228 research outputs found

    Maxwell Whiteman collection of Hendricks family papers undated, 1799-1872, 1971

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    Collection consists of Hendricks family papers that were in the possession of Maxwell Whiteman, author of Cooper For America. The collection includes accounts and business correspondence written to Harmon Hendricks primarily from trade metal agents Solomon Moses (1774-1857) and Joseph Lyon Moss (1804-1874). An invitation to the third annual meeting of the Coppers Manufacturers Association is also available. The collection also contains a copy of Whiteman's book, photographs of illustrations Whiteman used for Cooper in America, and a photograph of Edmund HendricksSid LapidusMr. Sid Lapidu

    sj-docx-1-asm-10.1177_10731911221113571 – Supplemental material for Self-Rated Versus Clinician-Rated Assessment of Posttraumatic Stress Disorder: An Evaluation of Discrepancies Between the PTSD Checklist for <i>DSM-5</i> and the Clinician-Administered PTSD Scale for <i>DSM-5</i>

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    Supplemental material, sj-docx-1-asm-10.1177_10731911221113571 for Self-Rated Versus Clinician-Rated Assessment of Posttraumatic Stress Disorder: An Evaluation of Discrepancies Between the PTSD Checklist for DSM-5 and the Clinician-Administered PTSD Scale for DSM-5 by Lindsay B. Kramer, Sarah E. Whiteman, Jessica M. Petri, Elizabeth G. Spitzer and Frank W. Weathers in Assessment</p

    Starting with RefWorks

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    Pen to Paper image by mbgrigby shared under a CC BY-NC-ND 2.0 license.This document is an introduction to RefWorks - an online research management, writing and collaboration tool designed to help researchers easily gather, manage, store and share all types of information, as well as generate citations and bibliographies - for staff and students. The workbook contains copies of a PowerPoint presentation that is also available on this site. A workbook for an introductory workshop explaining and demonstrating how to set up a small database of references and use it in preparing a document using MS-Word

    Aisopos: Fables Told in Type and Ornament

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    Here is a lovely book done under the direction of Gloria Kondrup and Heidrun Mumper-Drumm. The preface by Bruce Whiteman of the William Andrews Clark Memorial Library. Hand-bound by Alice Vaughan. Unpaginated. There are thirty-three pairs of pages, the first a nearly transparent page with the name of the student who did the design of the fable itself, which is on the second, underlying page. Many of the fable texts are straightforward. Several are not. Among those apart from the tradition is the third selection by Sarah Cathcart: I am Aesop, Gabriel, a Liar. I'll build my wings with paper, glue, and wire. I'll catch an updraft in the city tonight. I gotta be ready. You don't fuck around with flight. So there! D. Reagan Marshall gets the swirls of the 2 in the title 2 Crabs to represent the sideways walking of the two crabs. Soyoung Leah Kim's title The Fox with the Cropped Tail is itself cropped on the edge of the page. Clever! Dyna Kau does lovely work with designs and colors in a version of GA called Summertime. Emily Liu works with several highly expressive designs for her version of WC. A standard feature of the pages is a rectangular section in the upper left that usually contains the text of the story. Other things like the title and moral often fall outside this rectangle. Another favorite of mine is The Scorpion and the Frog by Christine Marie Montgomery. Ellen Wong's fable is new to me and very strong. I quote it without attending to its poetic form. Cartier a richman bought his wife a Cartier necklace every month. (Just for being beautiful) he said. One day, she observed a wrinkle above her right eye and decided to go under the knife. (For sure he will reward me wth an extra diamond) she thought. But with 1 cut of inexperience her face now sits lop-sided. And her husband now sits with another. Beauty is in the eye of the beholder (of the knife). I am so delighted to have found a copy of this book!This is a hardbound book (hard cover)Limited edition of 75 copiesArt Center College of Desig

    Wonderful One

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    Front cover: A rectangular picture of a man sitting. He is wearing a suit and tie.First line of song: My wonderful one, whenever I\u27m dreaming, Love\u27s love light a gleaming, I seeValse moderatoIncludes sheet music samples from the song Saw Mill River Road Popular editionPaul Whiteman\u27s Sensational Waltz HitWords by Dorothy Terriss Author of Three O\u27Clock in the Morning , etc.Music by Paul Whiteman and Ferdie GrofeAdapted from a Theme by Marshall NeilanSung by John McCormack, Victor Record NO.9611 score, (6p), 31x23 cmPublished by Leo Feist, New Yor

    The Role of Narrative Fiction and Semi-Fiction in Organizational Studies

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    In this chapter, we discuss the use of narrative fiction and semi-fiction in organizational research and explore the strengths and weaknesses of these alternative approaches. We begin with an introduction reviewing the existing literature and clarifying what we mean by fiction and semi-fiction. We then present and discuss examples of fiction and semi-fiction focusing on how these approaches can be used in organizational research. We argue that fiction is more useful as a source of data and as a way of representing theory to an audience. Semi-fiction, on the other hand, provides a novel approach to the production and representation of theory. In both cases, researchers face a number of challenges, but also gain access to new and powerful techniques for developing insights into organizational topics.Organizational studies;Narrative fiction;Semi-fiction

    Letter re: biography

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    Letter from Glenhall Taylor, author, to Katrine Deakins, secretary to Amon Carter, regarding a biography of Paul Whiteman, American bandleader

    Letter re: biography

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    Letter from Katrine Deakins, secretary to Amon Carter, to Glenhall Taylor, author, regarding a biography of Paul Whiteman, American bandleader

    First you have to get outside : reflections on the ecological location of qualitative fieldwork

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    Most methodology books do not explain how nature—or in the author’s case, heavy wet snow and swampy muskeg—can be an intrinsic part of a qualitative research design. Yet the author’s inability to make sense of the subarctic not only limited her preliminary qualitative analysis, but this lack of skill also nearly killed her. This article describes the author’s emergent belief that first-hand situated knowledge of the local ecology is an essential requirement of effective qualitative inquiry in social—ecological contexts. The author uses data from two ethnographic studies that were published in the Academy of Management Journal (2000) and Organization & Environment (2004) to illustrate this point. She discusses how the local ecology affected her qualitative research design in terms of access, type of data collected, and interpretation of local management practices. The author closes by calling for a renaturing of qualitative inquiry especially as it relates to research on sustainability
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