521 research outputs found
The light of the eye : doctrine, piety and reform in the works of Thomas Sherlock, Hannah More and Jane Austen
No full textBibliography: leaves 376-401.This thesis investigates the ways in which three eighteenth-century writers, Bishop Thomas Sherlock, Hannah More and Jane Austen embody orthodox Anglican doctrine according to their individual perceptions of the enlightening properties of Protestant Christianity. After situating them in their respective gender, literary and ecclesiastical contexts, I examine some of their key doctrines and analyse excerpts from their works. My selection of passages from Sherlock's works is fairly comprehensive, but in the case of More and Austen, where there is already a formidable body of literary criticism, it is more selective. Thus, I focus on doctrine in More's tracts, Strictures on the System of Female Education, An Essay on St Paul and most especially Coelebs in Search of a Wife and in the case of Austen, on her prayers and select passages from Sense and Sensibility and Mansfield Park. I conclude that, although diverse in their particular kind of Anglicanism (High, Evangelical and Median) and in their choice of genre, transparency or obscurity (anonymity and pseudonymity) and the various narratological strategies some of them invoke to circumvent certain taboos, Sherlock, More and Austen champion the same central orthodox doctrines, defend them against current alternatives to orthodoxy such as Latitudinarianism, Deism and various forms of Freethinking, and promote similar moral and ecclesiastical reforms. However, indirectly (through female characters who resist male representation or control) the women writers subject their ostensibly authorially-endorsed male narrators/characters to scrutiny and sometimes (when the males objectify the women) subversion
The Classic-Novel Adaptation from 1995 to 2009
No full textThis thesis explores the dynamic relationship between the nineteenth-century novel and the screen, interrogating evolving trends in film and television adaptation from the mid-1990s to 2009. In contrast to many other studies in this field, such productions are understood as both adaptations and ‘costume dramas’, whilst the often neglected televisual context is highlighted alongside the paratexts which shape and surround adaptations. At the same time, the enduring (yet often dismissed) notion of ‘fidelity’ is recognised and developed, as expectations of faithfulness extend beyond the literary text to privilege the legacies of prior adaptations. As this thesis will show, classic-novel adaptations are increasingly framed by change and tension, as movements towards ‘contemporising’ representations of the past, and reinvigorating costume drama, have been shadowed by a growing unease with the stylistic innovation and ubiquity of the genre.
An introductory chapter outlines theoretical approaches towards, and critical studies of, adaptation and costume drama, contextualising this thesis whilst defining new directions for study. Chapter one focuses upon Jane Austen, re-exploring the significance of Andrew Davies’s Pride and Prejudice (1995) and examining ‘Austenmania’s’ tense pull between tradition and innovation. Chapter two considers how conflicting perceptions of what constitutes ‘Gaskellian’ become interlinked with the struggle to characterise contemporary period adaptation. Chapter three explores the evolving interrelationship between the Brontës, the ‘Brontë Myth’ and the screen, whilst chapter four readdresses the long history of adapting Dickens, the ‘Dickensian’ film redefined by Davies’s ‘soap-like’ treatment of Bleak House (2005). A concluding chapter examines classic-novel adaptation in 2009, returning to Austen as emblematic of many of the issues confronting the genre, and offering some thoughts about its immediate future. Above all, this study interrogates the ever-shifting relationship between text and screen, enabling refreshing interpretations of both novel and adaptation
Cicinnus magnapuncta Kaye 1901
No full text<i>Cicinnus magnapuncta</i> (Kaye, 1901) <p>(Figs. 6, 9, 10, 31)</p> <p> <b>Type locality.</b> Trinidad, Tabaquite [NHMUK, syntype examined, designated here as lectotype] <i>Perophora magnapuncta</i> Kaye, 1901: Kaye (1901); Kaye & Lamont (1927).</p> <p> <i>Cicinnus magnapuncta</i> was described and illustrated implicitly from one (but possibly more) specimens collected at Tabaquite, central Trinidad, in June 1898 by W.J. Kaye (Kaye 1901, Kaye & Lamont 1927). Kaye (1901) does not indicate the sex of the type material but his illustration and the single specimen recognized as a type in the NHMUK is female (Fig. 31). The syntype in the NHMUK lacks a collecting data label, though it does bear a label reading “Trinidad, Kaye” and the accession number 1901-72. On the reverse of the accession label, <i>Perophora magnapuncta</i> Kaye is handwritten, in a style similar to that seen for other Kaye types from 1901 in NHMUK, although different from Kaye’s characteristic writing on later types. A red edged type label is also present on the specimen, along with a genitalia preparation label (the genitalia are apparently missing because the slide only contains the terminal two abdominal segments). We therefore believe that this specimen is a syntype, and here designate it as the lectotype with the following labels: C, magnapuncta Keyes [<i>recte</i> Kaye] Type genit.pr. No 6 Mimallonidae / BMNH(E) #805414/ NHMUK010588329/ Type [red edged circular label]/ Trinidad Kaye 1901 -72 [number after 1901 unclear, 72 or 92, written on upper surface of label]; <i>Perophora magnapuncta</i> Kaye [written on lower surface of label]/ LECTOTYPE ♀ <i>Perophora magnapuncta</i> Kaye designated by St Laurent and Cock, 2017 [red handwritten label].</p> <p> <i>Cicinnus magnapuncta</i> was the only mimallonid species described from Trinidad until <i>C. trini</i> described above. Although <i>C. magnapuncta</i> seemed to be endemic to the island, a single male specimen from French Guiana in the MNHN (Fig. 9) may be this species considering the similarities in external appearance to the females and the close affinity of Trinidad Mimallonidae with those of French Guiana. However, due to the lack of males from Trinidad, it is not possible to definitively state at this time that the two populations are conspecific. Interestingly, so far only females of <i>C. magnapuncta</i> have been collected or photographed in Trinidad, thus males seem to either not be strongly attracted to light or are potentially diurnal or crepuscular whereas the females arrive late (23.51 h and 0 0.44 h) at light (K. Sookdeo pers. comm.).</p> <p> Several similar <i>Cicinnus</i> species are known from mainland South America, namely: <i>C. bactriana</i> (Butler, 1878), <i>C. callipius</i> Schaus, 1928, <i>C. candacus</i> Schaus, 1928, <i>C. gaujoni</i> (Dognin, 1922), and <i>C. marona</i> Schaus, 1905. Primary types of all species have been examined by the first author. <i>Cicinnus magnapuncta</i> is unique in having weak maculation, particularly submarginally, such that there is a complete absence of dark petiolate scales. The relatively faint postmedial lines and discal spots, as well as light brown to fawn ground coloration, also can be used to distinguish <i>C. magnapuncta</i> from other species listed previously, which are darker brown or nearly orange in the case of <i>C. marona</i>, and nearly always have stronger maculation.</p> <p> Prior to this work, <i>C. magnapuncta</i> was only known from a single location in Trinidad, therefore we report several new locations for this species, and figure actual specimens (not a painted illustration) for the first time. This species is restricted to forested areas of Trinidad, though the previously mentioned specimen from French Guiana may be this species. In addition to the lectotype collected from Tabaquite in the Central Range, <i>C. magnapuncta</i> has been found on the slopes of the Northern Range.</p> <p> <b>Material examined.</b> (1 ♂ *, 6 ♀ total) <b>TRINIDAD</b>: 2 ♀, Brasso Seco: 14.III.2015 (K. Sookdeo photograph, not collected). 1 ♀, Cumaca Road 0.5 mi: 27.X.1980, M.J.W. Cock [<i>leg.</i>], at MV Light (UWIZM CABI.2457). 3 ♀, Cumaca Road, 4.6 mi: 21.X.1982, M.J.W. Cock [<i>leg.</i>], at MV light (2 ♀ MWJC, 1 ♀ to be deposited USNM). 1 ♀, [Tabaquite]: [VI.1898], Kaye 1901, [lecto] type, BMNH (E)# 805414, NHMUK 010588329 (NHMUK). <b>FRENCH GUIANA:</b> 1 ♂, St. Jean du Maroni: 2.I.1978, T. Porion <i>leg.</i> [*provisionally identified as this species] (MNHN).</p>Published as part of <i>St Laurent, Ryan A. & Cock, Matthew J. W., 2017, Annotated list of Mimallonidae (Lepidoptera, Mimallonoidea) from Trinidad and Tobago, with the description of a new species of Cicinnus Blanchard, 1852 and taxonomic notes, pp. 53-70 in Zootaxa 4268 (1)</i> on pages 60-62, DOI: 10.11646/zootaxa.4268.1.3, <a href="http://zenodo.org/record/579898">http://zenodo.org/record/579898</a>
Marking Time: Investigating drawing as a performative process for recording temporal presence and recalling memory through the line, the fold and repetition
No full textThis research seeks to identify drawing as an alternative exemplar for investigating memory and temporal presence, while determining its potential as a performative tool for negotiation and transformation, throught the line, fold and repetition. The aim is to position drawing in the dynamics of movement, using the journey as a trope and the physical act of repeating the line to evoke memory and disrupt concepts of linear, orderly time.
The investigation, driven by my ongoing practice and concerns of dislocation and exile, was inspired and informed by Gilles Deleuze's notion of 'becoming' as a fluid in-between. His reading of memory through Henri Bergson (habit and pure) and Marcel Proust(voluntary and involuntary), provided the context for examining drawing's memorial potency along a past-present-future continuum. Deleuze's ontology provided a reflective and reflecive methodology for addressing my own work alongside artists who share similar concerns.
My practice focused on not what the line is but what it can do or be, where drawing is predicated on touch and derived from thought and memory, rather than appearance or observation. Inside the studio and outdoors in the landscape, moving between familiar yet changed places. I marked the paradoxical experience of time, its flows and ruptures. The resulting body of drawings and photographic records offer the principal outcome of this inquiry.
The research findings present drawing as a fluid multiplicity that shifts between the haptic and optic, visible and invisible, control and chance, notation and photography, studio and street, with one often constituting the other. The condition of 'seeing' is not a prerequisite; drawing exists with and without seeing. It resides in a gap between, where time itself unfolds and things are forgotten as well as remembered, liminal and open-ended. This thesis proposes a new theoretical understanding of drawing as generative of memory and a process of continual negotiation and temporal becoming
Sarah Fielding: Satire and Subversion in the Eighteenth-Century Novel
No full textThis study of Sarah Fielding (1710―68) is an original contribution to Fielding scholarship that has a dual purpose: to support those who are striving to re-introduce her to the modern literary landscape in an effort to restore her eighteenth-century literary standing, and to firmly establish Fielding as an early feminist writer. It is argued here that throughout her oeuvre Fielding challenged prevailing traditions that denied women a choice, particularly in education, employment and marriage. These themes are also considered in the political treatises of Mary Astell (1666―1731) and Mary Wollstonecraft (1759―97), who are now widely recognised as feminist writers.
It is further argued that Fielding’s subversion in fiction of the English patriarchal system is underscored by her unorthodox performance in the literary arena. This is fully explored alongside her use of sentimentalism as a literary tool with which she challenges her seemingly inhumane society. Fielding’s interest in ‘the Labyrinths of the Mind’ (in modern terms, human psychology) will also be addressed as will her placement in the history of feminism and her placement in the sentimental novel tradition. Fielding’s performance as a literary critic will be compared with the few female authors who, like her, dared to publish literary criticism during her writing career. Accordingly, extracts from Fielding’s novels and her two critical pamphlets will be thoroughly examined.
An updated biography of Fielding that is also included here will provide evidence for a further claim, that her fiction is autobiographical in part. A comprehensive account of Fielding’s performance as a literary critic forms the final chapter of this work. It is the first full-length examination of her contribution to the genre and includes an appraisal of her recently unearthed critical pamphlet entitled A Comparison Between the Horace of Corneille and The Roman Father of Mr. Whitehead (1750) that is yet to be formerly attributed to her. Ultimately this study of Fielding will go far beyond what has previously been written about this remarkable eighteenth-century author, particularly regarding her feminist activity
Punctuated bursts in human male demography inferred from 1,244 worldwide Y-chromosome sequences
No full textWe report the sequences of 1,244 human Y chromosomes randomly ascertained from 26 worldwide populations by the 1000 Genomes Project. We discovered more than 65,000 variants, including single-nucleotide variants, multiple-nucleotide variants, insertions and deletions, short tandem repeats, and copy number variants. Of these, copy number variants contribute the greatest predicted functional impact. We constructed a calibrated phylogenetic tree on the basis of binary single-nucleotide variants and projected the more complex variants onto it, estimating the number of mutations for each class. Our phylogeny shows bursts of extreme expansion in male numbers that have occurred independently among each of the five continental superpopulations examined, at times of known migrations and technological innovations
The narrative voice in the children's fantasy novels of E. Nesbit
No full textThe study sought to examine E. Nesbit's unique narrative style in addressing her young readers. Nesbit brought a fresh voice to her books that made a connection between her and her readers that lasted for generations. This study explored her methods in achieving this literary technique. By employing both narratological research methods and descriptive content analysis of E. Nesbit's fantasy novels, the researcher sought to show Nesbit's substantial contribution to the development of fiction for children. This study focused on Nesbit's narrative style in her children's fantasy novels. Its purpose was to explore the question: what characterizes her narrative style?
Children's books center on narrative: in a sense they are about narrative — and until relatively recently, narrative has been the poor relation in both theory and criticism (Hunt 1990). Compared to other contemporary directions of inquiry, narrative theory is still taking its very first steps within children's literature criticism (Nikolajeva 2003). The narrative style of an author is what puts the reader into an implicit relationship with the author. Narratology, the study of the narrative, helps to answer questions that arise from reading children's literature: why narrative appeals, how the storyteller tells her story, what keeps the reader turning the page, and how to recognize what is important for the narrative. Nesbit had a distinctive narrative style which created a bond with her readers. This study utilized narratology to understand that narrative style.
The study found that Nesbit spent much of her writing career in finding a voice by which to address the new child reader (Hunt 2001, 461). The strong emphasis she placed on the partnership of narrator and narratee made the child's interests rather than the adult's the real concern in her stories (Wall 1991, 149). This was borne out by the findings of the content analysis.
The variables, drawn from narratology, that were used in the content analysis were: mediated narrator; focalization; emotional distance; and tone. The results reflect what may be concluded from a critical analysis of her eight children's fantasy novels: Nesbit used the mediated narrator technique frequently to engage her narratee in her stories; focalization was on the child character; there was no emotional distance between the narrator and the narratee; and the tone in her early and late novels was humorous while the House of Arden books were more serious.
Emotional distance was not used for these analyses or any further analyses because it was found that the author was never emotionally distant from the child. Crosstabulations were conducted between the categorical variables across the eight books to reveal any significant relationships.
The mediated narrator, which engaged the narratee in direct dialogue, stepping out of the story for conversation, occurred 12.4%, in total, for all eight books. This engagement of the narratee is characteristic of Nesbit, as it established a conversation with the implied child reader. Focalization, in which the narrative was told from the children's point of view or was focused on the children, occurred 91%, in total, for all eight books. There was no emotional distance established in any of the books between the narrator and the narratee. She always saw matters from the point of view of the child; there was never any distance between them. Finally, the tone was humorous 89.3% in the eight books; the later books were more serious. In the Arden books and in scenes in The Story of the Amulet, Nesbit addressed her social concerns to varying degrees.
She shaped her narratives to create the illusion of speaking to the narratee directly by constantly taking the narratee into her confidence by sharing information and insights into the characters and actions in the book (Wall 1991)
Bayesian models for tourism demand forecasting
No full textAuthor name used in this publication: Kevin K. F. WongAuthor name used in this publication: Kaye S. Chon2005-2006 > Academic research: refereed > Publication in refereed journalAccepted ManuscriptPublishedGreen (AAM
Quantitative analysis of a closed photoacoustic cell that uses a high compliance piezoelectric transducer
No full textA treatment of the operation of low-frequency closed photoacoustic cells is
presented, which considers the compliance of various cell elements. The optimum
detector, according to our predictions, has a sensor whose compliance is large
compared to that of the fluid enclosed by the cell. A simple photoacoustic cell
has been built, incorporating a thin-walled piezoelectric cylinder. It was used
to test the theory, and demonstrate photoacoustic detection of an absorber in
aqueous solution, excited by a low power 678nm laser diode modulated at 110Hz.
We have detected absorbances as low as approximately 3ï ´10 -3 cm -1 (SNR=1),
corresponding to the absorption of light with a modulated power of 50ï Â
J Environ Health
No full textAs part of our continuing effort to highlight innovative approaches to improving the health and environment of communities, the Journal is pleased to publish a bimonthly column from the Agency for Toxic Substances and Disease Registry (ATSDR). ATSDR is a federal public health agency of the U.S. Department of Health and Human Services (HHS) and shares a common office of the Director with the National Center for Environmental Health (NCEH) at the Centers for Disease Control and Prevention (CDC). ATSDR serves the public by using the best science, taking responsive public health actions, and providing trusted health information to prevent harmful exposures and diseases related to toxic substances. The purpose of this column is to inform readers of ATSDR's activities and initiatives to better understand the relationship between exposure to hazardous substances in the environment and their impact on human health and how to protect public health. We believe that the column will provide a valuable resource to our readership by helping to make known the considerable resources and expertise that ATSDR has available to assist communities, states, and others to assure good environmental health practice for all is served. The conclusions of this column are those of the author(s) and do not necessarily represent the views of ATSDR, CDC, or HHS. Kevin Horton is chief of the Environmental Health Surveillance Branch within the Division of Toxicology and Human Health Sciences at ATSDR. Wendy Kaye is a senior epidemiologist at McKing Consulting Corporation. Laurie Wagner is a research associate at McKing Consulting Corporation.CC999999/Intramural CDC HHS/United State
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