3,904 research outputs found
Memo, James E. Mills and Kate Howze to Juvenile Welfare Board Members, Cooperman-Bogue Award Dinner, January 12, 1995
No full textA memo from James E. Mills, Executive Director, and Kate Howze, Communications Director, both of the Juvenile Welfare Board of Pinellas County, to the Juvenile Welfare Board Members about specifics of the Cooperman-Bogue Award dinner for 1994 to be held on March 30, 1995
Colors 1998
No full textCONTENTS
The Kenai, Katie Laughlin 1;
Echocardiogram: Conversations with the Heart, Katie Laughlin 3;
Cross Over, Carolyn Sobczak 5;
Untitled, RWT 10;
Tone Deaf Dad, Doug Tooke 11;
Denial and the Metaphysical Explanation of a Boy and his Depression, D. Tooke 12;
Ruffed Grouse in Winter, Cathi Burgoyne 13;
1968, Cathi Burgoyne 14;
A Penny’s Worth of Friendship, Toni Simon 15;
Beautiful Woman Number Four, Phil Cohea 16;
Tobbits, by the Bedside, Phil Cohea 17;
You Give Yourself Away, Carli Russell 18;
Between Father and Son, Annette Mills 20;
Kindred, Claire Munson 21;
Through a Glass Darkly, Kate Ferrie 23;
Forever Woven, April Wendt 25
Kate Mills' Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Kara Gust interviews author and bioregionalist Stephanie Mills
No full textAuthor and ecologist Stephanie Mills talks about how she started writing and publishing, writing on nature and the environment, the challenges of being a writer, the influence of Michigan on her work, bio-regionalism, and a new book she is working on. Mills is interviewed by Michigan State University Librarian Kara Gust for the Michigan State University Libraries' Michigan Writers Series
Whittier House donor letter from Charles Mills
No full textWhittier House scrapbooks document Whittier House programs, events, and anniversary celebrations through newspaper clippings, lecture fliers, newsletters, event programs, and ticket stubs. Newspaper clippings are primarily from the Jersey Journal. There is also Whittier House fundraising materials, including pamphlets, appeal letters, brochures, and postcards. The Whittier House Social Settlement, the first settlement house in New Jersey, was established in Jersey City, N.J. (Hudson County) in 1894. Founded by Cornelia Foster Bradford, who would remain with the organization as headworker until 1926, Whittier House was based on the settlement house, Toynbee Hall, in England. Whittier House provided various recreational and educational programs, along with much needed social services, for the immigrant populations of Jersey City. Many of these successful services were used as models for large-scale social reform movements through the state. In 1935, the Whittier House was taken over by the Boys' Club of Jersey City
Genealogy of the Mills family.
No full textPreface signed S.L.M. [i.e., Susan Lawrence Mills].Author and publisher information suggested by DLC in OCLC.Mode of access: Internet
Author and bioregionalist Stephanie Mills reads her selected works at the Michigan Writers Series
No full textAuthor and ecologist Stephanie Mills reads from her first book "Whatever happened to ecology?" and from "Tough little beauties," then answers questions from the audience. The event is convened by Peter Berg, head of Michigan State University Libraries' Special Collections. Part of the Michigan State University Libraries' Michigan Writers Series. Held in the Main Library
Adaptable Adolescent: the Wonder of Adolescent Brain Development
No full text10 page full color PDF and accompanying transcript (Word) with full image description.A comic describing the elasticity of the adolescent brain. Gomez and Mills explain how the brain matures and why being an adolescent can be confusing and challenging. Created in collaboration between undergraduate cartoonist Nina Gomez and UO researcher Kate Mills as part of the Science and Comics Initiative, read the comic online here: https://opentext.uoregon.edu/science-comics/chapter/adaptable-adolescent-the-wonder-of-adolescent-brain-development/Funded by NSF CAREER – 1944826-PHY; NSF-2238247 CAREER NSF; and R01-DA055439 NIDA – NSF CRCN
FIGURE 8 in Redescription of Magelona minuta Eliason, 1962 (Annelida), with discussions on the validity of Magelona filiformis minuta
No full textFIGURE 8. Magelona minuta (NMW.Z.2005.014.0117) posterior region (ventral view).Published as part of Mills, Kimberley & Mortimer, Kate, 2018, Redescription of Magelona minuta Eliason, 1962 (Annelida), with discussions on the validity of Magelona filiformis minuta, pp. 541-559 in Zootaxa 4527 (4) on page 553, DOI: 10.11646/zootaxa.4527.4.5, http://zenodo.org/record/261248
Marketing Circus through Personalization: Class and the Celebrity Images of John Ringling and Bertram Mills
No full textThis is the author accepted manuscript. The final version is available from CUP via the DOI in this record Marketing strategies today often rely on creating an emotional connection to the brand through personalizing or humanizing the business. This article explores how both the American Ringling Bros and Barnum & Bailey and the British Bertram Mills Circus used this strategy in the early twentieth century to encourage audiences to attend their circus rather than any other. John Ringling and Bertram Mills may best be remembered for totemic images but their celebrity was constructed through a reiterative performance process. In this article Kate Holmes examines the shifts in their representation performed in press, publicity, and anecdote to explore how each iteration of their public identity functioned to publicize their respective circuses at significant points. She also explores how these circus celebrity identities, focused on achieving financial success for a commercial enterprise, activated and perpetuated national self-identities linked to class. Kate Holmes, who has previous experience as a qualified marketer, recently completed a PhD in Drama at the University of Exeter. Her research on circus performance has been published in Early Popular Visual Culture and is forthcoming in Stage Women, a collection of essays on early twentieth-century female performers
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