14,242 research outputs found
Professor James Cameron: introduction by a late-coming beneficiary
No full textMark Elliot’s introduction to this selection of papers from the symposium presents a sketch of James Cameron’s contribution to scholarship as encountered through some of his notable writings. The result is a fascinating tour of Scottish church history in the Reformation era, taking in many of the texts, ideas and personalities that helped shape a church and a nation.Publisher PD
Adelaide de la Thoreza, a chequered career / by James Cameron.
No full textFerguson, J.A. Australia, 7842; Electronic reproduction. Canberra, A.C.T. : National Library of Australia, 2011
Titanic: James Cameron's illustrated screenplay
No full textAnnotated screenplay including comments by director James Cameron, alterations and cuts in the script, photographs and stills from the production. Also includes complete list of cast and crew and interview with James Camero
Cameron, James Stuart, Aus408150
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/375545Surname: CAMERON
Given Name(s) or Initials: JAMES STUART
Military Service Number or Last Known Location: AUS408150
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 38295188246
Item: [2016.0049.07853] "Cameron, James Stuart, Aus408150
Letter from William E. Cameron to James Stooke (September 10, 1999)
No full textThis is a letter from William E. Cameron to James G. Stooke written on September 10, 1999. The letter is in regards to the retirement of James G. Stooke.For more information on James Garland Stooke, see: https://springfield.as.atlas-sys.com/agents/people/87
A call for continuity: the theological contribution of James Orr
No full textJames Orr (1844-1913) was a Scottish theologian, apologist
and polemicist. He was the leading United Presbyterian theologian
at the time of the United Free Church of Scotland union of 1900, and
beyond his own church and nation he came to exercise a significant
influence in North America. This study is an examination of Orris
theological contribution, what he believed and how he expressed it,
in its historical setting Particular attention is paid to the
convictions which undergirded and gave impetus to his activities.
The study reveals that while Orr was far from unaffected by
the intellectual movements of the late-Victorian period, his contribution
may best be described as a call for continuity with the central tenets
of evangelical orthodoxy. He was one of the earliest and principal
British critics of the Ritschlian theology, and a strong opponent
of rationalistic biblical criticism. He emphatically rejected all
evolutionary interpretations of man's moral history, and held firmly
to orthodox Christological formulations in the face of alternative
assessments of the historical Jesus.
While factors of temperament affected the tenor of his work,
his contribution was most decisively shaped by the convictions that
evangelical orthodoxy is ultimately self-authenticating, that truth
comprises a unity or interconnected whole, that genuine Christian
belief implies a two-story supernaturalist cosmology, and that the
rationalism of the times was a temporary malaise.
A general lack of support for his views within the scholarly
community, combined with his own deep-seated populist instincts and
common sense convictions, led Orr in later years to direct his
appeals primarily toward the Christian public. The conclusion reached
is that Orr deserves to be recognized, not so much as a brilliant or
particularly original thinker, but as an able and exceptionally
vigorous participant in a period of dramatic theological challenge
and change
Avatar, James Cameron
No full textPandora : nouvelles frontières C’est après une maturation de plus de dix ans faisant suite au succès colossal de Titanic (1997), que James Cameron revient, cette fois, en prophète pionnier. Autant sa mise en image du plus célèbre naufrage de l’humanité annonçait la fin d’un monde, d’un certain cinéma aussi, autant Avatar se veut une œuvre de défrichement dans l’univers de possibles ouvert par le progrès technologique. Son titre l’indique : Cameron réinterroge, à l’aune d’une ère technologique..
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