13,751 research outputs found
Ancient Song
No full text20.5 x 30 cm.Broadside of the poem 'Ancient Song' by Mark Glass, illustrated by Janet Morgan, ca. 1980. 20.5 x 30 cm
Interview with Janet Birch and Ida Walker
No full textInterviews with Janet Birch and Ida Walker. High quality recording. 00:00:02 - Introduction, Janet Birch of Dodge City, on June 16, 1962 00:00:28 - Song, Skip To My Lou 00:01:24 - Song, If I Had a Ribbon Bow 00:02:55 - Song, I Wish I Was 00:04:53 - Song, Greensleeves 00:06:41 - Song, Hush You Bye 00:07:51 - Song, Oh, Sally, My Dear 00:09:23 - Song, Riddle Song 00:10:58 - Song, Black Is The Color of my True Love\u27s Hair 00:12:53 - Song, Whistle, Daughter, Whistle 00:14:25 - Song, Jesus, Rest Your Head 00:16:40 - Song, Sweet Betsy From Pike 00:19:06 - Song, Shady Grove 00:21:27 - Song, Molly Malone 00:23:46 - Introduction, Ida Walker of Norton, KS on June 12, 1962 00:24:07 - Recollections of the Lewey-Berry Trialhttps://scholars.fhsu.edu/sackett/1059/thumbnail.jp
Author Identification from Song Lyrics
No full textMachine Learning (ML) tools have been used extensively in a wide variety of domains
recently. Due the enormous amount of data being produced, machine learning techniques
are being heavily used to make sense of data & derive meaningful results. Using machine
learning tools, we can turn the data into knowledge.
Music is one of the truest forms of art. Bangladesh has a great history of music with a
great tradition of song writing over centuries. Authorship attribution is the way of
identifying the author from a linguistic corpus.
This paper demonstrates a guideline to identify the author of a Bengali song from the
lyrics of that song using machine learning. This research work presents the first work on
machine learning approach for author attribution from the lyrics of a song. Here six
methods of machine learning are used for the author identification and high accuracies
have been achieved from these methods. It is observed that Naïve Bayes method provides
higher accuracy in comparison with the other methods
How word, symbol and song shaped history
No full textGus Casely-Hayford (SOAS and King’s College London), Janet Topp Fargion (British Library) and Marion Wallace (British Library) introduce the cultural dynamism and creativity of West Africa, and explain how word, symbol and song have shaped a thousand years of history
Song
No full textAuthor attribution from Rudolph, 240. Printed on yellow paper with black ink. Set to the tune of "Happy land of Canaan". First line "You Rebels come along and listen to my song"
Once upon a time there was a fair princess
No full textSong written for children: comic dragon terrorizes the neighbourhood; dies of eating home-made cake and becomes a ghost.Professionally composed song of the Tom Lehr type
The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist
No full textOver the last century, performers gradually acquired statutory protection of their economic and moral
rights. These rights are not copyright in the legal sense but neighboring rights and until recently, they
were mainly remuneration rights that are collectively administered. With the WPPT (WIPO
Performers and Phonograms Treaty), performers now have individual exclusive rights for digital
performances; this leads to the question: what has motivated this change – is it a change in the
perception of the value of performer or a change brought about by the changing technology of copying or,
indeed, a change that reflects different economic costs and benefits? The paper discusses the role of
copyright law as an incentive to performers and asks if the economic role of the performer is so different
from that of the author. The conclusion is that a complex interaction of the legal regulations, economic
conditions and institutional arrangements for administering these new rights will determine the outcome
Snow Daughters' Song
No full textSSA song with piano accompaniment. Text by Robert Wilkinson, music by Alan Schmitz. Work commissioned by the Anchorage Children's Choir, Janet Stotts, Director.Digitized with funding from the Center for Regional Studies
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The Marriage of Man and God: Solomon's Song of Songs and Resurrection in the Divine Comedy
No full textBy the time Dante wrote The Divine Comedy, the Old Testament book known as The Song of Songs or Canticles had been read by Christians as an allegory of the “marriage” of God and the Resurrected Church. For this reason Dante chose King Solomon, the assumed author of the book, as spokesman for the doctrine of resurrection in Canto ten of the Paradiso. This thesis explores Dante's poetic response to the Song of Song’s erotic marriage imagery and his uniquely experiential vision of resurrection of the body, reunited for all eternity with the soul and God through love
A Portfolio of Compositions
No full textThe pieces in this portfolio cover a wide range of methods and styles - from work for a single vocalising percussionist, to singing bowl and electronics and a work for full orchestra. The aim of this portfolio is to demonstrate my technical and musical proficiency as well as to give an overview of my personal composing philosophy and style.
The portfolio opens with a work for orchestra, A Study in Scarlet. It differs from my previous orchestral works and is based on a musical code of Sir Arthur Conan Doyle's book, titled A Study in Scarlet. This was read in the 2009 Todd/ NSZO Young Composer Readings. The second work is .manatu.. It features tinkly piano, wind chimes and ethnic instrumentalists in a chamber ensemble to create a musical sound world. This was written for and premiered at Bang on a Can's summer music festival in Massachusetts 2009. The piano work .ātanga. is an adaptation of .manatu. for solo pianist and was written for the Dame Malvina Major Foundations Showcase Concert in New Plymouth. This adaptation proved to be a worthwhile exercise in efficient use of music material. Wrong Number is a Janet Frame poem set for soprano and real-time effect processing of audio. Confessions - Part I and II, for solo violin and string orchestra is based on the Fibonacci series and explores my love for string sonorities. Sand Song was written for a friend who asked me to set a poem she wrote. Here I demonstrate my love for setting text and voice to say something beautiful and precise. This song now stands as a eulogy for her Father. Parihaka, for vocalising percussionist, is a setting of Apirana Taylor's poem Parihaka and was written for Australian performer Louise Devenish. I explore further in the realm of live acoustic and electroacoustic music with Orison a piece I wrote for myself to perform live with singing bowl and Ableton Live. Finally The Headlines Today for five improvising musicians explores the music of shouting and the vernacular of place
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