47,565 research outputs found
Yu xu yi yan
No full textv.1. 醫林獵要 / 黃保康輯 ; [黃]任恆編校 -- v.2. 吳鞠通方歌 / 黃保康著 ; 黃任恆校注 -- 陳修園方歌 / 黃任恆編 -- v.3. 貽令堂雜俎 : [四編], 雜說, 遺詩 / 黃保康撰 ; [黃]任恆編校 -- 與壻遺言 : 附錄 / 黃保康撰.v.1. Yi lin lie yao / Huang Baokang ji ; [Huang] Renheng bian jiao -- v.2. Wu ju tong fang ge / Huang Baokang zhu ; Huang Renheng jiao zhu -- Chen Xiuyuan fang ge / Huang Renheng bian -- v.3. Yi ling tang za zu : [si bian], za shuo, yi shi / Huang Baokang zhuan ; [Huang] Renheng bian jiao -- Yu xu yi yan : fu lu / Huang Baokang zhuan.[黃保康撰].綫裝.框14.5x11.7公分, 10行20字, 小字雙行同. 黑口, 左右雙邊, 單黑魚尾. 版心中鐫題名, 卷次, 下鐫葉次.書名背頁刻"宣統三年五月刻成"《中國叢書綜錄》p.727著錄 ; 《中國中醫古籍總目》13297著錄.《貽令堂雜俎》分經, 史, 子, 集編.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 14.5 x 11.7 gong fen, 10 hang 20 zi, xiao zi shuang hang tong. Hei kou, zuo you shuang bian, dan hei yu wei. Ban xin zhong juan ti ming, juan ci, xia juan ye ci.Shu ming bei ye ke "Xuantong san nian wu yue ke cheng"Detailed notes in vernacular field only."Yi ling tang za zu" fen jing, shi, zi, ji bian.[Huang Baokang zhuan].Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Xiang ju
No full text陳碨, 顏招治口述 ; 顏梓和, 王遊治, 黃海瑞整理.根據陳碨, 顏招治口述, 薌劇編導會議集體討論, 顏梓和等整理而成.Chen Wei, Yan Zhaozhi kou shu ; Yan Zihe, Wang Youzhi, Huang Hairui zheng li.Gen ju Chen Wei, Yan Zhaozhi kou shu, Xiang ju bian dao hui yi ji ti tao lun, Yan Zihe deng zheng li er cheng
Xi ju yi shu. Mei ren ji yan chu te ji
No full text中英學會中文戲劇組為香港第四屆藝術節公演 ; 胡春冰作.中英文.Zhong Ying xue hui Zhong wen xi ju zu wei Xianggang di si jie yi shu jie gong yan ; Hu Chunbing zuo.Zhong Ying wen
A string of melodized singing voice︰A study of the music of Taiwan Yi-dan in Japanese Colonial Period
No full text臺灣藝旦為在宴飲場合擔任陪侍侑酒之工作，並以其才藝著稱，其中音樂之藝更為基本訓練。她們在臺灣的起始時間並無定論，但在日治時期之活動則有大量的紀錄，其活動已有許多學者關注，但並無為音樂作深入探討者。本文將以日治時期的報章、相關文獻及有聲資料為材料，對於她們音樂活動以至於曲目樂種作廣泛的討論。文將從共時性及歷時性兩方面來建構出藝旦音樂活動之概念，再從藝旦所唱的曲目作樂種的分類，討論不同場合所呈現的樂種差異，並從她們使用的樂器重新審視音樂表演內容，以建立其音樂的全貌。之後將範圍縮至藝旦小曲，討論其曲目與客家小調及北管幼曲之相關性，試圖探求小曲之可能來源。並使用歷史錄音為研究文本，探討其唱奏詮釋，並比較其與流行歌曲之特色，最後歸納出藝旦實為臺灣音樂文化之收納者。本文循著「音樂活動→音樂種類→小曲」的主題，再從小曲的研究，重新審視藝旦所處之社會脈絡，由大到小，再由小觀大，可說為本論文欲完成的研究脈絡。Stating by their talent and skill, Yi-dan (literally ”Taiwanese geisha”) was basically trained in musical art, and hold the post of the banquet attendant. There are no ultimate conclusion about the outset time of Yi-dan, but huge amount of records in Japanese colonial period and the activities of Yi-dan has been attentitive by many scholars; however, further research on the topic of their music was absent. This research will discuss broadly from the musical activities to the repertoire and genre of Yi-dan, on the basis of the newspapers, relevant reference and musical data.his research will firstly construct the concept about musical activities of Yi-dan in synchronic and diachronic approches. Secondly, in order to construct the whole picture of music of Yi-dan, this research will classify the genre of repertoire performed by Yi-dan and discuss the differences of genre performed in varied places. Thirdly, through the discussion above, the range of research would be focused to the xiao-qu (ditties) of Yi-dan, and try to explore the possible origins of xiao-qu by discussing the relevance of repertoire of xiao-qu, Hakka xiao-tiao and Bei-guan you-qu. The text of research is historical recording, in which the interpretations of performance will be discussed, and comparing its peculiarity with pop music. Finally, the conclusion of this research is that the role of Yi-dan is the reflector of Taiwanese musical culture. The context of the research is located in music, for considering both the micro and macro level of the social background, starting from its activities and music genres to xiao-qu, then through the research of xiao-qu to re-examine the social context of Yi-dan.目 錄試委員會審定書....................................... i謝................................................... ii文摘要............................................... ivbstract............................................... v錄................................................... vi一章 緒論............................................1一節 研究動機與目的.................................. 1二節 文獻回顧........................................ 5三節 研究方法與研究限制.............................. 11四節 章節架構與名詞使用.............................. 13二章 藝旦及其音樂的歷史回顧..........................16一節 藝旦的興起與發展............................... 17二節 藝旦的表演方式與場合........................... 41結................................................... 59三章 由曲目看藝旦音樂的呈現..........................64一節 藝旦音樂之曲目類別.............................. 65二節 藝旦音樂與演出空間.............................. 93三節 藝旦音樂與樂器.................................. 97四節 常演藝旦曲目及其特點............................ 111結................................................... 121四章 藝旦小曲之探討................................. 123一節 小曲的定義...................................... 125二節 藝旦小曲與客家小調、北管幼曲曲目之探討...........128三節 藝旦小曲及其錄音的分析.......................... 151四節 藝旦小曲在京劇及亂彈中的戲劇運用................ 175結................................................... 179五章 結論........................................... 181考資料............................................... 185錄錄一 廣播節目表..................................... 198錄二 南管曲目表..................................... 205錄三 梆子劇目表..................................... 209錄四 女班比較表..................................... 210錄五 唱片目錄表..................................... 214錄六 北曲比較表..................................... 217錄七 曲目資料表..................................... 228錄八 藝旦演出表..................................... 286錄九 採譜........................................... 318目錄1 藝旦裝扮藝閣的模樣，上面的藝旦手中拿著胡琴。...... 462 秋蟾照。.......................................... 543 寶惜校書。........................................ 544 幼良照。.......................................... 545 舉辦田都元帥祭典的新舊爐主—阿粉與新月鄉。........ 896以【一疋綢】小調為旋律的【應元麻病丸】，是以小曲重新詞的廣告。.......................................... 92 7 藝旦彈南管琵琶的模樣。........................... 100 8 藝旦手抱南管琵琶。............................... 100 9 一八九六年名牌藝旦阿鳳與北管琵琶。............... 101 10 藝旦經常使用的樂器︰北管琵琶和三絃。............. 103 11 左起為三絃、月琴、北管琵琶、簫、吊鬼仔、琵琶、琵琶。................................................... 104 12 陳進，《合奏》，1934年，絹．膠彩，200 x 177公分。.105 13 藝旦北管小型絲竹樂隊︰北管琵琶、吊規仔、絃子、鼓板琵琶。............................................... 105 14 藝旦組成的絲竹樂隊，包括了笛子、殼仔絃、琵琶、吊鬼等。..................................................107 15 南管的二絃。.................................... 107 16 北管樂器︰提絃、和絃。........................... 107 17 圖中藝旦彈奏揚琴，曲師拿胡琴類樂器。............. 108 18 介紹【嘆煙花】之報導。........................... 153 19 【嘆烟花】之「將奴家賣在」頻譜圖。............... 155 10 「嘆煙花」三字頻譜圖。............................156 21 「媽做」頻譜圖。..................................157 22 阿樓【記得當初】片斷頻譜圖。......................158 23 蔡小月唱法頻譜圖。................................158 24 打嘟嚕振幅圖。....................................162 25 有音高變化的打嘟嚕振幅圖。........................162 26 張福興樂譜介紹。..................................167 27 【女告狀】之介紹。................................167 28、29、30、31 一九二四年張福興出版的樂譜，包括封面、詞、樂譜解說及東西樂譜對照。..........................168目錄格 1 報導中的音樂類別。................................66格 2 《陳三五娘》相關曲目。............................74格 3 北曲樂器分類表。..................................98格 4 藝旦演奏揚琴之紀錄。.............................109格 5 《二進宮》及《三進宮》演出紀錄。.................113格 6 天水關演出紀錄。.................................115格 7 三娘教子演出紀錄。...............................116格 8 《綠牡丹》與《宏碧緣》演出紀錄。.................117格 9 《貴妃醉酒》演出紀錄。...........................118格 10 梅派劇目演出紀錄。..............................119格 11 小曲曲目表。....................................129格 12 藝旦小曲與北管幼曲、客家小調及八音的比較。......138格 13 【嘆煙花】的歌詞比較。..........................154格 14 【九連環】的歌詞比較表。........................164格 15 藝旦咬字對照表。................................165格 16 藝旦阿椪所唱【女告狀】與張福興所記的歌詞對照。..16
Huangdi nei jing su wen yi pian
No full text啟玄子次注 ; 林億...[et al.]校正 ; 孫兆重改誤. 黃帝内經素問遺篇 / 劉温舒原本.綫裝.框18.4x13.5公分, 9行21字, 小字雙行同. 白口, 左右雙邊, 單黑魚尾. 版心中鐫"内經"及卷次, 下鐫葉次.內封背頁牌記刻"光緖三年[1877]浙江書局據明武陵顧氏影宋嘉祐本刻"《中國中醫古籍總目》(00006)著錄.鈐"莊兆祥印", "莊兆祥".Xian zhuang.Kuang 18.4 x 13.5 gong fen, 9 hang 21 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin zhong juan "Neijing" ji juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Qixuanzi ci zhu ; Lin Yi ...[et al.] jiao zheng ; Sun Zhaozhong gai wu. Huangdi nei jing su wen yi pian / Liu Wenshu yuan ben.Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang"
Xiao ye qu.
No full text鬥爭 / 鷹隼 -- 小夜曲 / 李時建 -- 林沖雪夜殲仇 / 吳永剛 -- 朱 仙鎮 / 周貽白 -- 孤雛 / 李希殷 -- 錦囊妙計 / I. L. 遏理趣著 ; 庸人譯.獨幕劇創作叢刊社編.Du mu ju chuang zuo cong kan she bian.Dou zheng / Yingsun -- Xiao ye qu / Li Shijian -- Lin Chong xue ye jian chou / Wu Yonggang -- Zhu xian zhen / Zhou Yibai -- Gu chu / Li Xiyin -- Jin nang miao ji / I. L. Eliqu zhu ; Yongren yi
Lu lin hui
No full textSide 1. 1. Scheherazade (work based on one thousand and one nights) / Rimsky-korsakov. 2. Ice box moving. 3. 拾玉鐲 -- Side 2. 蘆林會.昇艺潮剧团.Live recording.Recording of other commercial recording or radio broadcast (Pending for review) (content 1)"潮州戏"--Spine.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Performer: 昇艺潮剧团.Performance on March 3, 1975 at 九龙.Sung and spoken in Chinese.Sheng yi Chao ju tuan.Performance on March 3, 1975 at Jiulong."Chaozhou xi"--Spine.Performer: Sheng yi Chao ju tuan.Detailed contents in vernacular field only
Yi sheng xi ju yan jiu she: shou ci gong yan ji nian te kan.
No full text[編輯者蔡澄玄, 梅逢春].書名據封面."演出地址: 香港大會堂音樂廳 ; 演出日期: 一九六四年十一月十五日 ; 演出時間: 下午八時正開演"[bian ji zhe Cai Chengxuan, Mei Fengchun].Shu ming ju feng mian."Yan chu di zhi: Xianggang da hui tang yin yue ting ; yan chu ri qi: yi jiu liu si nian shi yi yue shi wu ri ; yan chu shi jian: xia wu ba shi zheng kai yan
Tai yi ju zhu ke cheng wen: jiu juan. v.1
No full text[宋太醫局編 ; 清四庫全書館輯].綫裝.框15.3x11.4公分,10行20字. 白口, 四周雙邊,單黑魚尾. 版心中鐫題名及卷次, 下鐫葉次.書名頁題"太醫局程文, 光緒三十一年花朝日第一版, 彙輯者邃志廬陳氏, 校對者南洋醫學社, 印刷所商業圖書部, 經理發行上海六藝書局, 分銷處漢口六藝書局".《中國中醫古籍總目》11968著錄此本.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 15.3 x 11.4 gong fen,10 hang 20 zi. Bai kou, si zhou shuang bian, dan hei yu wei. Ban xin zhong juan ti ming ji juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.[Song Tai yi ju bian ; Qing Si ku quan shu guan ji].Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
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