4,244,786 research outputs found
Rene Magritte in America
No full textPhotograph of the exhibition "Rene Magritte in America," December 6, 1960-January 8, 1961 held at the Dallas Museum for Contemporary Arts
Rene Magritte in America
No full textPhotograph of the exhibition "Rene Magritte in America," December 6, 1960-January 8, 1961 held at the Dallas Museum for Contemporary Arts
JEAN AND RENE DUBOS
No full textJean and René Dubos, Garrison, NY. 1950
Photograph by Maria Martel
Courtesy of The Rockefeller Archive Centerhttps://digitalcommons.rockefeller.edu/life-of-rene-dubos/1030/thumbnail.jp
Rev Rene celebrating 15 years: building dreams
No full textFirst published in 2000, the Journal of Northeastern Nursing Network (Rev Rene), was born of aprofessionals’ agreement representing Polos of knowledge in the Northeast of Brazil. The journal was originatedfrom the dream of create opportunities to disseminate the knowledge of technical and scientific work of nursesin the area (1) . Therefore, the first editorial registered the beginning of this achievement, coordinated by one ofthe most prominent leaders of nursing in Brazil and, at the time, participant in one of the Polos, Professor Dr.Lorita Marlena Freitag Pagliuca, who to this day nourishes the dream to move forward with Rene
Esope & Jean de la Fontaine: Tome II
No full textThis book comes from Willy Aractingi's daughter, June Nabaa, from Paris. Somewhere I had found a link to www.aractingiwilly.com, presumably in Lebanon. I tried to buy a complete set of postcards and noticed several of his books that I did not yet have. I was disappointed to learn that they did not have a set of the cards and that the contemplated two volumes completing the La Fontaine illustrations never saw the light of day. But this second volume of "Esope et Jean de La Fontaine" was available. It is uniform in format with the first volume, though it seems to have been printed later and has lost the association with the tricentenary of La Fontaine. Its cover is darker and less glossy, and the price has gone up 10 Francs. Some of the most engaging illustrations here include "Sick Lion and Fox" (39); "Lion and Mosquito" (41); "The Husband in a Bad Marriage" (61); "Oracle and Impious Man" (81); and SW (93). I expected fables beginning alphabetically after "Le Lievre et la Tortue," but there are seven here alphabetically ahead of that. Were these overlooked in preparing Volume I? "The Kite and the Nightingale: (67) is upside down either here or in Aractingi's 1992 "Jean de la Fontaine" (XXXXII). 7¾" x 9¾". 141 pages.Language note: FrenchAesop, Jean de La Fontain
Jean-Luc Godard and the other history of cinema
Get PDFJean-Luc Godard's Histoire(s) du cinema (1988-1998) is a video work made up of visual and verbal quotations of hundreds of images and sounds from film history. But rather than simply telling (hi)stories of cinema, Godard makes a case for cinema as a tool for performing the work of history. This is partly because the film image, by virtue of always recording more of the real than was anticipated or intended, necessarily has history itself inscribed within its very fabric. It is also because montage, as the art of combining discrete elements in new ways in order to produce original forms, can be seen as a machine for realising historical thought. This thesis examines these ideas by discussing Godard's account of the role of cinema in the Second World War, and by analysing some of his recent work as examples of historical montage which attempt to criticise our current political climate through comparison with earlier eras.
After a first chapter which sets out Godard's argument through an extensive commentary of Histoire(s) 1A and B, a second chapter discusses Godard's depiction of the invention of cinema and traces a complex argument about technology and historical responsibility around the key metaphorical figure of the train. Chapter 3 explores the ways in which Godard's historical approach to cinema allows him to maintain a critical discourse with regard to the geopolitical realities of late twentieth-century Europe (Germany, the Balkans), but also to the communications and business empires that have developed over the past few decades. A final chapter offers a detailed consideration of the nature of Godard's cinematic quotation and seeks to explicate the apocalyptic rhetoric of his late work. Aside from Histoire(s) du cinema, films discussed include Nouvelle Vague (1990), Allemagne neuf zero (1991), For Ever Mozart (1996) and Eloge de l'amour (2001)
Rene Ricard
Get PDFReading by Rene Ricard at Bard College on November 2, 1982. Recorded in the Albee Social. The poems cover themes of love, sexuality, urban life, and personal experiences. Ricard also shares anecdotes about his life and interactions with other artists and writers.https://digitalcommons.bard.edu/poetry_at_bard/1151/thumbnail.jp
Golden Islands, land of beauty, wonderful sunsets, [first line]
No full textPerformers: Rene DeitrichPiano and Voice (with lyrics
Rene Loeb Collection 1902
No full textPrice list for ritual knives (H. Palm Nachfl. Inh. G. Reimann, Königsberg) and a marriage poem for Sara Posen and Berthold Cohn (Frankfurt am Main).Rene LoebProcessed for digitizationSent for digitizationReturned from digitizationLinked to online manifestationdigitize
Coursing paths: 15th anniversary of Rev Rene
No full textTo contemplate aspects of a journal which experiences what we call “adolescence process” isindeed challenging. We have traveled paths, sometimes easy, sometimes difficult, in which we advocatethat if a seed is thrown into fruitful soil, the results certainly will present as productive. This isthe case of Rev Rene. To become adolescent is being in the world. It is creating complicity to drea
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