567 research outputs found
Social exclusion, infant behavior, social isolation, and maternal expectations independently predict maternal depressive symptoms
Social exclusion, infant behavior, social isolation, and maternal expectations independently predict maternal depressive symptoms John E. D. Eastwood, Bin Jalaludin, Lynn Kemp, Hai Phung, Bryanne A. M. Barnett & Jacinta Tobin
Brain and Behavior 2013; 3(1): 14–23
On page 15, we made the following material error: “n = 2199” should be “n = 21,991.” We regret this error. It has no consequences for the reported analyses and conclusions.
The original article can be accessed via http://handle.westernsydney.edu.au:8081/1959.7/uws:4441
Shadows of the East; or slight sketches of Scenery, Persons, and cusoms, from observations during a tour in 1853 and 1854 in Egypt, Palestine, Syria, Turkey and Greece. By Catherine Tobin with maps and illustrations. London Longman, Brown, Green, and Lo
Preface: by the authorDedication: by the author to James Lord Bishop of CorkIllustration: 20 (Maps ,Views ,varia ,)Pagination: PP12+256P+16PPVolumes: 1Text Genre:JournalEpilogue: as conclusionIllustration: 20 (χάρτες ,τοπία ,άλλα θέματα ,
Walking contemporary Indigenous songlines as public pedagogies of country
The singing and dancing of Darug peoples once echoed throughout the Hawkesbury Nepean riverlands in ceremony. A long and challenging walk through bushland along the Nepean River, from Emu Green to Yarramundi on the Hawkesbury River, invites the walker to meditate on the presences and absences of these river places. Yarramundi is an important site for Darug people today, as it holds the history and cultural memories of singing the rivers in song and ceremony. Walking contemporary Indigenous songlines asks how we can come to know the river through walking the contemporary songlines of Darug songwriters and artists that sing the country of the riverlands today, and what is produced when this is enacted as public pedagogy. The paper explores a process of walking the Nepean River Trail, from my home at Emu Green to the Shaws Creek and Yellomundee Aboriginal cultural trails. The walk is reproduced as public pedagogy with collaborators Leanne and Jacinta Tobin, who have deep family connections to Yarramundi: connections that were temporarily lost through their early lives, and recreated through art, language and music practices in contemporary creations of ancestral songlines and connections. The public pedagogy performance was enacted at the Circular Quay International Passenger Terminal in a presentation of three songs, 73 artworks, and a short explanatory talk to an audience of 700 members of the Australian Institute of Landscape Architects. This paper asks: What does this public pedagogy produce? What does it mean to enact it at this historic site of colonial invasion and contemporary arrival of both temporary and permanent immigrants to this landscape
Walking Contemporary Indigenous Songlines as Public Pedagogies of Country
The singing and dancing of Darug peoples once echoed throughout the Hawkesbury Nepean riverlands in ceremony. A long and challenging walk through bushland along the Nepean River, from Emu Green to Yarramundi on the Hawkesbury River, invites the walker to meditate on the presences and absences of these river places. Yarramundi is an important site for Darug people today, as it holds the history and cultural memories of singing the rivers in song and ceremony. Walking contemporary Indigenous songlines asks how we can come to know the river through walking the contemporary songlines of Darug songwriters and artists that sing the country of the riverlands today, and what is produced when this is enacted as public pedagogy. The paper explores a process of walking the Nepean River Trail, from my home at Emu Green to the Shaws Creek and Yellomundee Aboriginal cultural trails. The walk is reproduced as public pedagogy with collaborators Leanne and Jacinta Tobin, who have deep family connections to Yarramundi: connections that were temporarily lost through their early lives, and recreated through art, language and music practices in contemporary creations of ancestral songlines and connections. The public pedagogy performance was enacted at the Circular Quay International Passenger Terminal in a presentation of three songs, 73 artworks, and a short explanatory talk to an audience of 700members of the Australian Institute of Landscape Architects. This paper asks: What does this public pedagogy produce? What does it mean to enact it at this historic site of colonial invasion and contemporary arrival of both temporary and permanent immigrants to this landscape
Australian First Nations Sand Map
The Australian First Nations Sand Map project recognises the long and continuous connection of First Nations to the Burramatta Darug lands. It marks the former Kamballa and Taldree Children’s Shelter at Parramatta Girls Home as a Keeping Place for Stolen Generations. Created by PFFP Memory Project for the public event ‘Long Time Coming Home’ on 27 May 2017, this participatory artwork celebrates the return of Darug people to this significant Burramatta women’s meeting place through community and creativity. Mt Druitt Children’s Choir and Jacinta and Leanne Tobin composed the Darug language songs performed on the day and featured in this film, music developed in collaboration with Aboriginal communities and former residents of Parramatta Girls Home remembering the Stolen Generation and Indigenous Forgotten Australians
Administrative Files - Conferences and Events - Visual Culture and Archives Symposium - April 04, 2013 - Part 19 - Introduction, "From Film to Screen: Images, Editing, and Archives"
Jim Tobin (Author, Historian, and Associate Professor of Journalism at Miami University of Ohio) introduces Jay Cassidy and his presentation "From Film to Screen: Images, Editing, and Archives"http://deepblue.lib.umich.edu/bitstream/2027.42/97396/1/040413_19_Tobin.mp
Margaret Breen giving a talk on Edward Irenaeus Prime-Stevenson
Photo of Margaret Breen (University of Connecticut) discussing author Edward Irenaeus Prime-Stevenson. Breen gave a talk titled “Queer Translations: Prime-Stevenson’s Imre (1906) and The Intersexes (1908) and the Emergence of Homosexual Identity”. This talk was from the event German Discovery of Sex: Medicine, Activism, Literature which took place on April 16, 2011 as part of the Henry J. Leir Chair Programming for the 2010-2011 season. Robert Tobin was the Henry J. Leir Chair from 2008 up until his passing in 2022.
These are Robert Tobin\u27s photos, originally hosted on his WordPress site provided by Clark University.https://commons.clarku.edu/tobindiscphotos/1009/thumbnail.jp
Sophie Freud
Sophie Freud (granddaughter of Sigmund and noted professor, psychiatric social worker, and author) in the audience (bottom left) at the symposium Global Freud . This event, which celebrated the centennial of Sigmund Freud\u27s visit to Clark University by discussing his reception around the world, took place on November 21, 2009 as part of the Henry J. Leir Chair Programming for the 2009-2010 season. Robert Tobin was the Henry J. Leir Chair from 2008 up until his passing in 2022.
These are Robert Tobin\u27s photos, originally hosted on his WordPress site provided by Clark University.https://commons.clarku.edu/tobinglobalphotos/1003/thumbnail.jp
The Tobin site - 36Cw27: an archaic manifestation in northwest Pennsylvania
Author presents the results of arhaeological excavations of the Tobin Site and concludes that this site represents a summer camp
of a small band or extended family group of the Brewerton
or closely related culture of the Late Archaic period. Illustrations and maps are included
The tobin tax: A review of the evidence
Abstract: The debate about the Tobin Tax, and other financial transaction taxes (FTT), gives rise to strong views both for and against. Unfortunately, little of this debate is based on the now considerable body of evidence about the impact of such taxes. This review attempts to synthesise what we know from the available theoretical and empirical literature about the impact of FTTs on volatility in financial markets. We also review the literature on how a Tobin Tax might be implemented, the amount of revenue that it might realistically produce, and the likely incidence of the tax. We conclude that, contrary to what is often assumed, a Tobin Tax is feasible and, if appropriately designed, could make a significant contribution to revenue without causing major distortions. However, it would be unlikely to reduce market volatility and could even increase it. JEL Classification: G15, G18, H22, H27 Key Words: Tobin tax, financial transaction taxes, volatility, revenue, incidence, feasibility The corresponding author. We are grateful for the participants of a Centre for the Study of Financial Innovation workshop for useful comments and suggestions. Stacey Townsend has provided excellent administrative support. We gratefully acknowledge financial support from DFID for the research undertaken in this paper
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