864 research outputs found
Letter from Francis Stenson to Hagan
Holograph letter from Francis Stenson, Benada, Tourlestrane, County Sligo, to Hagan, enquiring about the examinations he ought to take prior to presenting for the D.D. at Propaganda; also asking for general information about the course
Letter from F. Stenson to Hagan
Holograph letter from F. Stenson, Benada, Tourlestrane, Tubbercurry, County Sligo, to Hagan, in thanks for the information – he will present in spring and asks for details about the examination subject matter
Letter from M.D. Stenson to Hagan
Holograph letter from M.D. [Stenson], c/o Bank of Ireland, Dublin, to Hagan, with congratulations. Giving a brief account of [his] ill luck and bad health since leaving Rome, as well as trouble with the latest landlady; will go to Belgium for some weeks
Card from M.D. Stenson to Hagan
Holograph card from M.D. Stenson, London (giving c/o address in Dublin), to Hagan, with best wishes for (his birthday) 1 June. In terms of lodgings nothing is stable at the moment; he is 'a poor rolling stone'. Mentioning Hagan's poor health
Post-Foucauldian governmentality: what does it offer critical social policy analysis?
This article considers the theoretical perspective of post-Foucauldian governmentality, especially the insights and challenges it poses for applied researchers within the critical social policy tradition. The article firstly examines the analytical strengths of this approach to understanding power and rule in contemporary society, before moving on to consider its limitations for social policy. It concludes by arguing that these insights can be retained, and some of the weaknesses overcome, by adopting a ‘realist governmentality’ approach (Stenson 2005, 2008). This advocates combining traditional discursive analysis with more ethnographic methods in order to render visible the concrete activity of governing, and unravel the messiness, complexity and unintended consequences involved in the struggles around subjectivity
Bobo Stenson\u27s Song of Ruth: A Jazz and Classical Hybrid
Bill Evans\u27 performance on the landmark recording, Kind Of Blue, was the turning point which allowed other pianists to begin the transformation from the Bebop style of the 1950s, to the modern European style of artists like Bobo Stenson, John Taylor, Tomasz Stanko, and others. With unique attention to chord voicings, tone production, and harmony, Evans embedded the style of the great classical impressionists, such as Claude Debussy and Maurice Ravel, into the jazz vernacular, creating a hybrid of musical styles. The infiltration of foreign musical elements into jazz continues to this day. In this presentation, the music of Bobo Stenson, an exemplar of the European style, will be analyzed by comparing his piece, Song of Ruth, to several selected classical composers whose music contains similar stylistic elements, but predated Stenson\u27s by many decades. By using this method of analysis, this presentation will identify some of the salient features in the evolution of the European style
A review of animal welfare implications of the Canadian commercial seal hunt
Abstract not availablePierre-Yves Daoust, Mike Hammill, Garry Stenson, Charles Carague
Multi-layer mucilage of Plantago ovata seeds: Rheological differences arise from variations in arabinoxylan side chains
Abstract not availableLong Yu, Gleb E. Yakubov, Wei Zeng, Xiaohui Xing, John Stenson, Vincent Bulone, Jason R. Stoke
Managers of the Spur, Texas rodeo
Managers of the Spur, Texas rodeo, from left, John V. Stenson,of Pitchfork Ranch, and Bob Corley, of Amarillo, 06/1939https://mavmatrix.uta.edu/specialcollections_startelegram1930s/6942/thumbnail.jp
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