877 research outputs found
Thank you letter from Evelyn Gustafson
No full textThank you card from Evelyn Gustafson, sister of Dagmar Gustafson, containing a handwritten note regarding the March 11, 1987 dedication of the Gustafson Gallery
Gustafson Gallery mission statement
No full textMission statement for Gustafson Gallery/Historic Costume and Textiles Collection
Brochure for Gustafson Gallery
No full textBrochure for Gustafson Gallery from the early 1990s. Contains general information about the gallery
Gustafson Gallery newsletter, spring '89
No full textSpring 1989 edition of Gustafson Gallery Newsletter. Contains items of interest and updates
Gustafson Gallery newsletter, Fall '92
No full textFall 1992 edition of Gustafson Gallery Newsletter. Contains items of interest and updates
Gustafson Gallery committee timeline
No full textGustafson Gallery committee timeline, with typed and handwritten notes. The timelines ranges from 1985 to 1993. Contains list of exhibitions and honorary members
Supplement Series for the Journal of Religion & Society
No full textThis more biographical essay will attempt to bring together theory about Economy of Communion (EoC) practices with the real life experiences the author has had as an EoC entrepreneur. While Gustafson rehabs and then rents out properties in midtown Omaha, he is motivated by the vision of EoC in his business practices. Here he explains how the EoC vision impacts who he employs, how he treats them, who he rents to, his typical rental practices, and finally how he himself has been impacted spiritually through his business activities, trying (imperfectly) to live out gratuity and reciprocity in his day to day practices. Ultimately, he has come to see his work as lived-out theology – practicing redemption by rehabilitating run down properties, and providing grace and mercy and living out his faith through his business activities.|Keywords: entrepreneur, communion, rental, Catholic social teaching, Economy of CommunionBusiness, Faith, and the Economy of Communion2
Gustafson Gallery newsletter, winter '87
No full textWinter 1987 edition of the Friends of the Gustafson Gallery Newsletter. Contains items of interest and updates
'Meet me at the left lion': encounters within Nottingham's Old Market Square
No full textArchitecture can form the structure for internal or external gathering places, however, geographer Doreen Massey defnes places, not by their physical characteristics, but as the points of interconnecting fows of people, goods, communications, memories, and imagination, positing that all places are meeting places. At the heart of the city centre, Nottingham’s Old Market Square is where the local inhabitants go to work and play; protest, mourn and celebrate. It is a place of formal and informal encounters, where friends and acquaintances meet, by chance or design; where strangers might exchange a glance or a few words; where people watch other people. Originally a shared market place for Saxon and Norman settlements, the earliest maps of the city show that the footprint of the square has remained the same for many hundreds of years, though its design and edge have gone through numerous transformations. The latest remodelling was undertaken by internationally renowned landscape architecture practice Gustafson Porter: unveiled in 2007, it has won a raft of awards including the inaugural RIBA CABE Public Space Award. Drawing on work undertaken with architecture students to explore individual experiences of the square, the paper will outline some of the fows, past and present, as well as the physical elements, which contribute to the square’s success as a place of encounter
Classic Storybook Fables
No full textHere is a large-format -- about 11" x 12 ¼" -- collection of eight stories. The four fables include CP; "The Emperor's New Clothes"; BW, and BC. Other stories include "The Ugly Duckling"; "Beauty and the Beast"; "The Little Red Hen"; and "The Boy Who Went to the North Wind." After viewing plenty of computer art, I am pleased to view oil paintings. CP gets one strong double-page (44-45). One can see the water rising among the stones. Gustafson makes the "Emperor" all the more striking by placing the story in a kingdom of dogs. The naked emperor thus wears a medal and a long wig, while all of his fellow dogs are in sumptuous court clothing. The Emperor tells himself that "the procession must go on," and "the chamberlains followed behind, carrying the hem of a robe that wasn't there" (54). BW involves three different partial scenes on two pages, well arranged alongside text (56-57). My prize goes to BC with its emphasis on the applauding audience of mice (71). The text starts dramatically "The mice had had enough!" "Beauty and the Beast" is on front cover and dust-jacket. "The Emperor's New Clothes" is on the back cover and dust-jacket.This is a hardbound book (hard cover)This book has a dustjacket (book cover)First printingNo Autho
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