900 research outputs found

    Lack of semantic parafoveal preview benefit in reading revisited

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    In contrast to earlier research, evidence for semantic preview benefit in reading has been reported by Hohenstein and Kliegl (Experimental Psychology: Learning, Memory, and Cognition, 40, 166–190, 2013) in an alphabetic writing system; they also implied that prior demonstrations of lack of a semantic preview benefit needed to be reexamined. In the present article, we report a rather direct replication of an experiment reported by Rayner, Balota, and Pollatsek (Canadian Journal of Psychology, 40, 473–483, 1986). Using the gaze-contingent boundary paradigm, subjects read sentences that contained a target word (razor), but different preview words were initially presented in the sentence. The preview was identical to the target word (i.e., razor), semantically related to the target word (i.e., blade), semantically unrelated to the target word (i.e., sweet), or a visually similar nonword (i.e., razar). When the reader’s eyes crossed an invisible boundary location just to the left of the target word location, the preview changed to the target word. Like Rayner et al. (Canadian Journal of Psychology, 40, 473–483, 1986), we found that fixations on the target word were significantly shorter in the identical condition than in the unrelated condition, which did not differ from the semantically related condition; when an orthographically similar preview had been initially present in the sentence, fixations were shorter than when a semantically unrelated preview had been present. Thus, the present experiment replicates the earlier data reported by Rayner et al. (Canadian Journal of Psychology, 40, 473–483, 1986), indicating evidence for an orthographic preview benefit but a lack of semantic preview benefit in reading English

    The effect of high- and low-frequency previews and sentential fit on word skipping during reading

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    In a previous gaze-contingent boundary experiment, Angele and Rayner (2013) found that readers are likely to skip a word that appears to be the definite article the even when syntactic constraints do not allow for articles to occur in that position. In the present study, we investigated whether the word frequency of the preview of a 3-letter target word influences a reader’s decision to fixate or skip that word. We found that the word frequency rather than the felicitousness (syntactic fit) of the preview affected how often the upcoming word was skipped. These results indicate that visual information about the upcoming word trumps information from the sentence context when it comes to making a skipping decision. Skipping parafoveal instances of the therefore may simply be an extreme case of skipping high-frequency words

    Screening the Fleet: The Royal Navy on Television 1973–2023

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    In Screening the Fleet, Prof. Jonathan Rayner explores the representation of the modern Royal Navy on British television over a fifty year period from 1973 to 2023. Contextualising his subject with significant aspects of earlier naval representation, in recruiting, documentary and public information films from the 1940s to the 1960s, Rayner then brings his focus forward to 1973-2023. The 1970s were a significant decade for naval representation on television, and saw the broadcast of two definitive series: the BBC’s drama series Warship and the acclaimed documentary series Sailor. These landmark series set the benchmark for naval representation in both realist and in fictional portrayals. They also set precedents for audience perceptions, and these have affected the production, and the reception, of the series on the Royal Navy that have followed. Rayner’s work investigates how advances in technology allow programme makers to use new techniques in the spheres of naval drama and documentary. More recent series also need to balance the required conventions for any portrayal of the navy on television with the revelatory or iconoclastic approaches now expected by modern audiences. In focussing on the changing portrayal of the Royal Navy on television, however, Rayner also surfaces how the Navy itself has evolved in the post-World War II world. The series analysed in Screening the Fleet also evidence the changing nature and increasing diversity of the naval community as a reflection of changing notions of Britishness. Offering the first study of its type, this volume highlights evolving and emerging trends in factual and fact-based television programmes through their portrayal of a highly popular, patriotic and persistent subject over a fifty year period. It debates developments in television and documentary approaches using the representation of the Royal Navy, and its changing position in perceptions of British identity

    Rayner Whitely - 02

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    Photograph - Rayner Whitley's house being moved three miles east of Colinton, Alberta. The house is on a flatbed pulled by a truc

    Council Estates, Culture and 'Shameless' Spaces

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    Australia’s Northern Territory has been inscribed on film as an unspoilt wilderness, an iconic national resource and as a threatening horror landscape. From the definition of ‘the Territory’ as a definitive national location in The Overlanders (1946), this most remote and vacant area of a sparsely populated continent has been promoted as a unique and marketable landscape for Australian cinema. This is epitomised by the convergence of cinema and tourist advertising campaigns with the productions of Crocodile Dundee (1986) and Australia (2008). However, the Northern Territory has also become associated with the uncanny and menacing aspects of the Australian environment, through connections to indigenous culture beginning with Chauvel’s Jedda (1955), and with monstrous and relentless wildlife, as seen in Rogue and Black Water (both 2007). An additional irony to these contrary conceptualisations of the Territory is its realisation on screen via the use of locations from Queensland, Western Australia and New South Wales. Thus the Territory on screen can be described as the comprehensive, representative Australian landscape

    Contributions to the History of Psychology: LIX. Rosalie Rayner Watson: The Mother of a Behaviorist's Sons

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    Rosalie Rayner Watson (1899–1936), John Watson's second wife, assisted her husband in the development of applied behavioral psychology. Not only did Rayner Watson co-author the seminal paper on conditioned emotional reactions, she also assisted Watson in preparing the most popular child care book of the time. Curiously, in the only article under her sole authorship, Rayner Watson described behaviorism in the home somewhat negatively. </jats:p

    Code and data for Buzan et al., 2024, Winter climate response to glacial maximum orbits and ice sheet heights in CESM1.2

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    &lt;p&gt;These directories contain the data to make the figures 1-4 and 6-11 in: Buzan et al., 2024, "Winter climate response to glacial maximum orbits and ice sheet heights in CESM1.2." Figure 5 is generated using Tierney et al., 2020 and Rayner et al., 2003.&lt;/p&gt

    Publishing Tolkien

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    During the last thirty years of the Professor’s life, but especially towards the end, Rayner Unwin met, talked with, and worked for, J.R.R. Tolkien. It was a business relationship between author and publisher, but increasingly it became a trusting friendship as well. In an ideal world authors and publishers should always act in partnership. This certainly happened between Professor Tolkien and George Allen & Unwin, but in some respects, the speaker explains, the collaboration had very unusual features
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