4,575 research outputs found
Hogaku Shimpo. The Chuo Law Review (vol. 104, n° 1, nov. 1997). ; Papers dedicated to the memory of the late Professor Makoto Takahashi. Édité par Y. Yoshida
No full textInoue Nozomi. Hogaku Shimpo. The Chuo Law Review (vol. 104, n° 1, nov. 1997). ; Papers dedicated to the memory of the late Professor Makoto Takahashi. Édité par Y. Yoshida. In: Dix-huitième Siècle, n°31, 1999. Mouvement des sciences et esthétique(s) sous la direction de Christine Rolland, François Azouvi et Michel Baridon. p. 543
Letter from Makoto Okine to Mr. Okine, June 28, 1945
No full textA letter from Makoto Okine in Lecce, Italy to his father, Seiichi Okine, in the Rohwer incarceration camp in Arkansas. It is mailed via New York by the US Army Postal Service. In the letter, Makoto assumes that not many people participate in the bonodori event in the camp this time because many of the young people left the camp either for work or being drafted. He also talks about the U.S. government recruitment of eligible Japanese American students and volunteers for M.I.S.The Okine Collection contains materials collected by Seiichi and Tomeyo Okine who were Issei flower growers in Whittier, California. It includes correspondence, photographs, financial documents, and a photo album. A large portion of the collection consists of family correspondence with Seiichi and Tomeyo Okine, including letters from their Nisei children, Masao and Makoto Okine, both soldiers overseas during World War II, to their Issei parents incarcerated in the Rohwer incarceration camp in McGehee, Arkansas. The correspondence also includes letters from their relatives and friends who are former incarcerees in the camps during the war and have “resettled” in Chicago, Illinois as well as letters from the Okines’ family members in Hiroshima, Japan during the Allied occupation of Japan. In addition, the collection includes a family photo album compiled by Dorothy Ai Aoki, a Nisei daughter to the Okines
Western Union telegraph from Makoto Okine to S. Okine. August 20, 1946
No full textA Western Union telegram from Makoto Okine to his father Seiichi Okine in Whittier, California. It notifies of Makoto's arrival to Beale Air Force Base, California from Europe where he has been stationed as a Nisei soldier.The Okine Collection contains materials collected by Seiichi and Tomeyo Okine who were Issei flower growers in Whittier, California. It includes correspondence, photographs, financial documents, and a photo album. A large portion of the collection consists of family correspondence with Seiichi and Tomeyo Okine, including letters from their Nisei children, Masao and Makoto Okine, both soldiers overseas during World War II, to their Issei parents incarcerated in the Rohwer incarceration camp in McGehee, Arkansas. The correspondence also includes letters from their relatives and friends who are former incarcerees in the camps during the war and have “resettled” in Chicago, Illinois as well as letters from the Okines’ family members in Hiroshima, Japan during the Allied occupation of Japan. In addition, the collection includes a family photo album compiled by Dorothy Ai Aoki, a Nisei daughter to the Okines
sj-pdf-1-inq-10.1177_00469580221091397 – Supplemental Material for Forecasting of Future Medical Care Expenditure in Japan Using a System Dynamics Model
No full textSupplemental Material, sj-pdf-1-inq-10.1177_00469580221091397 for Forecasting of Future Medical Care Expenditure in Japan Using a System Dynamics Model by Sachie Inoue, Hua Xu, Jean-Claude Maswana and Makoto Kobayashi in INQUIRY: The Journal of Health Care Organization, Provision, and Financing</p
Contemporary Art in Japan and Cuteness in Japanese Popular Culture
No full textThis thesis is an art historical study focussing on contemporary Japan, and in particular the artists Murakami TakashL Mori Mariko, Aida Makoto, and Nara Yoshitomo. These artists represent a generation of artists born in the 1960s who use popular culture to their own ends. From the seminal exhibition 'Tokyo Pop' at Hiratsuka Museum of Art in 1996 which included all four artists, to Murakami's group exhibition 'Little Boy: The Arts of Japan's Exploding Subculture' which opened in April 2005, central to my research is an exploration of contemporary art's engagement with the pervasiveness of cuteness in Japanese culture.
Including key secondary material, which recognises cuteness as not merely something trivial but involving power play and gender role issues, this thesis undertakes an interdisciplinary analysis of cuteness in contemporary Japanese popular culture, and examines howcontemporary Japanese artists have responded, providing original research through interviews with Aida Makoto, Mori Mariko and Murakami Takashi. Themes examined include the deconstruction of the high and low in contemporary art; sh6jo (girl) culture and cuteness; the relation of cuteness and the erotic; the transformation of cuteness into the grotesque; cuteness and nostalgia; and virtual cuteness in Japanese science fiction animation, and computer games.
Director of Studies: Toshio Watanabe
Supervisors: David Ryan and Omuka Toshihar
Statement by [John] Victor Carson on Makoto Miyakawa, April 28, 1942
No full textStatement that to the knowledge of Mr. Carson that Makoto Miyakawa is an upstanding citizen
Supplemental Material - Origin of M2 Mϕ and its macrophage polarization by TGF-β in a mice intervertebral injury model
No full textSupplemental Material for Origin of M2 Mϕ and its macrophage polarization by TGF-β in a mice intervertebral injury model by Ayumu Kawakubo, Masayuki Miyagi, Yuji Yokozeki, Mitsufumi Nakawaki, Shotaro Takano, Masashi Satoh, Makoto Itakura, Gen Inoue, Masashi Takaso, and Kentaro Uchida in International Journal of Immunopathology and Pharmacology</p
The Fox and the Grapes
No full textThis is a 28-page large-format pamphlet that needs a plain brown wrapper. It is titled (in English) The fox and the grapes. The title-page has a clear English announcement Adult only. The bulk of the book is then a black-and-white graphic novelette that is indeed graphic! From my quick look I have little sense of how the fable of the fox and the grapes is played out in this intense sexual adventure (or adventures?). I offer one last word of warning. Do some or all Japanese books work from our back to our front? The pages, I notice, are numbered that way, and now I see that what I took for the back cover is an appropriate cover with the same English title and warning as the title-page. Aesop provokes a great deal!Language note: JapaneseKanon: Makoto Sawatori and Mishio Aman
DS1_JVDI_10.1177_1040638718796269 – Supplemental material for Congenital abnormalities in calves associated with Peaton virus infection in Japan
No full textSupplemental material, DS1_JVDI_10.1177_1040638718796269 for Congenital abnormalities in calves associated with Peaton virus infection in Japan by Yoichi Matsumori, Maki Aizawa, Yoshiko Sakai, Daisuke Inoue, Michiko Kodani, Osamu Tsuha, Akira Beppu, Yoshimasa Hirashima, Ryota Kono, Akifumi Ohtani, Tohru Yanase, Hiroaki Shirafuji, Tomoko Kato, Shogo Tanaka and Makoto Yamakawa in Journal of Veterinary Diagnostic Investigation</p
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