1,808,884 research outputs found

    Dame Joan Sutherland photographed at St Catherine's School, 1991 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "Dame Joan Sutherland photographed at St Catherines School, 1991. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    David Moore at Kilcare, [N.S.W.], c. 1985 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "David Moore at Kilcare c 1985. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    Portrait of Glenn Murcutt, c 1980s [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "Portrait of Glen [i.e. Glenn] Murcutt, c 80s. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    Portrait of Glenn Murcutt, 1983 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "Portrait of Glen [i.e. Glenn] Murcutt, 1983. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    Grant Mudford with Max Dupain in Artarmon Studio, 1990 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "Grant Mudford with Max Dupain in Artarmon Studio, 1990. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    David Moore at work photographing at Windsor, N.S.W. for Gillette advertisement, 1959 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "David Moore at work photographing at Windsor, N.S.W. for "Gillette" advertisement, 1959. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    Dame Joan Sutherland with grand-daughter at St Catherine's School, 1991 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "Dame Joan Sutherland with grand-daughter at St Catherine's School, 1991. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White

    David Moore being photographed by Max Dupain in Clarence Street Studio, 1959 [picture] /

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    Title from inscription on reverse.; Condition: Good.; Inscription: "David Moore being photographed by Max Dupain in Clarence Street Studio, 1959. Jill White, 2001"--Handwritten in ink on reverse.; Part of the collection: Portraits by Jill White.; Exhibited: "Mirror to Nature, the photograph in Australia", Art Gallery of NSW - 21 March - 8 June 2015 & QLD Art Gallery - 4 July 2015 - 11 October 2015

    Jill Lewis

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    "SFX 24643 V.A.D. Jill Lewis 101 Aust Gen Hosp Katherine 1943 - 44".SFX 24643 Voluntary Aid Detachment Jill Lewis. 101 Australian General Hospital, Katherine 1943 - 44

    The death of Jill Meagher: crime and punishment on social media

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    This paper aims to identify and analyse several predominant issues and discourses as they relate to the burgeoning interrelationship between social media, crime and victim. Abstract In this paper we analyse the kidnapping, rape and murder of Jill Meagher as a case study to highlight a range of issues that emerge in relation to criminalisation, crime prevention and policing strategies on social media - issues that, in our opinion, require immediate and thorough theoretical engagement. An in-depth analysis of Jill Meagher’s case and its newsworthiness in terrestrial media is a challenging task that is beyond the scope of this paper; rather, the focus for this particular paper is on the process of agenda-building, particularly via social media, and the impact of the social environment and the capacity of ‘ordinary’ citizens to influence the agenda-defining process. In addition, we outline other issues that emerged in the aftermath of this case, such as the depth of the target audience on social media, the threat of a ‘trial by social media’ and the place of social media in the context of pre-crime and surveillance debates. Through the analysis of research data we establish some preliminary findings and call for more audacious and critical engagement by criminologists and social scientists in addressing the challenges posed by new technologies
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