11,865 research outputs found
Caroline Gordon Collection
No full textArrangement Description
EXTENT
Linear Feet: 2 linear feet
Number of Containers: 2 boxes
Series 1: Writings, 31 files
Series 2: Lectures, 19 files
Series 3: Courses, 10 files
Series 4: Book Reviews, 5 files
Series 5: About Caroline Gordon,8 files
Series 6: Correspondence, 18 files
Series 7: Books, 5 books
Series 8: Media: 9 digital files, 9 cassettes, 2 reelsCOLLECTION DETAILS
<---Please open FindingAid .pdf under "FILES" to see full collection details To request any materials from this collection please email: [email protected]
BIOGRAPHICAL / Historical Note: Twentieth-century novelist Caroline Gordon was born into the Kentucky line of the extensive Meriwether family in 1895. Exploration of the family's past and its evolution is a major theme of her fiction. She grew up at Merry Mont in Todd County, near Clarksville where she received her early education. She earned a Bachelor of Arts degree from Bethany College in 1916. Her father is the idealized subject of Gordon's second novel, Alec Maury, Sportsman (1934), and the central character in her much-anthologized story, "Old Red." Gordon taught briefly; then, as a journalist, she became one of the first reviewers to comment favorably on a new Nashville-based magazine of poetry, The Fugitive. During the summer of 1924, Robert Penn Warren, a Todd County neighbor, introduced her to Allen Tate. Within a year they were married and living in New York City, where their daughter, Nancy Meriwether was born. With Tate, she began a period of life abroad, devoted to writing and sustained by various fellowships granted to one or the other. In London, Gordon was secretary to the influential British writer Ford Madox. In 1930 the Tates returned to the United States and settled in Clarksville in a house provided by Tate's brother Ben and called "Benfolly." Both Tates were exceptionally hospitable to friends and encouraging to younger writers. Both were prolific correspondents, generous with constructive criticism. (Gordon eventually became mentor to several writers, most notably Flannery O'Connor). Although she had to wrest time for her writing from domestic and social obligations, the eight Benfolly years were especially productive for Gordon, who published four novels and several stories before 1937. The first novel was Penhally (1931), followed by Alec Maury, Sportsman (1934), None Shall Look Back (1937), and The Garden of Adonis (1937), studies of the southern family during the Civil War and Great Depression. Academic appointments of the 1940s took the Tates throughout the Southeast and to Princeton, where they established a home near their daughter, who married psychiatrist Percy Wood in 1944. During this time Gordon published her fifth novel, Green Centuries (1941). Her second related group of novels, The Woman on the Porch (1944), which deals with a troubled marriage, The Strange Children (1951), based on life at Benfolly, and The Malefactors (1956), is informed by her conversion to Roman Catholicism. She and her husband wrote The House of Fiction (1950), which was followed by Gordon's How to Read a Novel in 1957. Gordon lived in Princeton until 1973, teaching, and writing: The Glory of Hera (1972). An appointment in the creative writing program drew her to the University of Dallas (Gordon was 77 years old when she proposed the new creative writing program at UD). When her health began to fail in 1978, she moved to San Cristobal de las Casas in Chapas, Mexico, with her daughter and family. She died there on April 11, 1981.
COLLECTION DESCRIPTION Caroline Gordon (1895-1981) was an American author. This collection consists of manuscripts of Gordon's work, including novels, lectures, and poetry during her time at the University of Dallas. It also includes correspondence with authors and family members, writings of others, and photographs.
Lectures and Commentary available here: https://hdl.handle.net/20.500.14026/2548University of Dalla
Contents - Edward Gordon Craig Special Issue 2017
No full textCover, front matter, and contents for Mime Journal Special Issue, Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig. Guest editors: Jennifer Buckley and Annie Holt
Statement of Gordon Hirabayashi
No full textStatement by Gordon Hirabayashi about his refusal to register for forced removal to an incarceration camp. He writes: "This order for the mass evacuation of all persons of Japanese descent denies them the right to live."The ACLU-Northern California case file records contain legal documents and correspondence pertaining to the case Ex parte Mitsuye Endo (1944), in which the United States Supreme court unanimously ruled that the federal government could not indefinitely detain United States citizens who were loyal to the government. Files include documents related to the Gordon Hirabayashi Supreme Court case Hirabayashi v. United States
Polly Stewart Oral History Project: Interview with Patrick Zwick
No full textRecording of an interview by Jennifer Bott with Patrick Zwick, a participant in the Utah folk music scene of the 1960s. Jennifer Bott [now Bateman] served as sound engineer. Transcript by Laura R. Marcus [now Green]. One of the interview recordings that Polly Stewart and Jennifer Bott conducted for the Utah Folk Music Revival Oral History Project, 2004-20111. Talking about childhood/early background; 2. Childhood memory of meeting Bruce (U. Utah) Phillips for the first time; 3. Beginning to play music as a child; 4. Tuning into folk music/meeting the Sorrels/starting to play bass-symphonic and folk; 5. Branching out to play other instruments; 6. Musical inspirations; 7. Performing folk music; 8. Talking about playing in symphony-bass, mandolin, various early music instruments in the lute and gamba families; 9. Talking about the impact of the ‘60s, the social ideals of the time, artistic movements; 10. Talking about protest music and the Vietnam War era; 11. Sharing feelings about current dismal global situation, appreciation for independent media and internet; 12. Talking about service in the Navy; 13. Talking about creative work, arranging music/playing instruments in the mandolin family; 14. Talking about attending the Urban Pioneers Concert; 15. Talking about the "red diaper baby" phenomenon/exposure to labor and communist movements; 16. Talking about the Dalby family; 17. Talking about Claus Bach; 18. Talking about the Don Scaletta Trio; 19. Talking about the Goggins family; 20. Talking about the social aspect of playing folk music; 21. Talking about influence of Robert (Archie) Archuleta/Josh White; 22. Talking about Bruce (U. Utah) Phillips, his run for senate, work in labor camp near Ogden, tough times; 23. Talking about Gordon Bailey and Charlie Brown; 24. Reminiscing about Bill Roberts; 25. Patrick shares a childhood story about learning to fly, from the Roberts\u27s garage; 26. Polly Stewart talks about her Aunt Eleanor and Virginia Dibley, among first two women to receive law degrees from the University of Uta
Author Gordon Henry reads his selected works at the Michigan Writers Series
No full textAuthor Gordon Henry, MSU professor of English, reads selections of his poetry and fiction then answers questions from the audience. The event is convened by librarian Michael Rodriguez. Part of the Michigan State University Libraries' Michigan Writers Series
Wolfang station shearing shed loading bales, Clermont, Queensland, ca. 1915 [picture] /
No full textAccompanied by photographic print.; Glass negative no. 111.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 219 in the book A shifting town : glass-plate images of Clermont and its people.; Wolfang Downs was established in 1863 by Augustus Kerrin and acquired by Oscar de Satge, author of Pages from the Journal of a Queensland Squatter; note the crane for lifting bales. .; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4191848; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Interview with Robert Gordon
No full textThis interview with Robert Gordon, Illinois Tech architecture alumnus, architect, planner, artist, and author, was conducted on June 6, 2017 by Ralph Pugh and Adam Strohm
Oklahoma is a Moving Train: On Trump and the (Impossible) Demand for "Neutral" Classrooms in a Red State
No full textEssay by Erin Dyke, Sarah Gordon, and Jennifer Job as part of Call for Conversations: Education in the Era of Trump
Cult: A Composite Novel
No full textCult (redacted)
The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence.
Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults.
The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic.
Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form
The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
No full textAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
- …
