16,569 research outputs found
2001 Bach Festival Program
No full text13 p.The 2001 Bach Festival was performed May 13-19. The solo artists were Alfrelynn J. Roberts, Joseph Schreck, Howard Tejchma, David Stutz, Michael Long, Eric H. Strand, Lori Claussen, Susan Daniels, and Sara Quinn Rivera. It was directed by James Turner. The feature piece was named "Sing of Spring," and featured an assortment of folk songs, psalms, spirituals, and selections from American opera
Fantaisie chromatique / composée par J. S. Bach
No full textFANTAISIE CHROMATIQUE / COMPOSÉE PAR J. S. BACH
Fantaisie chromatique / composée par J. S. Bach (1)
Titelseite (1)
Fantasia Chromatica (2)
Fuga (8
1993 Bach Festival Program
No full text13 p.The 1993 Bach Festival was performed May 7-9, and May 15. The solo artists were Robert Humiston, Barry Ross, Paula Pugh Romanaux, Felix Friedrich, Richard Zeller, Martha J. Hart, Maria Jette, Mark Schowalter, and Victoria Walker. It was directed by Peter Hopkins. The feature piece was "Saul, an Oratorio in Three Acts.
Phantasie für Orgel / J. S. Bach
No full textPHANTASIE FÜR ORGEL / J. S. BACH
Phantasie für Orgel / J. S. Bach (1)
Umschlagtitel (1)
Titelblatt (3)
Phantasie (5)
Zwei Gesänge. No. 1. Unter den dunklen Linden (8)
No. 2. Mein Herz ist im Hochland (10)
Vierstimmiger Gesang aus einer Motette (12)
Stille Thränen (15)
Cover (18
XV Simphonies Pour le Clavecin / composées par J. S. Bach
No full textXV SIMPHONIES POUR LE CLAVECIN / COMPOSÉES PAR J. S. BACH
XV Simphonies Pour le Clavecin / composées par J. S. Bach (1)
Titelseite (1)
Noten (2
Fuge für Clavier od. Orgel : [bisher ungedruckt] / J. S. Bach
No full textFUGE FÜR CLAVIER OD. ORGEL : [BISHER UNGEDRUCKT] / J. S. BACH
Fuge für Clavier od. Orgel : [bisher ungedruckt] / J. S. Bach (1)
Umschlagtitel (1)
Titelblatt (3)
Fuge (5)
Religioso (11)
Abschied (16)
Gigue (18)
Cover (20
Dr. J. Fred Wolle and his 1920-21 Bach Choir
No full textA panoramic photograph of the 1920-21 Bach Choir in front of Packer Memorial Church with an inset photograph of Conductor J. Fred Wolle. The Bach Choir of Bethlehem, the oldest Bach choir in the United States, promotes and encourages appreciation of Bachs music through performance and education. The Choir has performed to critical acclaim at venues around the world, including the Royal Albert Hall, the Kennedy Center and Carnegie Hall. Recently, it has made a number of compact discs that are commercially available. The annual Bethlehem Bach Festival, featuring the choir, celebrated its 100th anniversary in 2007
J.C. Bach's London keyboard sonatas : style and context
No full textJ. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never
found its way into the concert repertoire. The accompanied sonata was a genre meant for domestic performance; the solo keyboard sonata, on
the other hand, was adopted in due course by concert audiences. J. C. Bach composed works within both genres during most of his productive years, and his output constitutes a corpus of remarkable consistency. J. C. Bach's removal to London in 1762 coincided with his clear adoption of a galant style, marked by the Italianate influence, and the abandonment of most Baroque traits. The British milieu provided additional factors: the rise of the pianoforte, a thriving music-publishing market, and a great interest in domestic music making among the affluent classes. These factors marked J. C. Bach's output at various levels. Keyboard works had to conform to the proficiency of the amateur performer, a
fact reflected in the accompanied output mostly. The number of movements, their length, and the inclusion of particular technical devices are readily observable differences between the two genres. The most remarkable
distinction lies perhaps in the preference for binary sonata format in the accompanied. sonatas from the mid 1760s to the 1770s, in spite of a later tendency for tripartite designs in both genres. J. C. Bach's lifelong preference for motivic phrase structure conditioned his keyboard production and partly explains the gap in quality between some of his works and sonatas composed around the same time by Haydn and Mozart, who developed more effective means to connect the melodic material
to higher structural units. J. C. Bach's influence, however, endured in Mozart's handling of melody, and his keyboard production constitutes, in spite of some flaws, a noteworthy example of elegance and craftsmanship
Transcriptions pour piano / par Camille Saint-Saëns ; [d'après J. S. Bach]
No full textTitre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Wir danken dir, Gott, wir danken dir. BWV 29. Sinfonia. Piano. R 215, no 1]Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Ach Gott, wie manches Herzeleid. BWV 3. Adagio. Piano. R 215, no 2]Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Liebster Gott, wenn werd ich sterben. BWV 8. Andantino. Piano. R 215, no 3]Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Partitas. Violon. No 1. BWV 1002. Si mineur. Tempo di borea. Piano. R 215, no 4]Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Sonates. Violon. No 2. BWV 1003. La mineur. Andante. Piano. R 215, no 5]Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [Transcriptions. Bach, Johann Sebastian. Geist und Seele wird verwirret. BWV 35. Sinfonia. Piano. R 215, no 6]Collection : Classiques et romantiques ; 38Collection : Classiques et romantiques ; 38Comprend : Ouverture / de J. S. Bach ; Adagio / de J. S. Bach ; Andantino / de J. S. Bach ; Gavotte / de J. S. Bach ; Andante / de J. S. Bach ; Presto / de J. S. BachPiano, Musique de (musique
Christina Kiss, Semi-finals (Selection), 6th Van Cliburn Competition (1981)
No full textFrench suite no. 6 in E major, BWV 817. Polonaise / J. S. Bach -- French suite no. 6 in E major, BWV 817. Bourrée / J. S. Bach -- French suite no. 6 in E major, BWV 817. Menuet / J. S. Bach -- French suite no. 6 in E major, BWV 817. Gigue / J. S. Bach
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