6,960 research outputs found
Samuel Moore Barclay papers
No full textSamuel Moore Barclay was a Bedford, Pennsylvania, attorney who corresponded with a number of prominent Maryland individuals and business firms on legal, political, and business matters. Among Barclay's correspondents were William Tiffany and Co., H. P. Hepburn, Jonathan M. Edgar, and C. D. Slingluff. Topics discussed include legal cases, monetary claims, and business arrangements
Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids (MI), Eerdmann, 2007
No full textChevallier Marjolaine. Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids (MI), Eerdmann, 2007. In: Revue d'histoire et de philosophie religieuses, 88e année n°4, Octobre-Décembre 2008. pp. 549-550
Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids (MI), Eerdmann, 2007
No full textChevallier Marjolaine. Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids (MI), Eerdmann, 2007. In: Revue d'histoire et de philosophie religieuses, 88e année n°4, Octobre-Décembre 2008. pp. 549-550
The question of gendered voice in some contemporary Irish novels by Brian Moore and John McGahern
No full textThis thesis questions the use of the 'voice' metaphor in contemporary Irish cultural studies in order to examine
the ways in which gendered identities are constructed in some Irish Catholic communities in twentieth-century
Ireland. With reference to novels by Brian Moore and
John McGahern as well as to Judith Butler's theories of performativity and citational practices, it argues that gendered identities are constructed through the repetitive citation of hegemonic cultural discourses. This thesis
focuses on the ways in which gendered identities are produced and maintained through the citation of the official discourses of the Catholic Church and the State as
well as the more mundane discourses related to popular nationalism and the family.
The first two chapters concentrate on novels whose protagonists are trying to construct powerful identities in urban Irish society through the manipulation of gendered discourses. The discussion of Moore's The Lonely Passion of Judith Hearne identifies some of the strategies through which conventional Irish women's voices are constructed
and questions the validity of the category of 'authentic' women's voices. In the chapter relating to McGahem's The
Pornographer, the powerful, abstract male voice is exposed as a performative construct which is sustained only through the abjection of those elements which disrupt the narrator's performance of masculinity.
The remaining chapters concentrate on the use of idealised images such as those of the 'woman-as-nation' and the iconised mother in novels by Moore and McGahem. Moore's The
Mangan Inheritance provides the basis for a discussion of whether or not voices attributed to women in texts by Irish men can be read in ways that disrupt the apparent authority of Irish men's voices. This thesis discusses the issues
raised when men participate in the deconstruction
of idealised images of Irish women. The final chapter examines the processes through which conventional identities are discursively constructed and maintained in two novels by John McGahem: The Dark and Amongst Women. This thesis contends that through the strategic
redeployment of those voices attributed to idealised images of Irish women, voices which are conventionally regarded
as silent, patriarchal gendered identities can be destabilised or displaced
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids, MI – Cambridge, U. K., Eerdmann’s, 2007
No full textChevallier Marjolaine. Jonathan D. Moore, English Hypothetical Universalism. John Preston and the Softening of Reformed Theology, Grand Rapids, MI – Cambridge, U. K., Eerdmann’s, 2007. In: Revue d'histoire et de philosophie religieuses, 90e année n°1, Janvier-Mars 2010. pp. 107-108
Charles B. Moore Family papers, 1832-1917
No full textThe author mentions that everyone is doing well. The author is going to take her children to town to see a show and she has a meeting the next Sunday. Bettie and her mother went to town and got two dresses. Old Pros is working with Old Kit's colt for seventeen days. Mollie Loves' baby had a cold and Alice Donnell wants to see the author's sister. The author is going to make a dress and suit for a wedding between Dock D. and Miss Fallen. Bettie is pregnant with Abe's child. Willie has a brief letter to his aunt about jackets and going to the show next week. Mr. Wilson has land in Ellis County. There is also a letter to Mr. Moore from W. H. McGee. Henry's eyes are bad so McGee is writing for him. There has been a bid on his land and he is considering moving to Texas if he could get some cheap land in Mr. Moore's neighborhood. Henry hopes to write himself next time
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Charles B. Moore Family papers, 1832-1917
No full textThe author mentions that everyone is doing well. The author is going to take her children to town to see a show and she has a meeting the next Sunday. Bettie and her mother went to town and got two dresses. Old Pros is working with Old Kit's colt for seventeen days. Mollie Loves' baby had a cold and Alice Donnell wants to see the author's sister. The author is going to make a dress and suit for a wedding between Dock D. and Miss Fallen. Bettie is pregnant with Abe's child. Willie has a brief letter to his aunt about jackets and going to the show next week. Mr. Wilson has land in Ellis County. There is also a letter to Mr. Moore from W. H. McGee. Henry's eyes are bad so McGee is writing for him. There has been a bid on his land and he is considering moving to Texas if he could get some cheap land in Mr. Moore's neighborhood. Henry hopes to write himself next time
Recommended from our members
Charles B. Moore Family papers, 1832-1917
No full textLetter to Claude D. White from J. D. [Caldent] discussing business and Claude's move to Fort Worth. The author states that Texas has pulled in the most money for Price Company and then goes on to talk about how well his own business has been doing and mentions some about a mutual friend and his family
Charles B. Moore Family papers, 1832-1917
No full textLetter to Claude D. White from J. D. [Caldent] discussing business and Claude's move to Fort Worth. The author states that Texas has pulled in the most money for Price Company and then goes on to talk about how well his own business has been doing and mentions some about a mutual friend and his family
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