85,131 research outputs found
John Paul Keith, 2012
No full textThis is an interview with John Paul Keith, who discusses his musical influences, the evolution of his musical sensibilities, and the significance of Memphis as a music hub. Interviewee: John Paul Keith Interviewers: Molly Whitehorn, Charles Hughes Date: December 1, 201
Keith Lange and John Bartlett
No full textColor photo of Keith Lange skiing with John Bartlett, location unknown but probably at Alta, where both were ski instructors in the 1950s, 1960s, and 1970s
John Keith interview (audio)
No full textInterview of Jon Keith at Merrill-Cazier Library on the campus of Utah State University in Logan, Utah. John Keith discusses his early skiing experiences; the Beaver Mountain Ski Patrol; changes at the resort over the years; how being family-owned makes the resort unique; memories of skiing with family; his favorite ski runs; summer at Beaver Mountain; and his experiences skiing in the eastern U.S., Europe, and Morocco, April 5, 202
John Keith interview (transcript)
No full textInterview of Jon Keith at Merrill-Cazier Library on the campus of Utah State University in Logan, Utah. John Keith discusses his early skiing experiences; the Beaver Mountain Ski Patrol; changes at the resort over the years; how being family-owned makes the resort unique; memories of skiing with family; his favorite ski runs; summer at Beaver Mountain; and his experiences skiing in the eastern U.S., Europe, and Morocco, April 5, 202
Keith C. St. John
No full textFrom the video archives of the Cornell Law School Heritage Project. The interviewer is Peter W. Martin; the videographer, Jaesuk Yoo. This video covers Keith St. John\u27s experiences as a law student, his involvement in the Legal Aid Clinic and student government, subsequent work in legal services and both municipal and state government, and continuing commitment to public policy and public service.
Keith St. John was born in 1957. As an undergraduate he studied at Yale and Vassar, receiving a Bachelor\u27s in Economics from Vassar in 1981. He studied public policy at Harvard\u27s John F. Kennedy School of Government and earned a Master\u27s in Public Policy Studies at Duke University in 1982. He earned a JD at Cornell Law School in 1985.
Keith St. John began his legal career at the Legal Aid Society of Northeastern New York where he was Reginald Heber Smith Community Lawyer Fellow. He went on to become President and serve in that capacity for over twenty years. In 1989 he became Associate at Walter, Thayer & Mishler where he focused on family law and social security disability law. In 1992 he became Staff Attorney and Clinical Instructor at Albany Law School.
Keith St. John served as Alderman for the 2nd Ward of Albany for eight years. He says, in an essay in Out and Elected in the USA, that he was the first openly gay Black person elected to public office in the United States in 1989.
He was Law Guardian for the New York State Supreme Court, Appellate Division, Third Department for ten years and Assistant Public Defender for Albany County Government for four years. He has been solo practitioner at his own office for over twenty years where he specializes in family and matrimonial law and real estate transactions.
Keith St. John is active in the New York State Bar Association. He serves as counsel to the New York State Senate Democratic Conference. He also serves as Director of the Fund for Modern Courts which seeks to improve the courts of New York.
Governor Cuomo appointed him to the New York State Commission on Uniform State Laws in1994. He has received the New York Bar Association\u27s Root / Stimson Community and Professional Service Award, the Progressive Leadership Award from the Capital District chapter of Citizen Action, the Victor A. Lord Courage of Conviction Award from Equinox, and the City of Albany Distinguished Service Award from its Human rights Commission
Portrait of Keith Klippel, Tallangatta, Victoria [picture].
No full textTitle from label on back of print.; This photograph was taken as part of John Meredith's "Real Folk" Australian folklore recording project.; P1/69; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an12545712; P1/69. "Great-grandson of Conrad Klippel the First, (there were three Conrads) Keith carries on the family tradition of playing for oldtime dances in the Upper Murray district and in the Nariel Valley."--Typed on card enclosed with photograph
Proclamation Recognizing the Contribution and Service of Dr. Keith Price
No full textA proclamation recognizing the contribution and service of Dr. Keith Price as the first Warden of the Terrell Unit, signed by County Judge John P. Thompson of Polk County, Texas on January 13, 1995
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
The shaping of student knowledge: learning with dynamic geometry software
No full textThe focus of this paper is a software genre usually referred to as ‘dynamic geometry’ because of the ability of the user to dynamically manipulate geometrical figures created with the software tool. Using data from a longitudinal study of 12-13 students’ use of dynamic geometry software, the focus of the analysis is on the interpretations the students make of geometrical objects and relationships when using this form of software. The analysis suggests that the students’ mathematical reasoning is shaped by their interactions with the software in that their ability to explain geometrical facts and relationships evolves from imprecise, ‘everyday’ expressions, through reasoning that is overtly mediated by the software environment, to mathematical explanations of the geometric situation that transcend the particular tool being used. Such findings suggest that curriculum initiatives that encourage the use of dynamic geometry software are appropriate but that the incorporation of such software into classroom practices is unlikely to be straightforward
Gifts for Keith Price - Photographs
No full textA photograph of Dr. Keith Price showing Price holding the gift of a portrait of actor John Wayne styled for a western film
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