1,720,967 research outputs found
Service and Pro-Existence in the Thought of the Romanian Theologian Dumitru Staniloae: A Path for the Orthodox Church Facing the Challenges of Globalization
“Pro-existence” is a concept developed by 20th century western Christian theologians to describe the service of the Church facing contemporary challenges. The leading Romanian theologian Dumitru Staniloae (1903–1993) took this further by expressing his Orthodox understanding of the relationship between service and pro-existence. The article explores Staniloae’s call for Orthodox Christians to serve not only people from other denominations, but those from other religions, as well as atheists. He depicted human pro-existence as an “existential impetus” towards serving the one in need, an impetus that the Orthodox Church should more visibly exercise. In a gentle, non-critical approach, Staniloae argues that the Orthodox Churches concentrated on liturgical service to God, while leaving service to people underdeveloped. The path ahead for the Orthodox Church will be the development of a harmonious multi-level understanding of pro-existence to hear and respond, as a “Serving” Church, to the needs of any human being
From Sacrifice to Gift: Aesthetic and Moral Aspects of the Experience of Awe for the Natural Environment
Awe and Artifacts: Religious and Scientific Endeavor
The article takes as its point of departure the reflections of Henry Adams and Jacques Ellul on the possible gradual replacement of objects used in religious worship with objects used in technological worship, and advances the hypothesis that such a substitution is unlikely. Using information from psychology, history of religions, and history of science, the perspective proposed is that of a parallel historical analogous development of both religious and scientific attitudes of awe by the use of artifacts carrying two functions: firstly, to coagulate social participation around questions dealing with humanity’s destiny and interpersonal relationships across communities, and secondly to offer cultural coherence through a communal sense of social stability, comfort, and security. I argue that, though animated by attitudes of awe (“awefull”), both leading scientists and religious founders have encountered the difficulty in representing and introducing this awe to the large public via “awesome” artifacts. The failure to represent coherently the initial awe via artifacts may give rise to “anomalous awefullness”: intolerance, persecutions, global conflicts
Samson, Antigone, and the charismatic agonistes: From a “pro‐power” to a “pro‐existence” political engagement
Contemporary Uses of the Golden Rule of Reciprocity in Abrahamic Interfaith Discourses
The second half of the twentieth and the beginning of the twenty-first centuries have witnessed a revival of the Golden Rule arguments in relation to the idea of religious toleration. Apologizing or acknowledging apologies for past mistakes, the Abrahamic religions have produced a series of texts inviting further ethical and theological discussions with the purpose of facilitating reconciliation and working to maintain a sustainable world peace. Inspired by three groundbreaking texts, Nostra Aetate (1965), Dabru Emet (2000), and A Common Word (2007), representatives of all three monotheisms have produced a number of important commentaries, responses, and critiques with the purpose of clarifying some key points that both unite and separate the interpretations, given the familiar look of common doctrinal and moral teachings. </jats:p
⚘ The Agonistic Dimension of Peircean Semiotics and Its Postmodern Interpretations: Sebeok, Deely, Petrilli ☀ Ionut Untea
Be aware... and you will be mindful of a notable ambiguity in semiotics as well as of those who have masterfully strived to transcend it.
This event, commented on by Elize Bisanz (Texas Tech University) and chaired by William Passarini (Institute for Philosophical Studies), is part of the activities of the 2022 International Open Seminar on Semiotics: a Tribute to John Deely on the Fifth Anniversary of His Passing, cooperatively organized by the Institute for Philosophical Studies of the Faculty of Arts and Humanities of the University of Coimbra, the Lyceum Institute, the Deely Project, Saint Vincent College, the Iranian Society for Phenomenology at the Iranian Political Science Association, the International Association for Semiotics of Space and Time, the Institute for Scientific Information on Social Sciences of the Russian Academy of Sciences, the Semiotic Society of America, the American Maritain Association, the International Association for Semiotic Studies, the International Society for Biosemiotic Studies, the International Center for Semiotics and Intercultural Dialogue, Moscow State Academic University for the Humanities and the Mansarda Acesa with the support of the FCT - Foundation for Science and Technology, I.P., of the Ministry of Science, Technology and Higher Education of the Government of Portugal under the UID/FIL/00010/2020 project.
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Ionut Untea is currently a fellow-in-residence at the Akademie Schloss Solitude, in Stuttgart, where he is researching on the semioethic and aesthetic coordinates of the “social compact” and intercorporeal relationships. In 2021, he has taught a course entitled “Intercultural Philosophy: Semiotic Approaches and Aesthetic Themes” as a Visiting Professor at Università degli Studi di Bari Aldo Moro. Since 2016, he has been teaching History of Western Philosophy and Semiotics at Southeast University, Nanjing. He previously taught at the University of La Rochelle, and was a postdoctoral fellow of the Foundation for Interreligious and Intercultural Research and Dialogue (FIIRD) at the University of Geneva. He obtained his doctorate in 2013 at Ecole Pratique des Hautes Etudes (EPHE), in Paris. He holds Romanian citizenship, having obtained his first degrees in philosophy and theology at the University of Bucharest. His focus is on the modern and contemporary intersections between semiotic, moral, political and religious thought. He has published recently “Peircean and Confucian Interpretations of Self-Development: Semiotic, Normative and Aesthetic Aspects,” Philosophy East and West 72.1: January 2022: 188–209. His recent work has appeared in academic journals such as The American Journal of Semiotics (2021), Semiotica (2021), Ethical Perspectives (2021, 2019), Philosophical Forum (2019), Journal of Aesthetic Education (2020), Politics and Religion (2019), The Monist (2018).
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Dr. Bisanz's education includes an MA (Philosophy) from the University of Lüneburg in Germany; Graduate Studies in Jacques Derrida's philosophy Seminars at l'École des Hautes Études en Sciences Sociales, Paris; a Ph.D. (History of Communication Sciences) from the Technische University of Berlin; and a post-doc Habilitation Degree (Image Studies), from the University of Lüneburg. Bisanz has published several interdisciplinary books reflecting her educational background; these include a major European edition of Peirce's writings The Logic of Interdisciplinarity: Charles S. Peirce, The Monist Series (Akademie-Verlag, Berlin, 2009), which was realized with the aid of research and publication grants from State and private endowments; Prolegomena to a Science of Reasoning: Phaneroscopy, Semeiotic, Logic, which is a collection of manuscripts by Peirce on reasoning (Peter Lang Publishers, Berlin, 2016); Overcoming the Iconic Turn: Cultural Concepts of Images [in German: Die Überwindung des Ikonischen: Kulturwissenschaftliche Perspektiven der Bildwissenschaft] (transcript Verlag, Hamburg, 2010). Bisanz is a member of the advising board of the Deutsche Gesellschaft für Semiotik and chair of the society's subdivision for Cultural Studies. Since her Fulbright scholarship in 2006 at Texas Tech University, Bisanz has been an active member of the Institute for Studies in Pragmaticism. She has organized several international congresses dedicated to Peirce and interdisciplinary research.
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Homepage: https://www.uc.pt/fluc/uidief/io2s
Auditorium: https://www.uc.pt/fluc/uidief/io2s/auditorium
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Technical support assured by Robert Junqueira.
The cover image for the video was designed by Zahra Soltani
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