1,721,811 research outputs found

    Telegram from Joyce R. Hart and Marie Creel, Leadership with the Business & Professional Women\u27s Club of New York, to Geraldine Ferraro

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    Telegram of endorsement from Joyce R. Hart and Marie Creel, respective President and ERA Coordinator for the Business & Professional Women\u27s Club of New York State, to Geraldine Ferraro. Includes two data entry sheets.https://ir.lawnet.fordham.edu/vice_presidential_campaign_correspondence_1984_new_york/1262/thumbnail.jp

    Joyce, R.

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    Joyce, R, 54534

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/396120Surname: JOYCE. Given Name(s) or Initials: R. Military Service Number or Last Known Location: 54534. Missing, Wounded and Prisoner of War Enquiry Card Index Number: V-1166.231362 Item: [2016.0049.28413] "Joyce, R, 54534

    The effects of surface defects on the fatigue of water and oil lubricated contacts

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    A study into effects of surface defects on the rolling contact fatigue of brass and rail steel has been undertaken on a twin-disc rolling-sliding test machine with both oil and water lubrication. Furrows and dents were artificially introduced into the disc surfaces, and surface microcracks and pits were monitored by means of surface replication. The results showed that artificial dents only reduce the fatigue life of the contact with oil, but not water lubrication. With oil lubrication the fatigue failure initiates at the surface defect. However, with water as a lubricant the whole of the surface undergoes cracking with the defect having no preferential effect. The possible mechanisms behind this behaviour are discussed in this pape

    Staff Employee of the Week: Joyce R. Shelton

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    The goals of the Staff Employee of the Week program are to provide additional opportunities to recognize staff and enhance university awareness of the staff contributions. The program is coordinated by the Commission on Staff Policy and Affairs and Human Resources. This week’s recipient is: Joyce R. Shelton, program support technician for the Horticulture Department

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Aegialomys galapagoensis (Rodentia: Cricetidae)

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    Prado, Joyce R, Percequillo, Alexandre R (2019): Aegialomys galapagoensis (Rodentia: Cricetidae). Mammalian Species 51 (981): 92-99, DOI: 10.1093/mspecies/sez013, URL: http://dx.doi.org/10.1093/mspecies/sez01

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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