2,457 research outputs found
Hylophorbus amboinensis Mertens 1930
No full textHylophorbus amboinensis Mertens, 1930 Mertens, 1930. Zool. Meded. Leiden, 13: 145; fig. 1. Current name: Callulops fuscus (Peters, 1867) Holotype: RMNH 5315, 1 ɗ. Loc.: “ Ambon, Molukken ” [Indonesia]. Leg.: F. Kopstein.Published as part of Miracle, Eulàlia Gassó, Van, Lars W., Ostende, Den Hoek & Arntzen, Jan Willem, 2007, Type specimens of amphibians in the National Museum of Natural History, Leiden, The Netherlands, pp. 25-68 in Zootaxa 1482 on page 46, DOI: 10.5281/zenodo.17689
Quantitative data analysis: a companion for accounting and information systems research
No full textThis book offers postgraduate and early career researchers in accounting and information systems a guide to choosing, executing and reporting appropriate data analysis methods to answer their research questions. It provides readers with a basic understanding of the steps that each method involves, and of the facets of the analysis that require special attention. Rather than presenting an exhaustive overview of the methods or explaining them in detail, the book serves as a starting point for developing data analysis skills: it provides hands-on guidelines for conducting the most common analyses and reporting results, and includes pointers to more extensive resources. Comprehensive yet succinct, the book is brief and written in a language that everyone can understand - from students to those employed by organizations wanting to study the context in which they work. It also serves as a refresher for researchers who have learned data analysis techniques previously but who need a reminder for the specific study they are involved in
[correspondence] Brief van François Henry Mertens aan Jan Frans Willems.
No full textAntwerpen, 22/02/1846Bols, Jan. Brieven aan Jan-Frans Willems (1909). Briefnummer: 553Bijzondere collectie
[[alternative]]The Dedekind-mertens number and the Polarized Dedekind-mertens number
No full text[[abstract]]We study content ideals of polynomials and their behavior under multiplication. In [HH2] and [CHH], they give a sharpening of the Dedekind-Mertens Lemma relating the contents of two polynomials to the content of their product. Therefore, we study the Dedekind-Mertens number, the Polarized Dedekind-Mertens number and give some examples about them.
Riprap stability for deep water, shallow water and steep foreshores
No full textIn the Rock Manual [2007] two sets of equations for the determination of rock stability in breakwaters armour layers are presented. One set is the original formula presented by Van der Meer [1988], valid for deep water conditions. This set uses the parameters Hs and Tm. The other set is an adaptation of these formulae, using the parameters H2% and Tm-1,0, and is recommended for shallow water conditions. Tests by Van Gent et al. [2003] have lead to a calibration coefficient slightly different than the original Van der Meer values. Recently the second author [Mertens, 2007] has reanalysed the datasets of Van der Meer and Van Gent, corrected some of the numbers, and explained a part of the differences. This paper tried to unify both sets of formulae and come to one single equation.Hydraulic EngineeringCivil Engineering and Geoscience
Kopstukken van de Vlaamse Beweging. Biografische studies onder leiding van Prof. dr. L. Wils : Beyers-Bell (J.), Jan van Rijswijck ; Luyckx (D.), Adolf Pauwels ; Mertens (J.), Louis Franck
No full textBuning L. Kopstukken van de Vlaamse Beweging. Biografische studies onder leiding van Prof. dr. L. Wils : Beyers-Bell (J.), Jan van Rijswijck ; Luyckx (D.), Adolf Pauwels ; Mertens (J.), Louis Franck. In: Revue belge de philologie et d'histoire, tome 58, fasc. 2, 1980. Histoire (depuis l'Antiquité) - Geschiedenis (sedert de Oudheid) pp. 543-545
Archéologie 1959, 2
No full textDe Laet Sigfried Jan, Faider-Feytmans Germaine, Mertens Joseph, Roosens Héli, Devliegher Luc, Milliau Edmon, Claes Pierre. Archéologie 1959, 2. In: L'antiquité classique, Tome 28, fasc. 2, 1959. pp. 296-330
Don't You Think It's a Bit...
No full text‘Don’t You Think It’s a Bit’ is an electroacoustic composition with voices that responds to the artist's project Tiepido Cool, by Davide D'Elia. Tiepido Cool puts forward a notion of a human algorithm, and 'Don't You Think It's a Bit' explores this notion sonically. The piece has two layers. There is a fourteen-minute evolving soundscape produced by sound artist Jan Mertens, in conversation with me. This part draws on electronic sounds, orchestral sample libraries and a range of percussive noises. The sounds are arranged on a spectrum from warm to cool, using some common visual metaphors as organising principles (the idea that lower frequencies are ‘warmer’, for example, and that electronic sounds are ‘cooler’). The second layer of ‘Don’t You Think It’s a Bit’ emerges at the mid-point of the piece. Twenty different voices speak forty-five different words. These words are the product of the workshop held at the University of St Andrews in February 2023. As the participants entered the workshop, Jan and I recorded each of their voices and used the recordings to place them on a warm-cool spectrum, again, using our own subjective judgment. At the end of the workshop, I organised the participants into a warm-cool chorus and orchestrated a complex, live vocal gradient. These voices punctuate the soundscape in the finished piece in a kind of mesmerising chant
Van_Dessel_onlineappendix – Supplemental material for Mere Exposure Effects on Implicit Stimulus Evaluation: The Moderating Role of Evaluation Task, Number of Stimulus Presentations, and Memory for Presentation Frequency
No full textSupplemental material, Van_Dessel_onlineappendix for Mere Exposure Effects on Implicit Stimulus Evaluation: The Moderating Role of Evaluation Task, Number of Stimulus Presentations, and Memory for Presentation Frequency by Pieter Van Dessel, Gaëtan Mertens, Colin Tucker Smith and Jan De Houwer in Personality and Social Psychology Bulletin</p
Don't You Think It's a Bit...
No full text‘Don’t You Think It’s a Bit’ is an electroacoustic composition with voices that responds to the artist's project Tiepido Cool, by Davide D'Elia. Tiepido Cool puts forward a notion of a human algorithm, and 'Don't You Think It's a Bit' explores this notion sonically. The piece has two layers. There is a fourteen-minute evolving soundscape produced by sound artist Jan Mertens, in conversation with me. This part draws on electronic sounds, orchestral sample libraries and a range of percussive noises. The sounds are arranged on a spectrum from warm to cool, using some common visual metaphors as organising principles (the idea that lower frequencies are ‘warmer’, for example, and that electronic sounds are ‘cooler’). The second layer of ‘Don’t You Think It’s a Bit’ emerges at the mid-point of the piece. Twenty different voices speak forty-five different words. These words are the product of the workshop held at the University of St Andrews in February 2023. As the participants entered the workshop, Jan and I recorded each of their voices and used the recordings to place them on a warm-cool spectrum, again, using our own subjective judgment. At the end of the workshop, I organised the participants into a warm-cool chorus and orchestrated a complex, live vocal gradient. These voices punctuate the soundscape in the finished piece in a kind of mesmerising chant
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