4,070 research outputs found
Normativity and Naturalism
No full textIt contains essays by A. Bilgrami, M. De Caro and A. Voltolini, J. McDowell, J. Dupré, P. Godfrey-Smith, E. Kelly, D. Macarthur, M. McGinn, H. Price, H. Putnam, R. Rorty, C. Rovane, B. Stroud, S. Whit
Macarthur-King, J G, NX117
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/400545Surname: MACARTHUR-KING. Given Name(s) or Initials: J G. Military Service Number or Last Known Location: NX117. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 8702.219074
Item: [2016.0049.32838] "Macarthur-King, J G, NX117
Cultures of Work, the Neoliberal Environment, and Music in Higher Education
No full textIn this precarious moment of the neoliberal university, we offer Cultures of Work, the Neoliberal Environment and Music in Higher Education as both critique and antidote to neoliberal ways of working. We consider the all-pervasiveness of the neoliberal machine as it invades our music spaces in higher education while exploring—although not necessarily overtly— how university music educators work around or subvert the negative impacts of neoliberalism on systems and individuals as they go about their work. We offer chapters that are born in passion and bring sheer joy. We offer chapters that are born in despair and bring a sense of hopelessness; unless, of course, that sense of hopelessness is countered by ideas for positive change.Sally Macarthur, Julja Szuster, and Paul Wat
Reconfiguring Gender, Sexuality, Music, and Higher Education
No full textAn abundance of research in music focused on composers who identify as women and/or lesbians has emerged since the 1980s, but the impacts of undertaking this work as a researcher has not been examined. The chapter thus asks whether working as a feminist and/or queer researcher has negative impacts, noting that in the 1990s Susan McClary claimed that undertaking such work would be tantamount to committing professional suicide. In her recently published work—which is corroborated by her own reflection piece for the present chapter—McClary goes further to reveal that she has also had to contend with violence, including rape and death threats. Is this a common story for researchers in this field? While the chapter’s intention is not to present a definitive answer, it nevertheless suggests that women like McClary who hold tenured academic music positions, and who are clever and outspoken, pose a threat to the musicological establishment and must be silenced. Five female academics—Susan McClary, Elizabeth Wood, Judith Lochhead, Jennifer Shaw, and Gillian Rodger—chosen because they represent two countries (the US and Australia), thereby giving a glimpse into a geographical exchange, as well as generational and work status differences, were asked to write short reflection pieces about their experiences. How do they negotiate a field that is/has been hostile? Is it easier to work in feminist and queer musicology in the present day than it was in the 1990s? Drawing on new materialist philosophy, especially that of physicist, Karen Barad, the author (Macarthur) carries out a series of diffractive readings of the contributors’ reflections. In a Baradian sense, diffraction is to do with the behaviour of light and sound waves, the idea that when waves overlap or encounter obstructions, they form patterns of difference. If we transpose this idea to feminist and queer musicology, patterns of difference emerge that counter the usual positive versus negative binary constructions.Sally Macarthur, with Susan McClary, Elizabeth Wood, Judith Lochhead, Jennifer Shaw, and Gillian Rodge
UA Little Rock Seminar in Public History (HIST 7391) files on MacArthur Park, 2012
No full textThis collection contains the project report, interview transcripts, and audio discs from the University of Arkansas at Little Rock's Seminar in Public History's 2012 project, "Guns to Green Space: The History of MacArthur Park," directed by Deborah J. Baldwin, Ph.D., which includes a history of MacArthur Park and interviews with former Little Rock City Council members, individuals who lived in the surrounding neighborhood, former director of the Little Rock City Parks and Recreation Department, former Secretary of State, and others.; Project staff: Jennifer Boykin-Knight, Danny Groshong, Jessica Hulbert, Angela Kubaiko, Kaye Lundgren, Jennifer Pierce, Andrea Ringer, Kimberly Wessels, Amanda Whitley, and Allison Yocum-Hiblong.UA Little Rock Seminar in Public History (HIST 7391) files on MacArthur Park, 201
Portrait of girl in off shoulder taffeta dress [picture]
No full textCondition: good; Enclosed paper wrapping: "J. Macarthur Collection Presented 20/7/66. Daguerreotypes invented 1837 (pub. 1839). Mercury on silver plate (subjects & origen [ie. origin] unknown). Period about 1840-1855. Succeded [ie succeeded] by Scott Archer 1845. Collodion proces [ie process].; Part of the J. Macarthur collection of early photography; ""Daguerreotype, quater plate,cased, possibly Australian, ca. 1850" -- note on file by Alan Davies, New South Wales State Library.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an11580595-5
Little Rock, MacArthur birthplace
No full textEtching of building, monument in front. Separated from MC 799, Florence Cypert Spore Papers. (On recto: MacArthur Birthplace. Little Rock, Ark. J. Carl Hancock.) 1. MacArthur, Douglas, birthplace
Portrait of G.W. Glanville, born 6 Mar 1836, taken 23 Aug 1856 [picture]
No full textCondition: good.; "Ambrotype, ninth plate, possibly English" - Note on file by Alan Davies, New South Wales State Library.; Part of J. Macarthur collection of early photography.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an11580595-3
Portrait of a mother and father with three children [picture].
No full textPart of the collection: J. Macarthur collection of early photography.; Title from accession record.; Condition: Good.; The photograph is a handcoloured photographic paper print, probably albumen, stretched over a metal base, coated with varnish and backed by a metal stand.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an24652783. Posed portrait in a rustic setting of a family group including a young boy holding a cricket bat
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