186 research outputs found

    Jaffa, Prager & Co. Building 1887

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    Facade of a Jaffa, Prager & Co. store. In front sit eight men: (l to r) George H. Haggley, Sidney Prager, H.S. Prager, Nathan Jaffa, Horace Clarkson, Dr. Sutherland, Pat Garrett, and F.P. Gayle

    Jaffa, Prager & Co Store 1886

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    Facade of a Jaffa, Prager & Co. store in 1886. Horses are hitched outside. The store advertises harnesses and saddlery

    Citizen piece on the Harvey Prager controversy. The author, Susan Clark Abbot

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    Citizen piece on the Harvey Prager controversy. The author, Susan Clark Abbott, is executive director of the Hospice of Maine in Portland, and takes exception with the judicial system and the media for implying that caring for the terminally ill is similar to a prison sentence

    Vreugde in naoorlogse winkelstraten. Een vergelijking van de Lijnbaan met de Prager Straße

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    Een vergelijking van de Lijnbaan te Rotterdam met de Prager Straße te Dresden op basis van ontstaansgeschiedenis, ontwerpuitgangspunten, stedenbouwkundige opbouw, ontvangst door de buitenwereld en toekomstperspectief, besloten met een conclusie.History ThesisHistoryArchitectur

    Author and Commentator Dennis Prager to Present UD\u27s Second Annual Gutmann Lecture

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    News release announces that Dennis Prager will present A Jewish View of the Arab-Israeli Conflict at the University of Dayton

    A note on the calculation of consistent tangent operators for Von Mises and Drucker-Prager plasticity

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    A comparison is made of implementations of consistent tangent operators that arise in implicit integration of Von Mises and Drucker-Prager yield criteria. When computing the consistent tangent operator a matrix inversion has to be performed at integration point level. The consequences of different formulations of the consistent tangent operator on the numerical accuracy are assessed

    Berthold Viertel

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    The author and director Berthold Viertel (1885-1953), born and raised in Vienna, left a broad but fragmented autobiographical project, which changed a lot over time through exile and remigration. Katharina Prager analyses Viertels autobiographical practice and his re- and deconstructions of collective memory of a "different" Vienna around the year 1900, a counter image of the idealistic presentations by his friend Stefan Zweig. She connects his memories of "critical modernness" with studies about the Wiener Moderne in relation to 15 biographical spaces of memory. Berthold Viertel is shown as a prominent actor and networking expert in the cultural scene of Vienna, and as a typical representative of a critical avant-garde, whose lines of tradition he tried to preserve by his writing

    George Grebenshchikov heritage in the review by Heinrich Block in "Prager Presse”, January 16, 1925

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    В данной статье приведён краткий обзор газетной рецепции творчества писателя-эмигранта Г.Д. Гребенщикова в 20-х гг. XX в. Особое внимание уделено заметке, опубликованной в пражской немецкоязычной газете «Prager Presse» 16 января 1925 г. Автором заметки являлся постоянный корреспондент издания Генрих Блок, специализировавшийся на русской и румынской литературе. В заметке дается краткая характеристика творчества Гребенщикова, а также приводится краткая рецензия на его романы «Чураевы» и «Былина о Микуле Буяновиче». This article provides a brief overview of the newspaper reception of the work of emigrant writer George Grebenshchikov in the 20s. of 20th century. Particular attention is paid to the article published in the Prague Germanlanguage newspaper “Prager Presse” on January 16, 1925. The author of the article was the regular correspondent Heinrich Block, who specialized in Russian and Romanian literature. The note provides a brief description of Grebenshchikov’s work, as well as a brief review of his novels “The Churaevs” and “The Turbulent Giant”

    Publication : Discordia concors. Kulturelle Differenzerfahrung und ästhetische Einheitsbildung in der Prager Kunst um 1600.

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    REITZ Evelyn, Discordia concors. Kulturelle Differenzerfahrung und ästhetische Einheitsbildung in der Prager Kunst um 1600, Berlin, De Gruyter, octobre 2015, 634 p. Présentation de l'éditeur : By 1600, Rudolf II’s court artists in Prague had moved beyond regional and conceptual boundaries to develop a polyphonic, cosmopolitan visual language. By tracing the journeys of a core group of Dutch artists, the author discovered previously unknown facets of this stylistic evolution shaped by the expe..
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