1,645 research outputs found

    Letter to Isaac Hayward from unkown author

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/318461"Friday morning. Mr Blair begs to inform Isaac Hayward on conference with Mr P."63415 Item: [2011.0031.00196] "Letter to Isaac Hayward from unkown author

    Letter Sarah (Beaven) to Mrs I J T Hayward

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/335354Sarah Beaven to her sister Elizabeth Hayward (nee Beaven), wife of Isaac Hayward (jnr) re offer of advice on farm selection and some family news. A phrase in the letter where the author refers to Eliza as "my old friend" suggests that this is may be from a friend and not her sister. Original not held at UMA. See digitised original at 2011.0031.018376049 Item: [2013.0056.00207] "Letter Sarah (Beaven) to Mrs I J T Hayward

    Letter being certificate of baptism from unknown author, certified by curate.

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/328431Baptism certificate for John Frederick Hayward. See transcript: 2013.0056.003276643 Item: [2013.0039.00001] "Letter being certificate of baptism from unknown author, certified by curate.

    Cultural Criminology: Theories of Crime

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    Cultural criminology has now emerged as a distinct theoretical perspective, and as a notable intellectual alternative to certain aspects of contemporary criminology. Cultural criminology attempts to theorize the interplay of cultural processes, media practices, and crime; the emotional and embodied dimensions of crime and victimization; the particular characteristics of crime within late modern/late capitalist culture; and the role of criminology itself in constructing the reality of crime. In this sense cultural criminology not only offers innovative theoretical models for making sense of crime, criminality, and crime control, but presents as well a critical theory of criminology as a field of study. This collection is designed to highlight each of these dimensions of cultural criminology - its theoretical foundations, its current theoretical trajectories, and its broader theoretical critiques-by presenting the best of cultural criminological work from the United States, Europe, Australia, and elsewhere

    Fifty Key Thinkers in Criminology

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    Fifty Key Thinkers in Criminology brings the history of criminological thought alive through a collection of fascinating life stories. The book covers a range of historical and contemporary thinkers from around the world, offering a stimulating combination of biographical fact with historical and cultural context. A rich mix of life-and-times detail and theoretical reflection is designed to generate further discussion on some of the key contributions that have shaped the field of criminology. Featured profiles include: Cesare Beccaria Nils Christie Albert Cohen Carol Smart W. E. B. DuBois John Braithwaite. Fifty Key Thinkers in Criminology is an accessible and informative guide that includes helpful cross-referencing and suggestions for further reading. It is of value to all students of criminology and of interest to those in related disciplines, such as sociology and criminal justice

    Framing Crime: Cultural Criminology and the Image

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    In a world in which media images of crime and deviance proliferate, where every facet of offending is reflected in a 'vast hall of mirrors', Framing Crime: Cultural Criminology and the Image makes sense of the increasingly blurred line between the real and the virtual. Images of crime and crime control have become almost as 'real' as crime and criminal justice itself. The meaning of both crime and crime control now resides, not solely in the essential - and essentially false - factuality of crime rates or arrest records, but also in the contested processes of symbolic display, cultural interpretation, and representational negotiation. It is essential, then, that criminologists are closely attuned to the various ways in which crime is imagined, constructed and framed within modern society. Framing Crime responds to this demand with a collection of papers aimed at helping the reader to understand the ways in which the contemporary 'story of crime' is constructed and promulgated through the image. It also provides the relevant analytical and research tools to unearth the hidden social and ideological concerns that frequently underpin images of crime, violence and transgression. Framing Crime will be of interest to students and academics in the fields of criminology, crime and the media, and sociology

    Crime, Culture and the Urban Experience

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    É com enorme satisfação que apresento aos leitores e leitoras do Brasil Crime, Cultura de Consumo e Vivência Urbana, de Keith Hayward, segundo volume da coleção Criminologia Cultural, que coordeno na emais editora. Este livro está fortemente inserido nas tradição críticas de Criminologia, trazendo uma apreciação das mudanças culturais das últimas décadas com o intuito de contribuir para uma compreensão mais qualificada da questão criminal na modernidade tardia. Hayward apresenta uma análise teórica ambiciosa que consiste em uma abordagem cultural que visa compreender o nexo cidade-crime-criminalização-identidade no contexto de uma cultura de consumo. O livro incorpora uma impressionante variedade de literatura além dos limites da Criminologia tradicional - incluindo estudos urbanos, teoria social e, mais notavelmente, de crítica de arte e arquitetura - em uma abordagem marcadamente multidisciplinar. Isso proporciona uma leitura desafiadora e esclarecedora, com ênfase no impacto da cultura de consumo na experiência urbana vivida e na dinâmica espacial da cidade e, por sua vez, na compreensão da transgressão e da criminalidade
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