4,323 research outputs found
Stephanie Mathson interviews poet and author Judith Kerman
No full textPoet and author Judith Kerman talks about her experience as a Fulbright scholar in the Dominican Republic, her work translating poems by Cuban poet Dulce Mar\ueda Loynaz, learning Spanish, translating poems from Spanish, and her book "Retrofitting Blade Runner". Kerman is interviewed by Stephanie Mathson of the Michigan State University Libraries. Part of the MSU Libraries' Michigan Writers Series
Apophatic Elements in the Theory and Practice of Psychoanalysis: Pseudo-Dionysius and C.G. Jung
No full textThis thesis identifies apophatic elements in the theory and practice of psychoanalysis through an examination of Pseudo-Dionysius and C.G. Jung. Pseudo-Dionysius brought together Greek and Biblical currents of negative theology and the via negativa. The apophatic concepts and metaphors which appear in the work of Pseudo-Dionysius are identified. The psychology of Jung can be read as a continuation and extension of the apophatic tradition. The presence of neoplatonic themes in Jung’s work is discussed, as well as his references to Pseudo-Dionysius. There is a thorough examination of Jung’s discussion of opposites, including his reception of Nicholas of Cusa’s concept of the coincidence of opposites. The role of the transcendent function in Jung’s psychology is reviewed. The work of contemporary scholars of religion, philosophers and Jungian theorists are compared to Jung’s using the lens of apophasis. There is an exploration of ways in which motifs in Pseudo-Dionysius’ Ecclesiatical Hierarchy resonate with contemporary psychoanalytic psychotherapy. This study demonstrates that apophatic motifs saturate Jung’s work. It provides a platform for research into apophasis in the wider field of psychoanalysis
Poet and author Judith Kerman reads her selected works at the Michigan Writers Series
No full textPoet and author Judith Kerman reads selected poems, including the English translation of poems by Cuban poet Dulce Mar\ueda Loynaz, and answers questions from audience. Kerman is introduced by Michigan State University Librarian Jeanne Drewes. Part of the MSU Libraries' Michigan Writers Series. Held in the Main Library
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Michel Foucault and Judith Butler: troubling Butler's appropriation of Foucault's work
No full textOne of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking
Cwbr Author Interview: Sex And The Civil War: Soldiers, Pornography, And The Making Of American Morality
No full textInterview with Judith Giesberg, author of Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality Interviewed by Tom Barber Civil War Book Review (CWBR): Today the Civil War Book Review is pleased to speak with Judith Giesberg, Professor of History at Villanova Un...
Judith Butler, race and education
No full textThis book provides an analysis of race and education through the lens of the work of Judith Butler. Although Butler tends to be best known in the field of education for her work on gender and sexuality, her work more broadly encompasses the functioning of power and hegemonic norms and the formation of subjects, and thus can also be applied to analyse issues of race. Applying a Butlerian framework to race allows us to question its ontological status, while considering it a hegemonic norm and a performative notion which has a significant impact on real lives. The author considers the implications of Butler’s thinking for debates; addressing diverse contemporary educational issues in which race continues to be (re)produced, such as the formation of leaner identities, the production of the good citizen, raising student aspirations, counter terrorism and surveillance in education, and qualitative research in education
Judith Cohen, art historian and author of Cowtown Moderne
No full textAuthor and art historian Judith (Judy) Cohen sits on a reproduction Le Corbusier chaise from her personal collection of Art Deco style pieces. The railing seen behind her is made from a decorative grill from the restaurant in the Striplings building and the grate on the wall in the background is from the Aviation Building, which was located at Seventh and Main streets. She is the author of the book Cowtown Moderne.https://mavmatrix.uta.edu/specialcollections_startelegram1990s/1123/thumbnail.jp
Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub
No full textThe aim of this thesis is to arrive at a characterisation of twentieth century poetry and science by means of a detailed study of the work of four poets who engaged extensively with science and whose writing lives spanned the greater part of the period. The study of science in the work of the four chosen poets, Hugh MacDiarmid (1892 – 1978), Judith Wright (1915 – 2000), Edwin Morgan (1920 – 2010), and Miroslav Holub (1923 – 1998), is preceded by a literature survey and an initial theoretical chapter. This initial part of the thesis outlines the interdisciplinary history of the academic subject of poetry and science, addressing, amongst other things, the challenges presented by the episodes known as the ‘two cultures’ and the ‘science wars’. Seeking to offer a perspective on poetry and science more aligned to scientific materialism than is typical in the interdiscipline, a systemic challenge to Thomas Kuhn’s The Structure of Scientific Revolutions (1962) is put forward in the first chapter. Additionally, the founding work of poetry and science, I. A. Richards’s Science and Poetry (1926), is assessed both in the context in which it was written, and from a contemporary viewpoint; and, as one way to understand science in poetry, a theory of the creative misreading of science is developed, loosely based on Harold Bloom’s The Anxiety of Influence (1973). The detailed study of science in poetry commences in Chapter II with Hugh MacDiarmid’s late work in English, dating from his period on the Shetland Island of Whalsay (1933 – 1941). The thesis in this chapter is that this work can be seen as a radical integration of poetry and science; this concept is considered in a variety of ways including through a computational model, originally suggested by Robert Crawford. The Australian poet Judith Wright, the subject of Chapter III, is less well known to poetry and science, but a detailed engagement with physics can be identified, including her use of four-dimensional imagery, which has considerable support from background evidence. Biology in her poetry is also studied in the light of recent work by John Holmes. In Chapter IV, science in the poetry of Edwin Morgan is discussed in terms of its origin and development, from the perspective of the mythologised science in his science fiction poetry, and from the ‘hard’ technological perspective of his computer poems. Morgan’s work is cast in relief by readings which are against the grain of some but not all of his published comments. The thesis rounds on its theme of materialism with the fifth and final chapter which studies the work of Miroslav Holub, a poet and practising scientist in communist-era Prague. Holub’s work, it is argued, represents a rare and important literary expression of scientific materialism. The focus on materialism in the thesis is not mechanistic, nor exclusive of the domain of the imagination; instead it frames the contrast between the original science and the transformed poetic version. The thesis is drawn together in a short conclusion
Chuck and Judith Jones, Oral History Moment
No full textThis is an audio recording of an Oral History Moment with Chuck and Judith Jones. An Oral History Moment is a small segment of clips from an oral history interview presented by a narrator. The interview was conducted February 23, 2016. The interviewer is Madsion Garcia. The script author is Abigail Johnson, and the narrator is Allan Folsom.
In this interview, Chuck and Judith Jones discuss their respective careers in the medical field and their service in the Navy during the Cold War.
Judith Jones was born in Waco, Texas on November 18, 1945. Judith Jones attended Shannon West Texas Memorial Hospital School of Nursing and became a Registered Nurse. She worked in the Houston Medical Center at the Methodist Hospital on the psychiatric floor. Throughout her career as a nurse, Judith worked at Baptist Memorial and M.D. Anderson in Houston, and, after returning to school and graduating from Texas Christian University in 1971, taught at Murray State College and the University of Texas Fort Worth.
Chuck Jones was born in Chattanooga, Tennessee on June 14, 1948. Chuck attended college at Dallas Baptist University and then Baylor University. He attended graduate school at the University of Texas Southwestern Medical Center. Following his graduation, he was hired for a traineeship at John Peter Smith Hospital in Fort Worth, Texas.
Chuck and Judith met in 1972 while Judith was working at the University of Texas Fort Worth School of Nursing and Chuck was completing his residency. On August 23, 1973 the two were married in Denton, Texas. After Chuck completed his residency, they moved to Alabama for two years so Judith could work towards her Doctorate in nursing.
In 1980 both Chuck and Judith were commissioned in the Navy. Chuck worked for the first eight years with the 4th Marine Air Wing as an aviation medical officer, treating pilots in the F4 and heavy helicopter squadron. Judith assisted with active trainings during the summer and checked medical records to clear members of the Navy for exercises.
During their service, the Jones’s visited the Mojave Desert, Camp Pendleton, and Cherry Point. Chuck participated in missions in the Philippines and was sworn into active duty during Desert Storm, where he filled in for surgeons who had been deployed overseas. Chuck left the Navy reserves in 1990 in order to care for their children. Judith conducted training programs in Charleston, South Carolina and later worked in fleet hospitals. Judith retired from the military in 2004 after 23 years of service. The couple joined the Marine Corps League following their service.https://lair.etamu.edu/scua-oral-history-all/1111/thumbnail.jp
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