12,890 research outputs found
General Correspondence; T, 1887-1897
Letters exchanged between John Whitaker and people and companies with names beginning with T (Teasdel, S. P.; Tanner, N.; Thorp, Samuel B.; Thomas, Zeph; ), 1889 - 1897; Also, the program for the Funeral of President John Taylor, July 29, 188
John Wain : Samuel Johnson, 1974
Baridon Michel. John Wain : Samuel Johnson, 1974. In: Dix-huitième Siècle, n°8, 1976. Les Jésuites. pp. 509-510
Richardson, Barbauld, and the construction of an early modern fan club
MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Ohio impromptu, genre and Beckett on film
Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in Beckett’s dramatic works one encounters a meticulous attention to the activity of categorisation, even if the energy is often directed toward the creation of phantom genres for spectral exemplars. This essay concerns itself with Ohio Impromptu in particular because by means of elements specific to this play (including the context in which it was first performed) it comments upon its own very failure to occupy its designated genre co-ordinates (these include its identity both as a play and as an ‘impromptu’). This play, which is so apt to incorporate other genres, however, is presided over by a stage direction which locates it firmly in the theatrical context. It is in its deliberate failure to attend to this stage direction that the Beckett on Film version of the play goes beyond the mere treacherous fidelity that is inevitably a feature of any adaptation. In arguing this, the essay analyses the foregrounding in the play of questions that can be said to pertain to genre (in several senses). Its more specific intention is to suggest that, via a combination of casting and special effects, the adaptation succeeds not only in cancelling the critical reflection on the ‘genre gesture’ that is lodged in Ohio Impromptu, but also in eradicating the very disjunction between Reader and Listener upon which the play depends
Letter from J. B. McIntosh to E. S. Parker with letter from N. G. Turney, 1870
Enclosed letter from N. G. Turney and his affidavit, in reference to his investigation for the charges against Agent John H. Purcell at Tule River Reservatio
Samuel Estreicher and John Sexton. — Redefining the Supreme Court's Role
Deysine Anne. Samuel Estreicher and John Sexton. — Redefining the Supreme Court's Role. In: Revue Française d'Etudes Américaines, N°33, juillet 1987. Visions des Etats-Unis. pp. 461-462
Samuel Beckett and the Writers of Port-Royal
It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Samuel Estreicher and John Sexton. — Redefining the Supreme Court's Role
Deysine Anne. Samuel Estreicher and John Sexton. — Redefining the Supreme Court's Role. In: Revue Française d'Etudes Américaines, N°33, juillet 1987. Visions des Etats-Unis. pp. 461-462
Footwashing in John 13 and the Johannine community.
This dissertation examines John 13: 1-20, the pericope which describes Jesus washing the feet of his disciples. For a variety of reasons, there is no scholarly consensus concerning the meaning of this passage. In addition, very little reflection has been devoted to the place religious footwashing may have held in the Johannine community. This dissertation reexamines the fundamental issues raised by the passage and investigates the likelihood that footwashing was a community rite. Chapter one gives an overview of the prominent interpretations of John 13: 1-20 in the history of interpretation. This chapter also presents an elaboration of the dissertation's purpose, together with a preview of and justification for the methodology employed, which includes text-critical, background-historical, literary-exegetical, and historical-reconstructive components. In view of the decisive bearing on interpretation, the textual problem found in John 13: 10 receives considerable attention in chapter two. Here a decision is made in favor of the inclusion of the longer reading, because of superior external evidence and internal probability. In chapter three a survey of the practice of footwashing in Jewish and Graeco-Roman antiquity uncovers first-century attitudes to footwashing, which in turn leads to a more informed interpretation of footwashing's significance in John 13. The survey reveals that footwashing functioned as an act of hospitality, an expression of love, a sign of servitude, and a sign of preparation generally. Chapter four is devoted to a literary and exegetical analysis of the text of John 13: 1-20. This investigation indicates the pericope's literary context within the Fourth Gospel, as the first episode in both the "Book of Glory" (John 13-21) and the farewell materials (John 13-17). The role of the disciples in the preceding narrative (John 1-12) is also explored. An exegetical study follows, which seeks to interpret the text of John 13: 1-20 as it now stands in the Fourth Gospel. The analysis finds that the footwashing of John 13 is best understood as a sign for the forgiveness of the disciples' post-conversion sin. The analysis concludes with reflection scholarly discussion about the literary unity of the footwashing pericope. The evidence which makes likely that the Johannine community engaged in footwashing as a religious rite is explored in chapter five. This examination utilizes information from the implied readers in the Fourth Gospel, from actual readers of the Fourth Gospel in the early church, and from the practice of footwashing in early Christianity. An examination of similar categories of evidence suggests that footwashing signified the forgiveness of post-conversion sin for the Johannine community. The final section of the dissertation is devoted to a set of conclusions and suggestions for future research
Glossary of John Drydens Critical Terms
Although John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate. Part of the problem lies in the fact that many of the critical terms.Intro -- CONTENTS -- INTRODUCTION -- KEY TO ABBREVIATIONS -- THE GLOSSARY -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- BIBLIOGRAPHYAlthough John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate. Part of the problem lies in the fact that many of the critical terms.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
- …
