1,804,743 research outputs found
Oral history interview with JJ Pionke
Get PDFLibrarian JJ Pionke talks about working libraries, teaching a library accessibility class, and writing about and advocating for people with disabilities in libraries
In Conversation : JJ Chan & Yuen Fong Ling
No full textJJ Chan and Yuen Fong Ling reflect on their practices and what it means to struggle against racist structures as artists. Hosted by Bloc Projects, this conversation between JJ Chan and Yuen Fong Ling took place during a week-long public programme called ‘What do we know (anyway)?’.
In March 2020, JJ wrote an open letter to the Centre for Chinese Contemporary Art (CFCCA) that outlines their experiences working with the institution. Having sensitively invited the centre to respond to the systemic racism they encountered there, CFCCA convened the Artist Working Group (AWG). Yuen was part of AWG, whose task was to help the institution 'revision' itself. The centre, however, withdrew after a number of months, citing their own ‘white fragility' as the reason. The seven artists have issued a full report of their work with CFCCA and are leading a petition to ‘defund’ the institution on the grounds that it is ‘not fit for purpose’. As these recent events reverberate in the air, JJ Chan and Yuen Fong Ling spoke to each other about the difficulties of making work, the problem of 'diversity' tick boxing and strategies to challenge bad institutional practices. Reflecting on the performance, facilitation and soft activism that underscore the work and lives of both artists, they asked: who are the main actors in the stories that shape our lives and our societies, and who has been omitted and forgotten? Does our artistic labour play a part in the selective imagining of wider society because of the ways in which it is presented or curated? How, then, do our practices have agency in the current moment
Supplementary Data from (+)-JJ-74–138 is a Novel Noncompetitive Androgen Receptor Antagonist
No full textSupplementary Data from (+)-JJ-74–138 is a Novel Noncompetitive Androgen Receptor Antagonis
Supplementary Figure from (+)-JJ-74–138 is a Novel Noncompetitive Androgen Receptor Antagonist
No full textSupplementary Figure from (+)-JJ-74–138 is a Novel Noncompetitive Androgen Receptor Antagonis
The Stars Below w/ JJ Chan
No full textTHE STARS BELOW hosted by Anne Duffau (A- - -Z) this week interviews the artist: JJ Chan. They work across sculpture, moving image, and writing, and draw from lived experience and stories stolen from eavesdropped conversations, to explore the edges of realities in constructing identity. Through storytelling and world-building, they (re)search for an alternative space beyond aggressively progressive capitalist time, seeking new worlds from the ashes of the present. /// Soundscapes from new or unreleased tracks by international young/upcoming musicians in electronic music as well as short interviews with artists, curators, writers – themes explored will be around the thinking at other option, possibilities in this uncertain world – expanding onto the current and urgent need for a positive and speculative future with another time frame to deconstruct imperialist history
Plasma bilirubin and cerebellar weight in jj and Jj Gunn rats.
No full text<p>The values are expressed as mean ± SD of 12–20 animals for each age and genotype. Round filled dots: jj animals; empty triangles: Jj controls. <u>Panel A:</u> total plasma bilirubin (Tbil) amount in developing hyperbilirubinemic (jj) and control (Jj) Gunn rats. Tbil concentration differences between jj and age-matched Jj animals were all statistically significant (P≤0.005). Within each phenotype: **: p<0.005 vs. P60; § and §§ : p<0.05 and 0.005 respectively <i>vs.</i> next age group. <u>Panel B</u> shows the cerebellar growth expressed as g/animal. The level of significance is indicated by comparison with age-matched not jaundiced Jj animals.</p
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
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The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
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