35,500 research outputs found
Terry Underwood
No full textDate:1948Terry Underwood arrived in the Northern Territory in 1968 and with her new husband moved to a new home at Riveren. Home consisted of a caravan, a bough shed, camp stove and a tent as the master bedroom. Together they transformed Riveren into a thriving cattle station.
Over a span of 30 years she has been involved in many projects which have included: producer/director of plays, talent quests and documentaries, along with appearances on TV and radio. She is also a patron to the Australian Outback Tourism Association and Northern Territory Fashion Awards. In 2005 Underwood was awarded the Medal of the Order of Australia in the General Division in Queen's Birthday 2005 Honours List for "service to the community, particularly through business and in promotional and cattle industry roles". In her autobiography 'In the middle of nowhere' Underwood captures the essence of her life "Riveren has captured our bodies, hearts and spirits. It lies within the heart of Australia. How privileged we are to call it home. Riveren is where I belong. I know it would not have worked anywhere else with anyone else. In the middle of nowhere has become my everywhere." (Underwood, 1998: 276).
Source: In the middle of nowhere. Terry Underwood. Moorebank, NSW : Transworld, 1998.NurseAuthorPhotographerCattle Woma
Embroidery quilt by Stella Evangeline Baldori Terry
No full textImage of Embroidery quilt created in 1954 by Stella Evangeline Baldori Terry. Also includes questionnaires describing the quilt completed by Colleen A. Terry as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. My mother (Stella Terry) embroidered all the squares sometime before she died in 1954. when I was 21 yrs old (1974) my Aunt found the embroidered squares in her attic and gave them to me. I then piece and quilted it myself and finished it in 1986
Bradley-Terry models in R : the BradleyTerry2 package
No full textThis is a short overview of the R add-on package BradleyTerry2, which facilitates the specification and fitting of Bradley-Terry logit, probit or cauchit models to pair-comparison data. Included are the standard 'unstructured' Bradley-Terry model, structured versions in which the parameters are related through a linear predictor to explanatory variables, and the possibility of an order or 'home advantage' effect or other 'contest-specific' effects. Model fitting is either by maximum likelihood, by penalized quasi-likelihood (for models which involve a random effect), or by bias-reduced maximum likelihood in which the first-order asymptotic bias of parameter estimates is eliminated. Also provided are a simple and efficient approach to handling missing covariate data, and suitably-defined residuals for diagnostic checking of the linear predictor
B. J. Terry & Co. $1.00 (one dollar) private scrip
No full textThe private scrip was issued in Jefferson by B. J. Terry & Company. The note is printed on blue paper. A vignette of a train within a decorative oval design comprises the left border. The abbreviation ''NO.'' is printed in the upper-left corner; an illegible number is handwritten adjacent to it in red ink. The number ''1'' is printed within a decorative design in the upper-right corner; the plate designation ''A'' is printed to the left of it. The phrase ''ONE DOLLAR,'' appears across the face of the note. The place and date are printed towards the lower-left corner. An illegible signature appears in the lower-right corner.[illegible
Teacher and Author Terry Frith
No full textTerry Bryant Frith, a former Manatee County teacher, works in her office. Frith, a lifelong Bradenton resident, wrote a book called "Secrets Parents Should Know About Public Schools" which was published by Simon and Schuster
Harrison J. Terry, stage actor
No full textHarrison J. Terry, stage actorTo order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order NumberScanned at 600ppi with an Epson 20000 flatbed scanner. Image then rotated, cropped, level-adjusted, and sharpened using Photoshop CS3. Converted to a JPEG2000 image upon ingest into CONTENTdm
[Postcard from Terry Serna to John J. Herrera - July 16, 1962]
No full textPostcard to John J. Herrera from Terry Serna that reads: "Hi Johnny! Still in the convention mood. Having a ball before returning to the grind! Terry Serna." The front of the postcard has the image of of a waterfall with people in the foreground. The image is identified on the back of the postcard as "Cascada La Cola De Caballo, Horsetail Falls near Monterrey. Monterrey, N. L., Mexico
"Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry
No full textThis thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices.
Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial behaviour, extreme saving behaviour through precaution, and shrewd money management practices. Based on Terry‘s historical responses to twelve major economic, technological, or institutional forces of change for the period 1929-1955, the psychodynamic factors were found to provide accurate explanations for his studio practices and production decisions.
There was no evidence to support the conclusion that three early career disappointments undermined Terry‘s intrinsic motivation to create animated cartoons. Rather, Terry‘s lack of risk taking, external locus of control, tight studio production schedule, desire to compete with neighbour studio Fleischer, difficulty in separating financial rewards from creative processes in animation, and practice of undertaking surveillance measures on staff may have undermined his and his studio‘s creativity. Archival research found Terry to possess strong passions for and to have made significant creative contributions to the field of animation.
Biographical research found that Terry retained a stable nucleus of highly talented artists who dedicated a significant portion of their working careers to the studio. An analysis of the cel aesthetics of a random sample of animated cartoons produced during the years 1930-1955 found that Terry created animated cartoons with above average cel aesthetics when compared to the other studios thereby supporting an inference that Terry was motivated to producing quality crafted animation. Further research is suggested into the role psychodynamic factors and economic decision-making play in the film production process and a clarification of Terry‘s legacy to the field of animated cartoons
Terry Shlaes oral history transcript
No full textA transcript of an oral history of Terry Shlaes on working at Century High School and budget cuts
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