2,390 research outputs found
5.09.004: 1 black and white photograph by Shane Kelly: Don Walsh and Kelly Russell, [1991]
No full textThis original Shane Kelly photo, showing (l-r) Kelly Russell and Don Walsh at Dadyeen Studios, was used in James Wade, "Recording Industry," Encyclopedia of Newfoundland and Labrador, vol. 4, 533-5
2.04.004: 2 Black and White photographs by Shane Kelly: Promotional, 1992
No full textBoth these were taken by Shane Kelly: one upstairs at Bridgette's and the other on the marina across from the Battery in Fort Amherst
9.03.008: "Set 2: Tickle Harbour at Bridgett's, 31 August 1991"
No full textSet 2 of 4 from a gig at Bridgett's. By this time Seamus Creagh has joined the fold. Shane Kelly, who was a great sound person recorded this directly from the mixing console
9.03.010: "Set 4: Tickle Harbour at Bridgett's, 31 August 1991"
No full textSet 4 of 4 from a gig at Bridgett's. By this time Seamus Creagh has joined the fold. Shane Kelly, who was a great sound person recorded this directly from the mixing console
9.03.009: "Set 3: Tickle Harbour at Bridgett's, 31 August 1991"
No full textSet 3 of 4 from a gig at Bridgett's. By this time Seamus Creagh has joined the fold. Shane Kelly, who was a great sound person recorded this directly from the mixing console
9.03.007: "Set 1: Tickle Harbour at Bridgett's, 31 August 1991"
No full textSet 1 of 4 from a gig at Bridgett's. By this time Seamus Creagh has joined the fold. Shane Kelly, who was a great sound person recorded this directly from the mixing console
2.04.007: 3 Contact sheets, 1 photograph by Shane Kelly: Promotional, [1994]
No full textShane Kelly's Tickle Harbour photoshoot
Orry-Kelly : an Australian in Hollywood : producing meaning through costume
No full textCostume designer Orry-Kelly has a unique place in Hollywood history as one of the few designers to win three or more Academy Awards and one of the few Australians to succeed in\ud
the Hollywood studio system. His work was a major factor in the success of Bette Davis at Warner Bros. However, Orry-Kelly and his work have received little critical attention.\ud
This study examines the function of Orry-Kelly's costumes in a selection of Bette Davis vehicles produced at Warner Bros. between 1938 and 1942. In order to assess the value of Orry-Kelly's contributions, the thesis charts the development of the role of the Hollywood studio costume\ud
designer and summarises theories relevant to the function of costume in classical Hollywood narrative.\ud
Films analysed are Jezebel, Dark Victory, The Letter, The Little Foxes, Now, Voyager, The Great Lie and In This Our Life. Sources consulted for background to Orry-Kelly's life and career include records in the Orry-Kelly File in the Warner Bros. Archives at the University of Southern\ud
California, and material gathered in Australia which has not been previously presented in an academic study.\ud
The study concludes that Orry-Kelly's costume concepts display an intuitive understanding of processes of human perception and behaviour, and knowledge of the requirements of the film medium, to convey the preferred meanings about characters and aid in story-telling
The Plankerdown Band: The Jig is Up
No full textColourKelly Russell, Don Walsh, Frank Maher, Wade Pinhorn, George Morgan. Photo of jigger done at Bridgett's Pub by Shane Kelly; CD posterThe Plankerdown Ban
Shane and Hannah Burcaw
No full textShane Burcaw is the author of the bestselling memoir, Laughing at My Nightmare, which was shortlisted for the ALA Excellence in Nonfiction Award. He has also published the essay collection Strangers Assume that My Girlfriend Is My Nurse and is at work with his wife Hannah on a collection of stories about interabled couples. His blog, Laughing At My Nightmare, about the humor of living with Spinal Muscular Atrophy, has over half a million followers and he and his wife’s You Tube channel, Squirmy and Grubs, has nearly 1 million subscribers
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