45,313 research outputs found
Art Exhibit of Oliver K. Noji invitation (5-14-43) [Oliver K. Noji]
No full textInvitation to an art exhibition of works by Oliver K. Noji opening May 14, 1943 in the Tule Lake Relocation Center in Newell, Californiahttps://scholarlycommons.pacific.edu/cook-nisei/1198/thumbnail.jp
Art Exhibit of Oliver K. Noji invitation (5-14-43) [Oliver K. Noji]
No full textInvitation to an art exhibition of works by Oliver K. Noji opening May 14, 1943 in the Tule Lake Relocation Center in Newell, Californiahttps://scholarlycommons.pacific.edu/cook-nisei/1198/thumbnail.jp
The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship
No full textRecent revisionist studies have argued that much of what is known about music known as the blues’ has been 'invented' by the writing of enthusiasts far removed from the African American culture that created the music. Elijah Wald and Marybeth Hamilton in particular have attempted to sift through the clouds of romanticism, and tried to unveil more empirical histories that were previously obscured by the fallacious genre distinctions conjured up during the 1960s blues revival. While this revisionist scholarship has shed light on some previously ignored historical facts, writers have tended to concentrate on the romanticism of blues writing strictly from an American perspective, failing to acknowledge the genesis and influence of transatlantic scholarship, and therefore ignoring the work of the most prolific and influential blues scholar of the twentieth century, British writer Paul Oliver. By examining the core of Oliver’s research and writing during the 1950s and 1960s, this study aims to place Oliver in his rightful place at the centre of blues historiography. His scholarship allows a more detailed appreciation of the manner in which the blues was studied, through lyrics, recordings, oral histories, photography and African American literature. These historical sources were interpreted in accordance with the author’s attitudes to the commercial popular music, which allowed the ‘reconstruction’ of an African American ‘folk’ culture in which the blues became the antithesis of pop. Importantly, this study seeks to transcend dominant discourses of national cultural ownership or ethnocentrism, and demonstrate that representations of African American music and culture were constructed within a transatlantic context. The blues is music with roots in the African American experience within the United States; however, as Paul Oliver’s writing shows, its reception and representation were not limited by the same national, cultural or racial boundaries
Oliver, K H, NX67401
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/408711Surname: OLIVER. Given Name(s) or Initials: K H. Military Service Number or Last Known Location: NX67401. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 18219.237872
Item: [2016.0049.40984] "Oliver, K H, NX67401
Oliver, K W, VX45438
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/408724Surname: OLIVER. Given Name(s) or Initials: K W. Military Service Number or Last Known Location: VX45438. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 40610.237885
Item: [2016.0049.40997] "Oliver, K W, VX45438
An interview with Bill Oliver
No full textOliver is interviewed by Elizabeth Alley on the publication of his biography of James K. Baxter titled "James K. Baxter : a portrait".Dubbed from a Radio New Zealand Sound Archive recording by the Stout Research Centre Literary Archive
Oliver, G K, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/408700Surname: OLIVER. Given Name(s) or Initials: G K. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 35767.237861
Item: [2016.0049.40973] "Oliver, G K, [No Service Number]
A Reading By Poet Mary Oliver
No full textMary Oliver\u27s poetry, with her lyrical connection to the natural world, has firmly established her in the highest realm of American poets. She is renowned for her evocative and precise imagery, which brings nature into clear focus, transforming the everyday world into a place of magic and discovery. As poet Stanley Kunitz has said, Mary Oliver\u27s poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations. Please join Pulitzer Prize-winning poet Mary Oliver as she shares her joyous, accessible, and intimate observations of the natural world.
Mary Oliver is the celebrated author of more than a dozen books of poetry and prose. With her lyrical connection to the natural world, Oliver\u27s poetry has firmly established her in the highest realm of American poets. Oliver has been honored with the National Book Award for Poetry, the Pulitzer Prize for Poetry, and a Guggenheim Foundation Fellowship, among others
"Hi, fellas. come on in." Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship
No full textThis is a pre-copyedited, author-produced version of an article accepted for publication in the Journal of Church and State following peer review. The version of record - Kendrick Oliver; “Hi, Fellas. Come on in.” Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship, Journal of Church and State, Volume 55, Issue 4, 1 December 2013, Pages 740–757 - is available online at: https://doi.org/10.1093/jcs/css05
Biography of Mary Jane Oliver
No full textTypescript of a sketch biography about Mary Jane (Oliver) Barlow, who came came from England around 1851 and with her husband, Oswald Barlow, helped to settle Saint George. Author unknown, but copied on January 13, 1937 by Virginia M. Lee of the Federal Writers Project, WPA, at Ogden, Uta
- …
