty), performers now have individual exclusive rights for digital
performances; this leads to the question: what has motivated this change – is it a change in the
perception of the value of performer or a change brought about by the changing technology of copying or,
indeed, a change that reflects different economic costs and benefits? The paper discusses the role of
copyright law as an incentive to performers and asks if the economic role of the performer is so different
from that of the author. The conclusion is that a complex interaction of the legal regulations, economic
conditions and institutional arrangements for administering these new rights will determine the outcome
Kenneth Smith [1]
No full textBlack-and-white photograph of bass singer Kenneth Smith, who sang with the Salt Lake Oratorio Society in 1963
Kenneth Smith [2]
No full textBlack-and-white photograph of bass singer Kenneth Smith, who sang with the Salt Lake Oratorio Society in 1963
Kenneth Smith [4]
No full textBlack-and-white photograph of bass singer Kenneth Smith, who sang with the Salt Lake Oratorio Society in 1963
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