5,414 research outputs found
Enhancing engagement and considerations for implementation of the National Diabetes Prevention Program for the WIC population
No full textsubmitted by: Cheryl Alto, MS, RD; Erica Johnson, MPH, RD, LD; Julie Reeder, PhD, MPH, CHES, Oregon Health Authority, WIC Program.Title from PDF cover (viewed on December 7, 2021).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Erica L. Johnson, Caribbean Ghostwriting
No full textIl saggio di Erica L. Johnson mette a fuoco una serie di problematiche fondamentali, che negli ultimi anni hanno acquisito un’importanza sempre maggiore negli studi comparatistici di orientamento postcoloniale sulle letterature caraibiche ed afro-americane. Si tratta, insomma, di una prospettiva critica che si situa all’incrocio tra gli studi femministi e postcoloniali, la storiografia subalterna, gli studi sulla diaspora afro-americana e quelli sulle narrazioni e la memoria del trauma. L’aut..
Restoring Upland Hardwood Forests Using Tree Shelters
No full textJohnson, Erica. (1997). Restoring Upland Hardwood Forests Using Tree Shelters. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/58860
Overview of Vol.2, No.7 – Drastically Altered Lands: Tools for Reclaiming Drastically Altered Landscapes
No full textJohnson, Erica. (1997). Overview of Vol.2, No.7 – Drastically Altered Lands: Tools for Reclaiming Drastically Altered Landscapes. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/58866
Twelfth Night [program]
No full textJohnson, Kashi; Ripa, Augustine; Hoelscher, Erica; Rein, Marc; Hoelscher, Erica; Aberg, Lorentz; Joglekar, Jeet; Fenker, Alexander; Johnson, Evan; Sakthivel, Sarathi; Pacheco, Esperanza; Maloney, Sean; Velazquez, Adrian; Rautenberg, Benjamin; Brown, Lindsay; Mullane, Grace Helen; Kastango, Alex; Quiñones, David; Ramos, Elliot H,; Hoffman, Jon; Alu, Alexis; Dutt, Cassandra; Rautenberg, Benjami
Becoming Spanish in Florida: Georges Biassou and his “Family” in St. Augustine
No full textHistorian Jane Landers has conducted extensive research on Georges Biassou and black society in Spanish Florida, and her various historical works provide most of what is known about Biassou's experiences there and the perceptions Spanish officials and Anglo American planters had of him. Alternatively, Erica Johnson approaches Biassou as a free man of color from a French colony adapting to life in a Spanish colony to further expand historical understanding of him and others like him
Motives of foreignness in the prose of Erica Johnson Debeljak and Brina Svit
No full textErica Johnson Debeljak in Brina Svit sta dve precej nenavadni slovenski pisateljici. Nenavadni zato, ker gre za dva fenomena. Prvi, Erica Johnson Debeljak, je Američanka, več kot dvajset let živeča v Sloveniji in sedaj uveljavljena kot slovenska pisateljica. In drugi, Brina Svit, Slovenka, že več kot dvajset let živeča v Franciji, in sedaj uveljavljena tudi kot francoska pisateljica, od romana Moreno naprej, namreč ustvarja tudi v francoščini. V diplomskem delu je predstavljeno njuno življenje in ustvarjanje, v ospredju pa so motivi tujstva in njihova analiza. Diplomska naloga podrobneje predstavlja motive tujstva v prozi Erice Johnson Debeljak in Brine Svit. V njunih proznih opusih jih poišče in razloži.
Pri obeh avtoricah je bila emigrantska izkušnja pomemben mejnik v njunem ustvarjanju, saj je na primer Erica Johnson Debeljak posledično zaradi nje sploh začela pisati, pri obeh pa se le-ta zelo veliko pojavlja v njunih besedilih, tako lahko zdomstvo, tujino, svetovljanstvo, poliglotstvo, tujstvo, neznani izvor, drugačnost, nedomačnost, eksotičnost idr. spremljamo povsod skozi motive tujstva. Motivi tujstva pa se navezujejo tudi na oddaljenost, odtujenost, nepovezanost v medosebnih odnosih, saj kot pravi Erica Johnson Debeljak, smo tujci vsi, tudi tisti, ki nikoli nismo zapustili doma in domačih. Predvsem pa pri obeh izstopajo motivi tujstva med moškim in žensko, pri Brini Svit še med ožjim sorodstvom, med mamo in hčerjo ali pa med očetom in hčerjo.Erica Johnson Debeljak and Brina Svit are quite extraordinary Slovene writers. They are extraordinary because they are phenomena. First, Erica Johnson Debeljak is American, who has been living in Slovenia for more than twenty years and has been well known Slovene writer. Second is Brina Svit, Slovene, who has been living in France for more than twenty years. She has been known as a French writer, she has been writing in French since she has published novel named Moreno. In the final thesis their life and work are represented. The motives of foreignness and their analysis have been in the focus. In the final thesis are represented motives of foreignness in the prose of Erica Johnson Debeljak and Brina Svit. The motives have been researched and explained.
At both writers the émigré experience has been important turning point for their workfor example Erica Johnson Debeljak consequently started to write because of it. In their texts émigré experience has been present very oftenthus we can see migration, foreign country, cosmopolitanism, foreignness, unknown origin, difference, exotica through motives of foreignness. Motives of foreignness have been closely connected with distance, alienation and interpersonal relations as Erica Johnson Debeljak says we are all foreigners, also the ones who have never left their home and family. Above all things motives of foreignness between man and woman have been in front, at Brina Svit also among close relatives, between mother and daughter or between father and daughter
Book Review: Philanthropy and Race in the Haitian Revolution, by Erica R. Johnson
No full textErica R. Johnson, Philanthropy and Race in the Haitian Revolution. Basingstoke, U.K.: Palgrave MacMillan, 2018. xii + 225 pp. (Cloth US$ 99.99
Book Review: Philanthropy and Race in the Haitian Revolution, by Erica R. Johnson
No full textErica R. Johnson, Philanthropy and Race in the Haitian Revolution. Basingstoke, U.K.: Palgrave MacMillan, 2018. xii + 225 pp. (Cloth US$ 99.99
Historic Resource Survey Form : Johnson Hall
No full text4 pagesJohnson Hall houses the University's administrative offices, including the Office of the President and the Provost. Influenced
by Beaux-arts and classical revival styles, this brick building, accented with terra cotta tiles, has a symmetrical design plan and a
rectangular footprint. The north entry sidewalk features a center "O" topiary. From this side, the projecting center bay's two-story
portico is supported by six concrete Ionic columns that are covered with terra cotta tiles. The entablature above the portico is
decorated with dentil molding and other terra cotta tile decoration, such as the University of Oregon seal in the center. The terra cotta
cornice and frieze continue along the entire perimeter of the building. The south entrance of Johnson Hall features a cast iron and glass
awning described in Knighton's plans as "Marquise Metal." The east, west and south sides of Johnson Hall's windows are accented
with green fabric awnings. These awnings are not original to the building and it is unknown if they were included in the original design
intent, but they are evident in early photographs.
Completed on November 8, 1915, the Administration Building, as it was originally known, was designed by William C.
Knighton, Oregon’s State Architect. Costing over $100,000, it was campus’ most expensive building constructed at the time. In 1918
the Administration Building was renamed Johnson Hall after John Wesley Johnson, the first president of the University of Oregon. Ellis
Lawrence is somewhat connected to this building. He advised Knighton on the design and President Campbell referred to him as
"advisory architect." He also advised the University on various issues regarding this building including acoustical problems and
maintaining the terra cotta "Administration Building" plaque when the building's name was changed. The placement of Johnson Hall
between the Lawrence campus building projects (i.e., the Women’s Quad, Museum of Art, and Knight Library), and the Old Campus
Quad, which contain the University’s first buildings, is symbolic because it stands as a transition between these two significant periods
in University history. Johnson Hall’s presence, building technology, and sheer expense symbolized the University’s transition into a
new era of progressive change as exemplified in the University's subsequent growth and ambitious building projects. Its applied terra
cotta decoration, architectural form, and construction of reinforced concrete make this building unique to the campus at the time of its
construction. Originally, Johnson Hall featured the Guild Theater and an impressive Povey Brothers stained glass skylight that covered
the entire center of the second floor. The theatre was converted to office space and the glass skylights were removed when Robinson
Theater was completed in 1949. The glass panels were dispersed around campus and can now be found in Johnson Hall Conference
Room, Lawrence Hall, and Erb Memorial Union. Johnson Hall was the site of various student-led protests during the Vietnam Era. In
fact, UO students took over Johnson Hall in 1970. Subsequently, sixty-one students were arrested. In 1984 the architectural firm of
Brockmeyer McDonnell executed an exterior restoration of Johnson Hall. Among the projects included in this restoration were the
removal and replacement of the roof, repair of terra cotta tiles, repointing of brickwork, resealing of windows, and patching of
plasterwork. In 2004, the Project Management Group and UO Facility Services performed a historical improvements study and had
several recommendations
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