158,457 research outputs found
Jacob Viner’s Reminiscences from the New Deal (February 11, 1953)
This paper presents and reproduces an unpublished oral history interview given by Jacob Viner in 1953. The interview released by Viner for the Columbia Oral History Project gives us a valuable opportunity to throw light on his advisory activity during the New Deal Era. In our introduction we attempt to make a critical appraisal of Viner's reminiscences and to state the contribution they can provide to our general knowledge of the period. In addition, we also attempt to find out some biographical and interpretative elements useful to understand Viner’s own vision and his contribution to important economic policy processes during the New Deal.
Le roman chez Max Jacob, une histoire de l’art
Rodriguez Antonio. Le roman chez Max Jacob, une histoire de l’art. In: Les Cahiers Max Jacob, N°21-22, 2021. Max Jacob et la Bretagne. pp. 13-27
The presence and absence of god in the Jacob narrative
This thesis explores the theological complexity of the Jacob narrative. In particular this is centred upon the paradox of divine presence and absence, and the contrast of the human and the divine. In the first part, an investigation is made of three key episodes which contain an encounter with the divine: the opening oracle (25:19ff), Bethel (28:10-22) and Peniel (32:23-33). It is concluded that the first passage is constructed as an introduction, making explicit the theme of the presence of God in the Jacob story, but also introducing the human side of the paradox. Bethel and Peniel are based on older pre-Yahwistic traditions, now shaped and incorporated into the story of Jacob to throw a theological perspective over the wider plot. The second part consists of a reading of the wider Jacob story, with particular attention to the theme of divine presence and absence and the interaction of the human and the divine. It is argued that even the most human of stories betray a theological interest and contribute to the overall paradox, but also that there are several indications of the presence of God. In the conclusion, it is noted that behind the present unity of the Jacob story there is evidence of earlier traditions, a growing together of material, and supplements offering new perspectives. It is also concluded that a close reading of the final text and a historical-critical appreciation need not be mutually exclusive, and that a cautious use of critical insights has thrown light upon the final form. Finally, it is argued that the theme of the presence and absence of God offers a way of reading the Jacob story in a theological way, that does most justice to its historical depth, final form, and canonical status
Portraits de Max Jacob
Jacob Max. Portraits de Max Jacob. In: Centre de recherches Max Jacob, N°6, 1984. p. 15
Edmond Jacob, L'Ancien Testament. Coll. « Que sais-je ? », n° 1.280. Paris, P.U.F., 1967
Jacob Edmond. Edmond Jacob, L'Ancien Testament. Coll. « Que sais-je ? », n° 1.280. Paris, P.U.F., 1967. In: Revue d'histoire et de philosophie religieuses, 47e année n°4,1967. p. 415
Jacob Neusner's Work, and Walter J. Ong's Thought
See the abstract above.In my 5,000-word review essay, I discuss Aaron W. Hughes' book Jacob Neusner: An American Jewish Iconoclast (NYU Press, 2016) in connection with the thought of Walter J. Ong, Abraham Joshua Heschel, Mircea Eliade, and Pope Benedict XVI, among others.N/AFarrell, Thomas J. (2019). Jacob Neusner's Work, and Walter J. Ong's Thought. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/202771
Portrait de Max Jacob par lui-même
Jacob Max. Portrait de Max Jacob par lui-même. In: Les Cahiers Max Jacob, N°1, 1951. Histoire du Roi Kaboul Ier et du Marmiton Gauwain. p. 7
Dessin de Max Jacob. — Plage à Bénodet (Dessin) 1928
Jacob Max. Dessin de Max Jacob. — Plage à Bénodet (Dessin) 1928. In: Les Cahiers Max Jacob, N°5, 1960. Max Jacob et la Bretagne. p. 7
Jacob Hamblin
Typed transcripts of correspondence by Jacob Hamblin, W. F. N. Arny, and others concerning the Mormon settlers of northern Arizona and their relationship with the Navajo Indians in the 1870s. Includes letter recommending that Jacob Hamblin be appointed a special agent to the Indians
Dessin de Max Jacob. — Plage à Bénodet (Dessin) 1928
Jacob Max. Dessin de Max Jacob. — Plage à Bénodet (Dessin) 1928. In: Les Cahiers Max Jacob, N°5, 1960. Max Jacob et la Bretagne. p. 7
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