8,614 research outputs found
A Look at Edna Lee Bland Jones, aka Sister Jones, in Coming of Age in Mississippi: Her Story, Photo Shared by Her Family
Copyright (c) 2018 by Roscoe Barnes III#AnneMoodyThis is a brief profile of Edna Lee Bland Jones, who is featured as Sister Jones in Anne Moody's Coming of Age in Mississippi. The author, Dr. Roscoe Barnes III, is believed to be the first scholar to make this story public. He is also the first to share the photo of Sister Jones, which was provided by her great-grandson, Rev. LeReginald Jones.#ComingOfAgeinMississippi</div
Perioperative Goal-Setting Consultations by Surgical Colleagues: A New Model for Supporting Patients, Families, and Surgeons in Shared Decision Making
Patients with postoperative complications are often subjected to prolonged life-sustaining treatment based on erroneous assumptions about their goals of care. Shared decision making is an evidence-based approach that helps ensure patients’ wishes and values are honored in their course of treatment. Perioperative palliative care can help create goal-concordant trajectories of care for high risk, seriously ill, or complicated patients, through sophisticated prognostication, higher-level communication, and recommendations based on the best available evidence and patients’ stated goals and priorities. Here, we present a surgeon-to-surgeon consultative model that surmounts many barriers to perioperative palliative care consultation and, as illustrated in the cases presented herein, offers profound and unique benefits for patients, families, and surgeons alike. While the support of a surgical colleague with palliative care skills can be helpful postoperatively in the setting of unanticipated outcomes or prolonged recovery, it is particularly beneficial when accessed preoperatively for the purposes of goal-concordant decision making and advance care planning. We encourage both individuals and professional societies to develop and expand the niche for surgeons interested in assisting with goal setting and shared decision making for patients on a consultative basis, particularly in the preoperative period
The validity and reliability of OFSTED judgements of the quality of secondary mathematics initial teacher education courses
The inspection by Ofsted of courses of initial teacher education is high-stakes. An unsatisfactory report can lead to course closure. Even a satisfactory report can lead to reductions in quota resulting in a spiral of decline in course viability. The high-stakes nature of the inspection means that there has to be complete confidence in the level of validity and reliability of the inspection process. This paper presents an analysis of the complete cohort of published inspection reports of providers of secondary mathematics initial teacher education Postgraduate Certificate of Education (PGCE) courses carried out by Ofsted in the period 1996/8. The analysis demonstrates that there is considerable variation in the reports, in terms of word length, how particular criteria seem to be applied, and how judgements are expressed. With the complexity of the framework for inspection, it is impossible, given the current model of inspection report, to properly distinguish between consistency of application and the loading given to any particular criterion. Attention to the transparency of the inspection process and to matters of validity and reliability is crucial if there is to be confidence in the inspection system
Lives and limbs : re-membering Robert Jones : a biography
This is a biography of Robert Jones, 1857-1933. He was a surgeon, and is credited
with bringing orthopaedics from its quack past into its scientific present. This work
explores Jones’ life and times, and examines whether he is entitled to the epithet
‘father of orthopaedics’.
It looks at the history of bonesetting, the influences on Jones’ development
and medical training, and some key moments in his career – notably his involvement
in the building of the Manchester Ship Canal, the planning of Heswall Children’s
Hospital, and the Great War. It argues that although there are other medical men
who could have been credited with fathering orthopaedics, he is indeed the father –
at least of orthopaedics in Britain, if not internationally.
This version of Jones’ life begins with something of his biographer’s journey,
before it explores what and who influenced Jones, and in turn what his legacy has
been to the medical profession.
The accompanying Critical Commentary explores whether or not it is possible
to offer a definition of biography as a genre in the light of its history and purpose. It
examines critical views, considers the mythology that grows up around historical
figures, and also explains the rationale for the structure chosen for organising the
material presented in this new biography of Robert Jones, Live and Limbs: Re-membering Robert Jones
Myth, Land, and History in the Poetry of James Clarence Mangan and Ernest Jones
This essay discusses poetry associated with Irish nationalism and Chartism. Chartism’s eventual de facto leader, Ernest Jones, was an admired and prolific poet; as Irish poets including James Clarence Mangan were helping to forge a new Irish cultural identity in support of Irish nationalism, Chartist poets including Jones were attempting a similar project for a radical British working-class readership. This article undertakes a brief comparative study of the poetry of Mangan and Jones, and finds the points where they converge and differ to be equally illuminating in terms of their mythic representations of the land and the past
E. Jones Memorial Windows orMoses Receiving the Ten Commandments
Commandments: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church. Signed: C. WALLIS / LONDON ONTARIO 1966. Jacob’s Dream: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church. Lead Investigator: C. Cody Barteet ([email protected]). Photograph: Katie Oates.https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_colbourne/1034/thumbnail.jp
sj-docx-1-cad-10.1177_00111287241242481 – Supplemental material for Bullying Victimization, Gender, and Adolescent Substance Use: The Moderating Role of School Connectedness
Supplemental material, sj-docx-1-cad-10.1177_00111287241242481 for Bullying Victimization, Gender, and Adolescent Substance Use: The Moderating Role of School Connectedness by Peter S. Lehmann, Anne C. Wingert and Melissa S. Jones in Crime & Delinquency</p
'The cracked mirror': Anne Sexton's poetics of self-representation
This thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
E. Jones Memorial Windows or Jacob’s Dream and Moses Receiving the Ten Commandments with Foliated Window
Commandments: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church. Signed: C. WALLIS / LONDON ONTARIO 1966. Jacob’s Dream: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church. Lead Investigator: C. Cody Barteet ([email protected]). Photograph: Katie Oateshttps://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_colbourne/1036/thumbnail.jp
Detail, E. Jones Memorial Windows or Jacob’s Dream and Moses Receiving the Ten Commandments
Commandments: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church. Signed: C. WALLIS / LONDON ONTARIO 1966. Jacob’s Dream: Given by Fred Jones and daughters, Debbie and Ginger to the glory of God and in loving memory of his wife and their mother, Elsie Anne Jones. 1966 for Robinson Memorial Church. 2011 rededicated in Colborne Street United Church Lead Investigator: C. Cody Barteet ([email protected]). Photograph: Katie Oateshttps://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_colbourne/1022/thumbnail.jp
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