1,747,582 research outputs found
Oral History Interview, Jasmin Sanchez (1559)
No full textIn her 2016 interview, Jasmin Sanchez recounts her time as a first generation student at UW-Madison. To learn more about this oral history, download & review the index first (or transcript if available). It will help determine which audio file(s) to download & listen to.In her 2016 interview, Jasmin Sanchez recounts her time as a first generation student at UW-Madison. She speaks on how she was unsure of whether she would attend college, and the struggles she faced in acclimating to university life. She mentions working for the Center for Educational Opportunity, a program for first gen students that initially helped her transition into college. Jasmin speaks about a few class projects she was involved in and how they were empowering for minority students. She also touches on the general campus climate regarding race, bias, and microaggressions, along with how she has personally been affected by such campus conditions, including being taken seriously as a student of color. This interview was conducted for inclusion into the TheRealUW Project of the UW-Madison Archives and Records Management Oral History collection
Computational intimacies, from prompting to prose
Full text link'Computational intimacies, from prompting to prose' is a chapter written by Jasmin Pfefferkorn and Beverley Hood, featured in the book Decentring Ethics: AI Art as Method, edited by Vanessa Bartlett, Jasmin Pfefferkorn and Emilie K. Sunde and published by the Open Humanities Press in 2025.The book advances a decentred approach to ethics. It draws on non-Western, ecocritical and feminist worldviews, and acknowledges the more-than-human as an agent with the capacity to act. We position AI art as ‘method’ – a process of working with, or in response to, the contemporary computational era. This expands the normative definition of AI art as art created with relative autonomy by computers. AI art as method frames ethics as situated, embodied and improvisational, whereby artists work with emergent ethical questions while challenging the more conservative frameworks of the cultural institutions they operate within.The chapter is an in conversation detailing my feminist, relational and embodied approach to creating the Generative AI photofilm MOTHER (2024). <br/
Computational intimacies, from prompting to prose
Full text link'Computational intimacies, from prompting to prose' is a chapter written by Jasmin Pfefferkorn and Beverley Hood, featured in the book Decentring Ethics: AI Art as Method, edited by Vanessa Bartlett, Jasmin Pfefferkorn and Emilie K. Sunde and published by the Open Humanities Press in 2025.The book advances a decentred approach to ethics. It draws on non-Western, ecocritical and feminist worldviews, and acknowledges the more-than-human as an agent with the capacity to act. We position AI art as ‘method’ – a process of working with, or in response to, the contemporary computational era. This expands the normative definition of AI art as art created with relative autonomy by computers. AI art as method frames ethics as situated, embodied and improvisational, whereby artists work with emergent ethical questions while challenging the more conservative frameworks of the cultural institutions they operate within.The chapter is an in conversation detailing my feminist, relational and embodied approach to creating the Generative AI photofilm MOTHER (2024). <br/
Jasmin Ramić, bisernica : diplomski ispit
No full textDiplomski ispit Jasmina Ramića (bisernica), studenta Muzičke akademije Sveučilišta u Zagrebu.
Prvi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 23. 3. 2022.
Program prvog dijela diplomskog ispita:
1. Marko Bertić: Klasični koncert za bisernicu i TO (Allegro con moto – Largo – Rondo) ;
2. Jasmin Ramić: Slavonski motivi ;
3. Johannes Brahms: Mađarski ples br. 12.
Drugi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 21. 6. 2022.
Program drugog dijela diplomskog ispita:
1. Franz Schubert: Sonata za klavir i arpeggione (I. Allegro moderato – II. Adagio – III. Allegretto) ;
2. Tomislav Uhlik: Oj, lepo je res na deželi ;
3. Pablo de Sarasate: Introdukcija i Tarantela, za violinu i klavir, op. 43 ;
4. Rudolf Matz: Humoreska za violončelo i klavir ;
5. Veljko Valentin Škorvaga: Reflection / Odsjaj za bisernicu i klavir (praizvedba) ;
6. Aleksandar Cigankov: Introdukcija i čardaš za domru i klavir.
Klavirska pratnja: Brigita Vilč, umj. sur.
Mentor: doc. Siniša Leopold.
Komentor: Veljko Valentin Škorvaga, v. pred
Jasmin Ramić, bisernica : diplomski ispit
No full textDiplomski ispit Jasmina Ramića (bisernica), studenta Muzičke akademije Sveučilišta u Zagrebu.
Prvi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 23. 3. 2022.
Program prvog dijela diplomskog ispita:
1. Marko Bertić: Klasični koncert za bisernicu i TO (Allegro con moto – Largo – Rondo) ;
2. Jasmin Ramić: Slavonski motivi ;
3. Johannes Brahms: Mađarski ples br. 12.
Drugi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 21. 6. 2022.
Program drugog dijela diplomskog ispita:
1. Franz Schubert: Sonata za klavir i arpeggione (I. Allegro moderato – II. Adagio – III. Allegretto) ;
2. Tomislav Uhlik: Oj, lepo je res na deželi ;
3. Pablo de Sarasate: Introdukcija i Tarantela, za violinu i klavir, op. 43 ;
4. Rudolf Matz: Humoreska za violončelo i klavir ;
5. Veljko Valentin Škorvaga: Reflection / Odsjaj za bisernicu i klavir (praizvedba) ;
6. Aleksandar Cigankov: Introdukcija i čardaš za domru i klavir.
Klavirska pratnja: Brigita Vilč, umj. sur.
Mentor: doc. Siniša Leopold.
Komentor: Veljko Valentin Škorvaga, v. pred
Junior Recital, Micah Baldwin, tenor & Jasmin Ward, soprano
Full text linkJunior RecitalMicah Baldwin, tenor & Jasmin Ward, sopranoDavid Kim, pianoTuesday, April 16, 2019 at 7:30pmRecital Hall / James W. Black Music Center1015 Grove Avenue / Richmond, Va
A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia
No full text[BOOK ABSTRACT]
This book offers a series of compelling responses to the Jasmin Vardimon Company’s production of Justitia, a multilayered, multimedia dance theater piece. Through an innovative, visually annotated text, which includes the original script by Rebecca Lenkiewicz, the book attempts to record the experience of the performance. Also included are nine critical responses from scholars and theatrical practitioners who consider the performance through lenses relating to time, collaboration, writing, confession, and the law
Jasmin
Full text linkNom emprunté à l’arabe (yasmîn), lequel est emprunté au persan (yâsamîn, yâsaman). Genre des Oléacées. Les jasmins, qui comptent une centaine d’espèces environ, sont des arbrisseaux rameux, dressés ou grimpants, à grandes fleurs de couleur blanche, jaune ou rouge, souvent odorantes, solitaires ou groupées en cymes. Le jasmin commun ou blanc (J. grandiflorum et officinal), à fleurs blanches odorantes, est originaire d’Asie. Le jasmin jaune ou d’Italie, à fleur inodore, est indigène en Europe m..
Jasminum nudiflorum : Winter-Jasmin, Nacktblütiger Jasmin (Oleaceae)
No full textDer Winter-Jasmin ist einer der ersten auffallenden Winterblüher in China, aber auch in den Gärten und Parks Mitteleuropas. Meist zeigen sich hier die ersten leuchtend gelben Blüten schon vor Weihnachten und die Blühphase kann bis März/April anhalten. Winter-Jasmin ist die frosthärteste Art der überwiegend tropisch bis subtropisch verbreiteten Gattung. Systematik, Morphologie und Verwendung werden erläutert
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