38,658 research outputs found
[Amnesty Letter] ID212 / Reed, J. E.
This letter was written by J. E. Reed to President Andrew Johnson in response to the President's Amnesty Proclamation of 29 May 1865. The writer indicates his county of residence as Buncombe Co., NC and does not state his occupation
Note from J. H. Skinner to Reed
Note relaying that a copy of the letter (ID Number UA9b001f063i001) from M. W. Gardener detailing J. C. Arthur's reprint collection, was given to Reed for approval of the purchas
Letter from J. H. Skinner to H. J. Reed
Letter regarding inventory of J. C. Arthur's reprints, with annotations from H. J. Ree
Featured Speaker: Dwayne Reed
Dwayne Reed is an educator, speaker, author, and rapper. Catapulted by his blockbuster video Welcome to the Fourth Grade, Mr. Reed has been featured on Good Morning America, World News Tonight, BBC News, The Jimmy Kimmel Live Show, and in The Washington Post and Time Magazine. Mr. Reed, an EIU graduate, will share about his teaching journey to guide you on yours
Reed, J J, NX14515
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/412615Surname: REED. Given Name(s) or Initials: J J. Military Service Number or Last Known Location: NX14515. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 4114.229325
Item: [2016.0049.44877] "Reed, J J, NX14515
The use of reed canary-grass (Phalaris arundinacea) as a short fibre raw material for the pulp and paper industry
This thesis describes the use of delayed harvested reed canary-grass (Phalaris arundinacea) as a short fibre raw material for the pulp and paper industry. This study examines the following aspects of reed canary-grass: quality, transportation, storage, refining of the raw material by dry fractionation, chemical pulping, bleaching and paper production. The delayed harvesting method of reed canary-grass produces an economically and environmentally sustainable short fibre raw material for the pulp and paper industry. The ash content and fibre properties of reed canary-grass depend on soil type and growing location. The yearly variation in fibre yield and fibre properties is also considerable. There is, however, a potential for minimising quality variations by choosing reed canary-grass varieties suitable to a specific growing location. The leaf and leaf sheath content of reed canary-grass also affects the quality of the pulp. These quality variations can be eliminated by dry fractionation, a method that removes the unwanted parts of the grass. These unwanted parts can be used as a valuable bio-fuel raw material. Transport of reed canary grass after fractionation can be improved by briquetting, a method that doubles the transport capacity of reed canary-grass compared to that of birch logs on a fibre basis. High quality short fibre chemical pulp can be produced from reed canary-grass. The whole process from grass production to pulp production has been demonstrated successfully in full scale. Bleached reed canary-grass pulp can be used in products such as fine paper and white-top liner paper
Illuminated address presented to The Honorable W.M. Hughes MHR, President, Australian Allied Unions Conference, 1914 [picture] /
"J.W. Reed, Illuminator, 49 Clarence St."--Lower left.; Part of William Morris Hughes collection.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an10331089; Exhibited: Billy Hughes at War, Old Parliament House, 15 February 2008 - December 2008 AuCNL; R11248
Barbara Reed
Cigarette card featuring left side profile of Barbara Reed, with information relating to her screen career of the mid to late 1930s on the reverse
Fred Reed, J. O. Walker, Ed Reed, John Reed, and Ada Reed
Photograph of Fred Reed, J. O. Walker, Ed Reed, John Reed, and Ada (James) Reed picking peaches and apples at J.O. Walker's Orchard, Farry, Oklahoma Territory, c. 1900
J. Reed Moore portrait - shot 3, 1961
J. Reed Moore formal portraitKendall Webb Collectio
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