1,623 research outputs found
Flying Fruit Fly Circus Big Top, Swan Street (Richmond, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue type: Big Top. Venue name: Flying Fruit Fly Circus Big Top, Swan Street, Richmond. Producer: Circus Oz. Date: 11 November 1990. Circus Oz archive notes: Tent season in Punt Rd and Shaw Street, 3pm.Circus Oz video recording 1990 - Richmond, Australia - Flying Fruit Fly Circus Big Top, Swan Street - 11 November.0:00:08-0:04:00 Intro, Audience warmup --- 0:04:00-0:07:10 Kissing Booths 1 (Susie Dee, Alan Clarke) --- 0:07:10-0:17:00 Pole (Matthew Hughes, Derek Ives, Elaine Stevens, Natalie Dyball, Tim Coldwell, Alan Clarke, Lisa Small, Anni Davey) --- 0:17:00-0:19:03 Wheelbarrow (Peter Murphy, Natalie Dyball, Derek Ives) --- 0:19:03-0:23:30 Adagio (Lisa Small, Anni Davey) --- 0:23:30-0:23:55 Matt's hero 1 (Steven Richardson, Matthew Hughes) --- 0:23:55-0:28:35 Slackwire (David Joseph, Scott Grayland, Derek Ives) --- 0:28:35-0:30:20 Tightwire (Elaine Stevens, David Joseph) --- 0:30:20-0:31:49 Hero number 2 (Matthew Hughes, Susie Dee) --- 0:31:49-0:34:10 Blender (Derek Ives) --- 0:34:10-0:38:34 Hoops (Elaine Stevens, Scott Grayland, Matthew Hughes, Natalie Dyball, Alan Clarke, Lisa Small) --- 0:38:34-0:41:45 Teddy Bear Hoops (Matthew Hughes, Susie Dee) --- 0:41:45-0:45:23 Roofwalk (Tim Coldwell, Julie McInnes, David Joseph, Natalie Dyball) --- 0:45:05-0:49:15 Double Trapeze (Lisa Small, Anni Davey, Natalie Dyball, Steven Richardson) --- 0:49:15-0:51:00 Musical Transition --- 0:51:00-0:56:05 Trampoline (Matthew Hughes) --- 0:56:05-0:56:57 Umbrella Transition --- 0:56:56-1:02:23 Cloud Swing --- 1:02:23-1:08:24 Teddy Bear & Cannon (Alan Clarke) --- 1:08:24-1:09:50 Acrobatics --- 1:09:50-1:14:26 Wheelbarrow Rola Bola --- 1:14:26-1:18:35 Untitled --- 1:18:35-1:27:27 Trapeze --- 1:27:27-1:29:03 Kissing Booth 3 --- 1:29:03-1:34:24 Curtain Call --- 49:20:00-0:51:00 bells (Tim Coldwell, David Joseph, Derek Ives, Julie McInnes
Ep. #184 - Natalie Loveless
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Dominic and Cymene celebrate the one thing the USA ever did right—Mr. Rogers. And we wonder whether there is such a thing as Canadian BBQ. Then (13:02) the delightful Natalie Loveless (http://loveless.ca/about) joins the pod. She is the author of a forthcoming book with Duke University Press, How to Make Art at the End of the World: A Manifesto for Research-Creation, and that’s where we begin the conversation with a discussion of the relatively new domain of “research-creation” in Canadian higher education and its potential to help expand who belongs in universities and their modes of legitimate practice. We turn from there to the dilemmas of teaching climate catastrophe to students and her new book project, Sensing the Anthropocene: Aesthetic Attunement in an age of Urgency, which connects research-creation to climate justice. We talk about relation as artistic form and why she thinks it is so crucial that Anthropocene art pursue ecological forms that rupture the systems that brought us to our present circumstances. Finally, we discuss why it’s important not to be captured by the tools and temporalities of university audit culture, her thoughts on the Anthropocene concept as lure and barnacle, and how we might build a feminist university of creativity, experiment and with an eros that is cathected, committed and sustaining
Natalie Daise reads De Nyew Testament, Luke 2:1-4
No full textVisual and performing artist Natalie Daise reads a passage from the Gullah Sea Island Creole Translation of the New Testament. She then reads the parallel passage in the King James Version. Natalie and her husband, Ron, worked on the translation of the Bible into Gullah. Keywords: Gullah Language, Bible, GUL
First person – Natalie Farrawell
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Natalie Farrawell is the first author on ‘SOD1A4V aggregation alters ubiquitin homeostasis in a cell model of ALS’, published in Journal of Cell Science. Natalie is a Senior Research Assistant in the lab of Justin Yerbury at the Illawarra Health and Medical Research Institute, University of Wollongong, Australia, investigating the molecular processes underpinning amyotrophic lateral sclerosis (ALS), with a particular emphasis on protein misfolding, protein aggregation and inclusion formation.</jats:p
P stones and provos : group violence in Northern Ireland and Chicago
No full textAlthough the government of the United States of America was established to protect the rights to life, liberty and the pursuit of happiness among all American citizens, this thesis argues intractable gang violence in inner-city Chicago has persistently denied these rights, in turn undermining fundamental (and foundational) American political values. Thus, gang violence can be argued to represent a threat to both civil order and state legitimacy. Yet, where comparable (and generally lower) levels of community-level violence in Northern Ireland garnered the sustained attention and direct involvement of the United Kingdom's central government, the challenge posed by gang violence has been unappreciated, if not ignored, by the American federal government. In order to mobilise the political commitment and resources needed to find a durable resolution to Chicago's long and often anarchic 'uncivil war', it is first necessary to politicise the problem and its origins. Contributing to this politicisation, this thesis explains why gang violence in Chicago has been unable to capture the political imagination of the American government in a way akin to paramilitary (specifically republican) violence in Northern Ireland. Secondly, it explains how the depoliticisation of gang violence has negatively affected response, encouraging the continued application of inadequate and largely ineffective response strategies. Finally, it makes the case that, while radical, a conditional agreement-centric peace process loosely modelled on that employed in Northern Ireland might offer the most effective strategy for restoring the sense of peace and security to inner-city Chicago lost over half a century ago
Melbourne Town Hall (Melbourne, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue name: Melbourne Town Hall. Date: 14 September 1991. Circus Oz archive notes: Town Hall, Melbourne, 8:00 PM.Circus Oz video recording 1991 - Melbourne, Australia, Melbourne Town Hall - 14 September.0:00:00-0:06:16 audience warmup (Susie Dee, Derek Ives, Tim Coldwell) --- 0:06:16-0:08:18 Character intros (Tim Coldwell, Derek Ives, Susie Dee, Darren Perkins) --- 0:08:18-0:16:20 Pole (Simon Yates, Chris Sleight, Lisa Small, Tim Coldwell, Antonella Casella, Michael Ling) --- 0:16:20-0:25:42 Chairs (Julie McInnes, Tim Coldwell, Susie Dee) --- 0:25:42-0:29:02 adagio (Antonella Casella, Chris Sleight) --- 0:29:02-0:34:28 Group juggle (Michael Ling, Lisa Small, Peter Murphy, Derek Ives) --- 0:34:28-0:37:09 Duelling Accordions (Isabelle Servais, Shirley Billing) --- 0:37:09-0:40:09 Double Cello (Tim Coldwell, Isabelle Servais, Shirley Billing, Susie Dee, Julie McInnes) --- 0:40:09-0:43:06 Wheelbarrow (Michael Ling, Derek Ives) --- 0:43:06-0:49:46 Flying Burtons (Tim Coldwell, Julie McInnes, Simon Yates, Michael Ling, Isabelle Servais, Susie Dee, Lisa Small) --- 0:49:46-0:51:00 bells walk through (Susie Dee, Tim Coldwell, Derek Ives, Julie McInnes) --- 0:51:00-0:58:00 web (Antonella Casella, Chris Sleight) --- 0:58:00-1:00:56 bells (Shirley Billing, Susie Dee, Julie McInnes, Tim Coldwell) --- 1:00:56-1:07:18 Picnic (Tim Coldwell, Susie Dee, Simon Yates) --- 1:07:18-1:10:56 Cloudswing (Isabelle Servais) --- 1:10:56-1:16:15 Long legs/long arms (Antonella Casella, Chris Sleight, Darren Perkins, Shirley Billing) --- 1:16:15-1:19:20 upside down drumming (Tim Coldwell, Shirley Billing, Isabelle Servais, Simon Yates, Michael Ling, Susie Dee) --- 1:19:20-1:26:59 roofwalk (Tim Coldwell, Julie McInnes, Pete Murphy, Michael Ling) --- 1:26:59-1:29:00 Kissing Booths (Susie Dee, Simon Yates) --- 1:29:00-1:34:30 hoops (Michael Ling, Simon Yates, Lisa Small, Antonella Casella, Chris Sleight) --- 1:34:30-1:40:07 credits (Bill Vickers, Nicci Wilks, Carmel Duffy, Clare Gallagher, Tim Coldwell, Derek Ives, Susie Dee, Darren Perkins, Lisa Small, Scott Grayland, Chris Sleight, Simon Yates, Michael Ling, Natalie Dyball, Antonella Casella, Julie McInnes, Peter Murphy, Shirley Billing, Isabelle Servais, Pete Murphy
Examining Delinquency in Wave 3 of Welfare, Children, and Families (ICPSR 4701) Data
No full textPSY 5360N Final Project 2021 - Durkee
Author: Natalie S. Tucke
Examining Delinquency in Wave 3 of Welfare, Children, and Families (ICPSR 4701) Data
No full textPSY 5360N Final Project 2021 - Durkee
Author: Natalie S. Tucke
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