1,724,135 research outputs found
[Harvey J. Bailey Mug Shot]
No full textMug shot of Harvey J. Bailey wearing glasses and a white dress shirt and tie
[Harvey J. Bailey Vital Statistics Index Card]
No full textIndex card for Harvey J. Bailey with his vital information; residence, physical description and occupation
[FBI Criminal Record for Harvey J. Bailey]
No full textIndex card for Harvey J. Bailey with his vital information; residence, physical description and occupation
[Harvey J. Bailey Full Body Photograph]
No full textFull body photograph of Harvey J. Bailey wearing a white dress-shirt, black pants and a striped tie
Peter J. Bailey. — Reading Stanley Elkin
No full textChénetier Marc. Peter J. Bailey. — Reading Stanley Elkin. In: Revue Française d'Etudes Américaines, N°31, février 1987. Histoire et fiction. p. 129
Peter J. Bailey. — Reading Stanley Elkin
No full textChénetier Marc. Peter J. Bailey. — Reading Stanley Elkin. In: Revue Française d'Etudes Américaines, N°31, février 1987. Histoire et fiction. p. 129
[Harvey J. Bailey FBI Criminal Record]
No full textFBI Criminal Record for Harvey J. Bailey. It dates from his first arrest in 1920 to his last wanted notice in 193
Sharing the Desire to Open U.S. Literary Culture to Outside Perspectives : An Interview With Geoffrey Brock, Anna Vilner, and J. Bailey Hutchinson, Editors of The Arkansas International
Full text linkThe Arkansas International is a vibrant space, evident in the recent publications of Anneli Furmark’s comic “Horses” (translated by Hanna Strömberg) and Ladee Hubbard’s essay “Mafolie Hill,” which describes the author\u27s time in the Virgin Islands. The journal, published by students of the University of Arkansas Program in Creative Writing and Translation with Geoffrey Brock as editor-in-chief, seeks to place “US writing in conversation with writing from around the world.” The editors seek more creative nonfiction in translation from underrepresented countries as well as writing in English from underrepresented voices. The enthusiasm of its staff is evident as they describe their process in the following interview conducted via email with Geoffrey Brock, nonfiction editor Anna Vilner, and poetry editor J. Bailey Hutchinson
Never let the Good despair, while the cherub Hope is near [first line]
No full textstrophicpiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
114, Item 046Written by George Saville Carey, and Harmoniz'd by J. Bailey, Organist of the Cathedral, Chester
Never let the Good despair, while the cherub Hope is near [first line]
No full textstrophicpiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
114, Item 046Written by George Saville Carey, and Harmoniz'd by J. Bailey, Organist of the Cathedral, Chester
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