1,721,401 research outputs found
Memoria come palinsesto. Intervista a Kenneth Frampton.
No full textIn una serie di conversazioni con Gaia Caramellino
e Federica Doglio, Kenneth Frampton ripercorre la
sua articolata traiettoria biografica che si delinea
tra Europa e Nord America a partire dagli anni
Cinquanta. Sin dai primi dialoghi emerge come
“la mente dell’architetto” abbia influenzato il suo
metodo di insegnamento, la definizione delle sue
categorie critiche e la scrittura delle sue storie.
Le questioni emerse mettono in discussione
la posizione che la storia può avere per la
formazione e la pratica dell’architetto oggi, in un
momento di “crisi” e di ridefinizione del suo ruolo
An Interview with Kenneth Frampton
Get PDFThe Oz editors interview Kenneth Frampton, Ware Professor of Architecture at Columbia University
L’Existenzminimum dans le travail de Kenneth Frampton
Get PDFRésumé. Pendant sa formation doctorale (2011-2015), Gregorio Carboni Maestri a eu accès aux boîtes installées par Kenneth Frampton dans des endroits sécurisés de l’Unversité de Columbia : du matériel accumulé depuis son jeune âge, que Frampton l’a autorisé à étudier et organiser. Cette belle rencontre a permis la naissance des Kenneth Frampton Archives et de compléter leclassement existant des documents qu’elles contiennent, notamment par la création d’un dossier "Existenzminimum". À partir d’une recherche entreprise dans le cadre des 5e journées Bernardo Secchi Existenzminimum, 90 ans du 2e CIAM (Fondation Braillard, septembre 2019, EPFL), quelques écrits placés à l’intérieur de ce dossier, dont l’origine a été retrouvée pendant l’écriture du présent article, sont analysés ici.Abstract. During his doctoral research (2011–2015) Gregorio Carboni Maestri had access to the boxes of equipment Kenneth Frampton had installed in secure places in the University of Columbia and which Kenneth Frampton gave him permission to study and organize. The Kenneth Frampton Archives were born. Gregorio Carboni Maestri decided to continue a preexisting alphabetical organisation: “Aalto” was an already established theme, “Existenzminimum” a sub-heading he created. He analyses here some writings taken from this file, the origin of which was established during the writing of this article, the fruit of research undertaken within the framework of the 5th Bernardo Secchi Existentzminimum, 90 ans du 2e CIAM (Fondation Braillard, September 2019, EPFL)
L’Existenzminimum dans le travail de Kenneth Frampton
No full textRésumé. Pendant sa formation doctorale (2011-2015), Gregorio Carboni Maestri a eu accès aux boîtes installées par Kenneth Frampton dans des endroits sécurisés de l’Unversité de Columbia : du matériel accumulé depuis son jeune âge, que Frampton l’a autorisé à étudier et organiser. Cette belle rencontre a permis la naissance des Kenneth Frampton Archives et de compléter le classement existant des documents qu’elles contiennent, notamment par la création d’un dossier "Existenzminimum". À partir d’une recherche entreprise dans le cadre des 5e journées Bernardo Secchi Existenzminimum, 90 ans du 2e CIAM (Fondation Braillard, septembre 2019, EPFL), quelques écrits placés à l’intérieur de ce dossier, dont l’origine a été retrouvée pendant l’écriture du présent article, sont analysés ici. Abstract. During his doctoral research (2011–2015) Gregorio Carboni Maestri had access to the boxes of equipment Kenneth Frampton had installed in secure places in the University of Columbia and which Kenneth Frampton gave him permission to study and organize. The Kenneth Frampton Archives were born. Gregorio Carboni Maestri decided to continue a preexisting alphabetical organisation: “Aalto” was an already established theme, “Existenzminimum” a sub-heading he created. He analyses here some writings taken from this file, the origin of which was established during the writing of this article, the fruit of research undertaken within the framework of the 5th Bernardo Secchi Existentzminimum, 90 ans du 2e CIAM (Fondation Braillard, September 2019, EPFL)
Conversando con... KENNETH FRAMPTON
No full text[EN] Well-known for his great contribution to architectural criticism and his very extensive teaching, Kenneth Frampton is, above all, an architect with an exquisite sensitivity in all areas that include architecture. An Architect since 1956 for the Architectural Association School of London, he has worked half his life in New York, which he referred to as ¿the dirty guts of the United States¿. He has been Associate Professor in Universities like Princeton; a Visiting Professor in most of the world; and from 1974 he has been a Ware Professor of Architecture in the Graduate School of Architecture, Planning and Preservation (GSAPP) at Colombia University in New York. Every architect knows his writing and every researcher has, as part or his or her reference bibliography, his books and articles due to their philosophical and critical interest. Also, I don¿t need to mention the quality and variety of his lectures, which after more than three decades, continue to retain all their validity, and are followed by many architects. He creates excitement wherever he goes and I wonder¿ what is Kenneth Frampton¿s secret? What causes him to make any enthusiast of architecture, who read his work or who like me have had the good fortune to listen to him speak, shudder with excitement? Maybe the key is his tireless research work¿ never anchored in what is already known, but also exploring new concepts; never focused on a particular field of architecture, but also studying within the global framework; never understood only from the educational aspect, but also analysing from the specialcharacteristics and peculiarities of each culture.[ES] Conocido por sus grandes aportaciones a la crítica arquitectónica y por su extensísima labor docente, Kenneth Frampton es, por encima de todo, un arquitecto de exquisita sensibilidad en todas las facetas que engloban la arquitectura. Arquitecto desde 1956 por la Architectural Association de Londres, lleva más de media vida trabajando en Nueva York, en lo que el ha denominado "las tripashoy sucias de los Estados Unidos". Ha sido Profesor Asociado en universidades de la talla de Princeton, Profesor Visitante en medio mundo y desde 1974 está a cargo de la Cátedra Ware en la Graduate School of Architecture, Planning and Preservation (GSAPP) de la Universidad de Columbia en Nueva York. Todo arquitecto conoce sus escritos y cualquier investigador que se preste, tiene como parte de su bibliografía de consulta sus librosy artículos por el interés filosófico y crítico que despiertan. Tampoco hace falta mencionar la variedad y calidad de sus clases magistrales, que después de más de tre sdécadas, siguen conservando toda su vigencia y son seguidas po rmultitud de arquitectos. Allá donde va crea expectación y yo mepregunto, ¿cuál es el secreto de Kenneth Frampton? ¿Qué provoca que siga estremeciendo a cualquier entusiasmado de la arquitectura que lea su obra, o a quienes como yo tienen la suerte de poder escucharlo? Quizá la clave esté en su incansable labor investigadora nunca anclada en lo ya conocido, sino explorando nuevos conceptos; nunca centrada en un campo concreto de la arquitectura, sino estudiada desde la globalidad: y nunca entendida únicamente desde la universalidad, sino analizada desde las particularidades decada cultura.Lizondo, L. (2012). Conversando con... KENNETH FRAMPTON. EGA. Revista de Expresión Gráfica Arquitectónica. 17(20):24-33. https://doi.org/10.4995/ega.2012.1400SWORD2433172
Kenneth Frampton, "Vers un régionalisme critique : pour une architecture de résistance"
No full textKenneth Frampton, « Towards a Critical Regionalism: Six Points for an Architecture of Resistance », 1st published in Hal Foster (ed.), The Anti- Aesthetic: Essays on Postmodern Culture, Port Townsen, Bay Press, 1983, reed. in Hal Foster (ed.), Postmodern Culture, London, Pluto Press, 1985. Tous nos remerciements vont à Kenneth Frampton, Hal Foster et aux éditions Pluto Press pour avoir aimablement autorisé cette traduction
40 years for an Architecture of Resistance, an interview
No full textIn an interview with Ugo Rossi, renowned architectural historian Kenneth Frampton reflects, forty years later, on the concept of critical regionalism in the light of the social and cultural changes that have taken place as globalism gains ground
Acerca del proyecto de Kenneth Frampton
Get PDFKenneth Frampton, destacado académico de la historia, teoría y crítica de la arquitectura, estudió en la Architectural Association de Londres en la década del cincuenta y fue editor técnico de la revista Architectural Design. Desde 1972 enseña en la Facultad de Arquitectura de la Universidad de Columbia, donde actualmente es Ware Professor of Architecture.
En esta entrevista, el autor de Historia crítica de la arquitectura moderna (1980), habla de su proyecto como crítico y teórico, su evolución y su influencia. Asimismo, repasa algunos antecedentes del movimiento moderno y destaca la función crítica e interpretativa que le corresponde asumir a la historia de la arquitectura
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